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The Moon Moth, 1The
houseboat had been built to the most exacting standards of Sirenese craftsmanship,
which is to say, as close to the absolute as human eye could detect. The planking
of waxy dark wood showed no joints, the fastenings were platinum rivets countersunk
and polished flat. In style, the boat was massive, broad-beamed, steady as the
shore itself, without ponderosity or slackness of line. The bow bulged like a
swan's breast, the stem rising high, then crooking forward to support an iron
lantern. The doors were carved from slabs of a mottled black green wood; the windows
were many-sectioned, paned with squares of mica, stained rose, blue, pale green
and violet. The bow was given to service facilities and quarters for the slaves;
amidships were a pair of sleeping cabins, a dining saloon and a parlor saloon,
opening upon an observation deck at the stern.
Such was Edwer Thissell's houseboat, but
ownership brought him neither pleasure nor pride. The houseboat had become shabby.
The carpeting had lost its pile; the carved screens were chipped; the iron lantern
at the bow sagged with rust. Seventy years ago the first owner, on accepting
the boat, had honored the builder and had been likewise honored; the transaction
(for the process represented a great deal more than simple giving and taking)
had augmented the prestige of both. That time was far gone; the houseboat now
commanded no prestige whatever. Edwer Thissell, resident on Sirene only three
months, recognized the lack but could do nothing about it: this particular houseboat
was the best he could get. He sat on the rear deck practising the ,
a zitherlike instrument not much larger than his hand. A hundred yards inshore,
surf defined a strip of white beach; beyond rose jungle, with the silhouette
of craggy black hills against the sky. Mireille shone hazy and white overhead,
as if through a tangle of spider-web; the face of the ocean pooled and puddled
with mother-of-pear luster. The scene had become as familiar, though not as
boring, as the ,
at which he had worked two hours, twanging out the Sirenese scales, forming
chords, traversing simple progressions. Now he put down the
for the ,
this a small sound-box studded with keys, played with the right hand. Pressure
on the keys forced air through reeds in the keys themselves, producing a concertinalike
tone. Thissell ran off a dozen quick scales, making very few mistakes. Of the
six instruments he had set himself to learn, the
had proved the least refractory (with the exception, of course, of the ,
that clacking, slapping, clattering device of wood and stone used exclusively
with the slaves).
Thissell practised another ten minutes,
then put aside the.
He flexed his arms, wrung his aching fingers. Every waking moment since his
arrival had been given to the instruments: the ,
He had practised scales in nineteen keys and four modes, chords without number,
intervals never imagined on the Home Planets. Trills, arpeggios, slurs; click-stops
and nasalization; damping and augmentation of overtones; vibratos and wolf-tones;
concavities and convexities. He practised with a dogged, deadly diligence, in
which his original concept of music as a source of pleasure had long become
lost. Looking over the instruments Thissell resisted an urge to fling all six
into the Titanic.
He rose to his feet, went forward through the parlor saloon, the dining saloon, along a corridor past the galley and came out on the fore-deck. He bent over the rail, peered down into the underwater pens where Toby and Rex, the slaves, were harnessing the dray-fish for the weekly trip to Fan, eight miles north. The youngest fish, either playful or captious, ducked and plunged. Its streaming black muzzle broke water, and Thissell, looking into its face, felt a peculiar qualm: the fish wore no mask!
Thissell laughed uneasily, fingering his own mask, the Moon Moth. No question about it, he was becoming acclimated to Sirene! A significant stage had been reached when the naked face of a fish caused him shock!
The fish were finally harnessed; Toby and Rex climbed aboard, red bodies glistening, black cloth masks clinging to their faces. Ignoring Thissell they stowed the pen, hoisted anchor. The dray-fish strained, the harness tautened, the houseboat moved north.
Returning to the after-deck, Thissell took
up the --
this a circular sound-box eight inches in diameter. Forty-six wires radiated
from a central hub to the circumference where they connected to either a bell
or a tinkle-bar. When plucked, the bells rang, the bars chimed; when strummed,
the instrument gave off a twanging, jingling sound. When played with competence,
the pleasantly acid dissonances produced an expressive effect; in an unskilled
hand, the results were less felicitous, and might even approach random noise.
Thissell's weakest instrument and he practised with concentration during the
entire trip north.
In due course the houseboat approached the floating city. The dray-fish were curbed, the houseboat warped to a mooring. Along the dock a line of idlers weighed and gauged every aspect of the houseboat, the slaves and Thissell himself, according to Sirenese habit. Thissell, not yet accustomed to such penetrating inspection, found the scrutiny unsettling, all the more so for the immobility of the masks. Self-consciously adjusting his own Moon Moth, he climbed the ladder to the dock.
A slave rose from where he had been squatting, touched knuckles to the black cloth at his forehead, and sang on a three-tone phrase of interrogation: "The Moon Moth before me possibly expresses the identity of Ser Edwer Thissell?"
Thissell tapped the
which hung at his belt and sang: "I am Ser Thissell."
"I have been honored by a trust," sang the slave. "Three days from dawn to dusk I have waited on the dock; three nights from dusk to dawn I have crouched on a raft below this same dock listening to the feet of the Night-men. At last I behold the mask of Ser Thissell."
Thissell evoked an impatient clatter from
"What is the nature of this trust?"
"I carry a message, Ser Thissell. It is intended for you."
Thissell held out his left hand, playing
his right. "Give me the message."
"Instantly, Ser Thissell."
The message bore a heavy superscription:
EMERGENCY COMMUNICATION! RUSH!
Thissell ripped open the envelope. The message was signed by Castel Cromartin, Chief Executive of the Interworld Policies Board, and after the formal salutation read:
ABSOLUTELY URGENT the following orders be executed! Aboard Carina Cruzeiro, destination Fan, date of arrival January 10 U.T., is notorious assassin, Haxo Angmark. Meet landing with adequate authority, effect detention and incarceration of this man. These instructions must be successfully implemented. Failure is unacceptable.
ATTENTION! Haxo Angmark is superlatively dangerous. Kill him without hesitation at any show of resistance.
Thissell considered the message with dismay. In coming to Fan as Consular Representative he had expected nothing like this; he felt neither inclination nor competence in the matter of dealing with dangerous assassins. Thoughtfully he rubbed the fuzzy gray cheek of his mask. The situation was not completely dark; Esteban Rolver, Director of the Spaceport, would doubtless cooperate, and perhaps furnish a platoon of slaves.
More hopefully, Thissell reread the message.
January 10, Universal Time. He consulted a conversion calendar. Today, 40th
in the Season of Bitter Nectar -- Thissell ran his finger down the column, stopped.
January 10. Today.
A distant rumble caught his attention. Dropping from the mist came a dull shape: the lighter returning from contact with the Carina Cruzeiro.
Thissell once more reread the note, raised his head, studied the descending lighter. Aboard would be Haxo Angmark. In five minutes he would emerge upon the soil of Sirene. Landing formalities would detain him possibly twenty minutes. The landing field lay a mile and a half distant, joined to Fan by a winding path through the hills.
Thissell turned to the slave. "When did this message arrive?"
The slave leaned forward uncomprehendingly.
Thissell reiterated his question, singing to the clack of the :
"This message: you have enjoyed the honor of its custody how long?"
The slave sang: "Long days have I waited on the wharf, retreating only to the raft at the onset of dusk. Now my vigil is rewarded; I behold Ser Thissell.
Thissell turned away, walked furiously up
the dock. Ineffective, inefficient Sirenese! Why had they not delivered the
message to his houseboat? Twenty-five minutes -- twenty-two now ...