This book is dedicated to Rob Wilkins, who typed most of it and had the good sense to laugh occasionally. And to Colin Smythe for his encouragement.

The chant of the goddess Pedestriana is a parody of the wonderful poem ‘Brahma’ by Ralph Waldo Emerson, but of course you knew that anyway.

It was midnight in Ankh-Morpork’s Royal Art Museum[1].

It occurred to new employee Rudolph Scattering about once every minute that on the whole it might have been a good idea to tell the Curator about his nyctophobia, his fear of strange noises and, he now knew, his fear of absolutely every thing he could see (and, come to that, not see), hear, smell and feel crawling up his back during the endless hours on guard during the night. It was no use telling himself that everything in here was dead. That didn’t help at all. It meant that he stood out.

And then he heard the sob. A scream might have been better. At least you are certain when you’ve heard a scream. A faint sob is something you have to wait to hear again, because you can’t be sure.

He raised his lantern in a shaking hand. There shouldn’t be anyone in here. The place was securely locked; no one could get in. Or, now he came to think about it, out. He wished he hadn’t thought about it.

He was in the basement, which was not among the most scary places on his round. It was mostly just old shelves and drawers, full of the things that were almost, but very definitely not entirely, thrown away. Museums don’t like things to be thrown away, in case they turn out to be very important later on.

Another sob, and a sound like the scraping of… pottery?

A rat, then, somewhere on the rear shelves? Rats didn’t sob, did they?

‘Look, I don’t want to have to come in there and get you!’ said Scattering with heartfelt accuracy.

And the shelves exploded. It seemed to him to happen in slow motion, bits of pottery and statues spreading out as they drifted towards him. He went over backwards and the expanding cloud passing overhead crashed into the shelves on the other side of the room, which were demolished.

Scattering lay on the floor in the dark, unable to move, expecting at any moment to be torn apart by the phantoms bubbling up from his imagination…

The day staff found him there in the morning, deeply asleep and covered in dust. They listened to his garbled explanation, treated him kindly, and agreed that a different career might suit his temperament. They wondered for a while about what he had been up to, night watchmen being rather puzzling people at the best of times, but put it out of their heads… because of the find.

Mr Scattering then got a job in a pet shop in Pellicool Steps, but left after three days because the way the kittens stared at him gave him nightmares. The world can be very cruel to some people. But he never told anyone about the gloriously glittering lady holding a large ball over her head who smiled at him before she vanished. He did not want people to think he was strange.

But perhaps it is time to talk about beds.

Lectrology, the study of the bed and its associated surroundings, can be extremely useful and tell you a great deal about the owner, even if it’s only that they are a very knowing and savvy installations artist.

The bed of Archchancellor Ridcully of Unseen University, for example, is at the very least a bed and a half, being an eight-poster. It encompasses a small library and a bar, and artfully includes a shut-away privy, of mahogany and brass throughout, to save those long cold nocturnal excursions with their concomitant risk of tripping over slippers, empty bottles, shoes and all the other barriers presented to a man in the dark who is praying that the next thing that stubs his toe will be porcelain, or at least easy to clean.

The bed of Trevor Likely is anywhere: a friend’s floor, in the hayloft of any stable that has been left unlocked (which is usually a much more fragrant option), or in a room of an empty house (though there are precious few of those these days); or he sleeps at work (but he is always careful about that, because old man Smeems never seems to sleep at all and might catch him at any time). Trev can sleep anywhere, and does.

Glenda sleeps in an ancient iron bed[2], whose springs and mattress have gently and kindly shaped themselves around her over the years, leaving a generous depression. The bottom of this catenary couch is held off the floor by a mulch of very cheap, yellowing romantic novels of the kind to which the word ‘bodice’ comes naturally. She would die if anyone found out, or possibly they will die if she finds out that they have found out. Usually there is, on the pillow, a very elderly teddy bear called Mr Wobble.

Traditionally, in the lexicon of pathos, such a bear should have only one eye, but as the result of a childhood error in Glenda’s sewing, he has three, and is more enlightened than the average bear.

Juliet Stollop’s bed was marketed to her mother as fit for a princess, and is more or less like the Archchancellor’s bed, although almost all less, since it consists of some gauze curtains surrounding a very narrow, very cheap bed. Her mother is now dead. This can be inferred from the fact that when the bed collapsed under the weight of a growing girl, someone raised it up on beer crates. A mother would have made sure that at least they were, like everything else in the room, painted pink with little crowns on.

Mr Nutt was seven years old before he found out that sleeping, for some people, involved a special piece of furniture.

Now it was two o’clock in the morning. A cloying silence reigned along the ancient corridors and cloisters of Unseen University. There was silence in the Library; there was silence in the halls. There was so much silence you could hear it. Everywhere it went, it stuffed the ears with invisible fluff.

Gloing!

The tiny sound flew past, a moment of liquid gold in the stygian silence.

Silence ruled again above stairs, until it was interrupted by the shuffling of the official thick-soled carpet slippers of Smeems, the Candle Knave, as he made his rounds throughout the long night from one candlestick to another, refilling them from his official basket. He was assisted tonight (although, to judge from his occasional grumbling, not assisted enough) by a dribbler.

He was called the Candle Knave because that was how the post had been described in the university records when it was created, almost two thousand years before. Keeping the candlesticks, sconces and, not least, the candelabra of the university filled was a never-ending job. It was, in fact, the most important job in the place, in the mind of the Candle Knave. Oh, Smeems would admit under pressure that there were men in pointy hats around, but they came and went and mostly just got in the way. Unseen University was not rich in windows, and without the Candle Knave it would be in darkness within a day. That the wizards would simply step outside and from the teeming crowds hire another man capable of climbing ladders with pockets full of candles had never featured in his thoughts. He was irreplaceable, just like every other Candle Knave before him.

And now, behind him, there was a clatter as the official folding stepladder unfolded.

He spun around. ‘Hold the damn thing right!’ he hissed.

‘Sorry, master!’ said his temporary apprentice, trying to control the sliding, finger-crushing monster that every stepladder becomes at the first opportunity, and often without any opportunity at all.

‘And keep the noise down!’ Smeems bellowed. ‘Do you want to be a dribbler for the rest of your life?’