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Predator
Predator
"HUNTER"
Written by
Jim Thomas and John Thomas
With Revision #1 (Pink)
April 17, 1986
With Revision #2 (Blue)
April 28, 1986
With Revision #3 (Yellow)
May 6, 1986
With Revision #4 (Green)
May 20, 1986
With Revision #5 (Goldenrod)
January 27, 1987
April 7, 1986
With Revision #6 (Goldenrod)
January 30, 1987
"HUNTER"
FADE IN
1 EXT. OUTER SPACE 1
The infinite blackness punctuated by a billion stars.
As we slowly DESCEND through the varied shades of blue
of the Earth's atmosphere, we HEAR the first strains of
a haunting, Central American FLUTE, joined by a swelling
background of JUNGLE SOUNDS. We descend further,
through a lush JUNGLE CANOPY, backlit by a setting sun.
DISSOLVE TO:
2 EXT. JUNGLE COASTLINE - DAY (MAGIC HOUR) 2
Through a collage of shimmering HEAT-WAVES, a dark,
OTHER-WORLDLY OBJECT drops INTO VIEW, backlit by the
fiery, ORANGE-RED sphere of a setting tropical SUN,
heading slowly towards us, floating, as if suspended by
the rising heat of the jungle.
Continuing to approach, the shimmering object resolves
into a MILITARY ASSAULT HELICOPTER, its rotors strobing
in the fading sunlight. Drawing closer, the SOUND of
powerful TURBINES, throbbing in the heavy air, becomes
dominant, overpowering.
Guided by COLORED SMOKE and LANDING LIGHTS, the chopper
looms hard INTO VIEW, pitching forward and settling to
the ground, kicking up a maelstrom of dust and vegetation
2-A INT. COMMAND POST - DAY (MAGIC HOUR) 2-A *
Where a MAN wearing a military UNIFORM watches through
the large open windows the helicopter as it continues
to approach. Before the skids have even touched down he
SEES the first of the MEN, dressed in CIVILIAN CLOTHES
but carrying full COMBAT GEAR, alight gracefully from
the chopper, double-timing in close order to one side,
the orders SHOUTED by one man lost in the ROAR of the
chopper.
The man turns away from the window, to a FIGURE, hidden *
in the shadows.
MAN *
He's here.
He turns back, lowering a BAMBOO SHADE, obscuring the *
window.
2
2-B EXT. HELICOPTER PAD - NIGHT 2-B *
On adjoining PADS, two other HELICOPTERS are VISIBLE; in
the b.g. can be SEEN several concrete and THATCHWORK
BUILDINGS, a secret command post disguised as a COASTAL
FISHING VILLAGE.
The post in a flurry of activity, AMERICAN ADVISORS
shouting directions to dozens of LATIN AMERICAN SOLDIERS
who stand by to assist the landing helicopter and to
lo
190
ad EQUIPMENT into the other choppers.
Inside the chopper, one man remains, stretched out against *
the bulkhead, as if asleep. He stirs, sits up, lighting *
up a CIGAR. With fatigue showing in his motion, he leans *
forward, descending to the ground. *
A JEEP pulls to stop, the man swinging casually into the
fa0
*
front seat, tossing his GEAR into the rear. With a *
lurch the jeep heads out towards the command post. *
In the doorway TWO MEN solemnly watch as the jeep
approaches. Reaching the command post the man alights
from the jeep, heading towards the two men.
Into the pool of light cast by the fixture above the
door steps MAJOR ALAN SCHAEFER, the team leader, 38, an
intelligent and intense man. He informally salutes,
GENERAL H.L. PHILIPS, 55, hardened, close-cropped graying
hair, his nameplate and insignia identifying him as a
member of an elite commando unit in the U.S. Army. He
clasps Schaefer warmly on the shoulder.
PHILIPS
(with affection)
You're looking well, Dutch.
SCHAEFER
It's been a long time, General.
They walk up the stairs, entering the palapa, leaving
the other man on guard.
3 INT. PALAPA - DAY 3
Large, two room concrete floor, thatched walls and roof.
Behind a partially drawn curtain in the kitchen, a naked
lightbulb hung from the rafters illuminates a bank of
compact FIELD RADIO EQUIPMENT, MAPS and AERIAL
PHOTOGRAPHS. Otherwise the rooms are primitive and
stand out in stark contrast to this high-tech invasion.
Philips and Schaefer enter the room.
3
3 CONTINUED 3
PHILIPS
(growing serious)
We've got a real problem here,
something right up your alley.
They cross to the center of the room to a folding table,
covered with a large TOPOGRAPHICAL MAP of the Central
American highland jungle. Philips leans over the table,
circling a set of COORDINATES and a MARK on the open
map.
PHILIPS
Eighteen hours ago I was
informed that one of our
choppers, transporting three
presidential cabinet members
from this charming little
country, was shot down...
(point to
the circled
area)
...The pilots radioed from the
ground that they were all
alive. Their position was
fixed by the transponder
beacon onboard the chopper.
(points)
Here.
Schaefer studies the map. He looks up at Philips.
SCHAEFER
That's over the border,
General.
PHILIPS
(dead serious)
That's the problem. Apparently
they strayed off course.
(pause)
We're certain they've been
captured by the guerrillas.
Schaefer looks up, puffing lightly on the cigar.
SCHAEFER
(quietly)
What have you got in mind,
General.
4
3 CONTINUED: (2) 3
PHILIPS
We figure we've got less than
190
twenty-four hours to catch
up with them. After that,
there's not much hope. We
want a rescue operation
mounted tonight. That doesn't
give you much time.
Another puff on the cigar.
SCHAEFER
What else it new? When do
fa0
we leave?
Philips looks at his watch.
PHILIPS
You lift off in three hours.
(pause)
There's one other thing.
SCHAEFER
What's that, General?
PHILIPS
Someone else will be going
in with you.
Schaefer stubbs out his cigar in an ashtray.
SCHAEFER
You know we don't work with
outsiders, General.
VOICE
(o.s.)
Who said anything about
outsiders, Dutch?
Schaefer turns, SEEING the outline of a figure standing
in the doorway of the communications room, holding a
sheaf of PAPERS.
Wearing pressed fatigues, DILLON, mid-thirties, black,
walks into the room.
Although as rugged looking as the others, his bearing
and grooming indicate he's been away from the business
of soldiering for sometime. His quick intelligent eyes
reveal his current profession.
5
3 CONTINUED: (3) 3
DILLON
Last time we danced, it was
Lieutenant, Schaefer.
A grin breaks out across Schaefer's face.
SCHAEFER
Dillon, you son of a bitch.
The two men step forward and simultaneous swing from
the hip as it to land a punch...but their hands SLAP
together in a gesture of friendship, their forearms
bulging, testing each other's strength.
DILLON
(warmly)
How you been, Dutch?
They continue the contest, Schaefer has the edge, forcing
Dillon's arm slowly downward.
SCHAEFER
You've been pushing too many
Pencils, Dillon. Had enough?
DILLON
(grinning)
No way, old buddy.
SCHAEFER
You never did know when to
quit.
They look into each other's faces, each remembering
something from the past. A moment's hesitation and they
quit the contest. They laugh, Dillon slapping Schaefer
on the shoulder.
DILLON
That piece of work you guys
pulled off at the Berlin
embassy last week was really
something. Blew the entry
points on three floors and
neutralized the opposition
in eight seconds flat.
Beautiful.
SCHAEFER
Like the old days, Dillon.
6
3 CONTINUED: (4) 3
DILLON
Also heard that you passed
on that little job in Libya.
Schaefer looks at Dillon, quietly considering him.
SCHAEFER
Wasn't my style. We're a
rescue unit, not assassins.
(smiles)
This must be good. Big shot
fr
190
om the CIA, leaves his desk
to come back to the bush.
What's so important?
DILLON
Those cabinet members are
very important to our scope
of operations in this part
of the world. They're about
to
fa0
get squeezed. We can't
let that happen. I needed
someone who could get the job
done, quick and quiet...no
screw-ups. I needed the best.
The best. So, I pulled a few
strings at the State
Department...and here we are.
SCHAEFER
Go on.
Dillon goes to the map.
DILLON
The set-up is simple, Dutch.
One day job. We pick up their
trail at the chopper, run 'em
down, grab the hostages and
bounce back across the
border before anyone knows
we were there. You've done
it a hundred times. Nothing
out of the ordinary.
Schaefer considers this.
-----------------------------------------------------------------------
7
3 CONTINUED: (5) 3
SCHAEFER
And nothing we can't handle
alone.
Philips breaks in.
PHILIPS
I'm afraid those are your
orders, Major. Once you
reach your objective, Dillon
will evaluate the situation
and take charge.
Schaefer looks from Philips to Dillon. He still doesn't
like it.
DILLON
Not to worry, Dutch. I
haven't lost my edge. They've
got a head start on us in
some real tough country,
otherwise, believe me, it's
a piece of cake.
PHILIPS
Gentlemen, we're losing time.
(to Schaefer)
You'd better get your men
ready.
(pause)
Good luck, Major.
4 EXT. TWO ASSAULT HELICOPTERS - NIGHT 4
Burst over the top of a ridge. Rising up in silhouette
they perform a radical left bank turn and descend
rapidly into an adjoining valley, racing over the
jungle at treetop level.
As the helicopters perform dizzying, high-speed
maneuvers through the winding canyon, the PILOT'S
VOICES can be HEARD, coordinating their operations.
PILOT ONE
(voice over)
Redbird Two, Two. Bearing
south, three, five, zero, one
o'ckock on the saddle ridge.
Over.
8
4 CONTINUED: 4
PILOT TWO
(voice over)
Roger, Blue Leader. Three,
five, zero, on your move.
Over.
The helicopters rise in perfect coordination over
another ridge and bank sharply into the next valley,
leveling out as they go.
5 INT. HELICOPTER - NIGHT 5
Illuminated by the eerie red glow of NIGHT LIGHTS, are
SEVEN MEN, dressed in jungle camouflage, soft hats and
camouflage face-makeup. They wear no identity badges
or insignias. The man are checking their WEAPONS,
making last minute adjustments to their GEAR.
190
The compartment reverberates with the NOISE of the
THUMPING ROTORS and the ROAR of air from the open
doors.
BLAIN, weapons and ordinance specialist, a frightening
bull of a man, a 240 pound killer, removes from his
shirtpocket a think PLUG OF TOBACCO. He looks across
at:
MAC, a huge bear of a man, black, holding am M-6
fa0
0
MACHINE GUN. Blain holds out the tobacco to Mac who
refuses with a gentle shake of the head, a knowing
smile, he knows what's coming.
Holding the plug between his teeth Blain yanks free
from his shoulder scabbard a wicked, ten inch COMBAT
KNIFE. Placing the razor sharp blade next to his lips
he slices through the plug as if it were butter. He
chews throughtfully.
Seated by the open doorway is RAMIREZ, a slight,
angular man, an East L.A. streetwise Chicano.
Adding a final piece of camouflage TAPE to his pack
HARNESS, he looks up and smiles, faking a throw and
the bulleting the tape to:
HAWKINS, the radioman and medic, Irish, street-tough,
reading a rolled-up magazine, as if he were a rush hour
commuter. He snags the tape with an instinctual snap
REVISED - "HUNTER" - 4/17/86 9
*
5 CONTINUED: 5
of the wrist, continuing to read for a moment before
looking up, grinning at Ramirez, his boyish, eager
face belying the rugged professional beneath. He
turns his gaze to the man next to him:
BILLY, the Kit Carson Scout, an American Indian, proud,
stoic, a man of quiet strength and simplicity,
carefully replacing the FIRING MECHANISM of his M-203,
working its action several times. He looks up with a
smile at Hawkins.
HAWKINS
(shouting)
Hey, Billy, how many marines
does it take to eat a squirrel?
Billy looks back, shaking his head, uncomprehending.
HAWKINS
Two. One to eat it and one
to watch for cars.
Hawkins laughs heartily at his joke.
6 EXT. JUNGLE - NIGHT 6
Clearing another ridge, the helicopters plunge into a
steep descent, turning quickly into a DEEP-WALLED
CANYON, the force of the turn accentuated by the
changing PITCH of the screaming turbines and the
biting of rotors into the air.
7 INT. HELICOPTER - NIGHT 7
The men, suspended in RESTRAINING HARNESSES from the
bulkheads, lean forward, nearly upside down in response
to the radical maneuver, handling the situation with
ease.
Blain holds out the tobacco to Ramirez, who swats at
the offending object as if it were alive.
RAMIREZ
(shouting)
Get that stinkin' thing out
of my face, Blain!
REVISED - "HUNTER" - 4/29/86 10
7 CONTINUED: 7
Grinning, Blain proffers the plug to each man, each one
refusing; they've done it a thousand times. It's an old
gag but they obviously care for the man in a big way.
BLAIN
...bunch of slack-jawed
faggots around here...
(holds up plug)
...this stuff will put hair
guaranteed...
(chewing)
...make you a God-damned
sexual ty-ran-toe-sore-ass...
just like me.
This brings a chorus of HOOTS and SHOUTS from the others.
The helicopter makes another radical turn.
190
Schaefer and Dillon, seated near the cockpit, communicate
through HEADSETS, also linked to the pilot. They
consult a TOPOGRAPHICAL MAP by RED PENLIGHTS.
DILLON
(pointing to
the map)
Our rendezvous points and
radio freqs. are indicated
fa0
and fixed. AWACS contact on
four hour intervals.
SCHAEFER
Who's our back-up on this?
DILLON
(grinning)
No such thing, old buddy.
It's a one way ticket.
Once we cross that border,
we're on our own.
SCHAEFER
This gets better by the
minute.
11
8 INT. COCKPIT - NIGHT 8
The PILOT and CO-PILOT are surrounded by an array of
dimly lit GAUGES and SWITCHES. Before the Co-Pilot is
a RADAR SCREEN and an INFRA-RED DISPLAY TERMINAL on
which the TWO HELICOPTERS appear as HEAT SOURCES.
PILOT NUMBER ONE
...roger Bird Two, Two.
Reconfirm insertion at Tango,
Charlie, Delta One, zero,
niner on the grid at zero,
two, two, mark four by zero.
Over.
PILOT NUMBER TWO
(voice over)
Two, Two, leader. Roger your
insert co-ord. Over.
PILOT NUMBER ONE
Leader to Bird Two Two. I
bear two minutes to Landing
Zone.
The Pilot throws a SWITCH on the panel before him
9 INT. HELICOPTER - NIGHT 9
A BLUE LIGHT appears on the forward bulkhead. Schaefer
is speaking over a RADIO TELEPHONE. The Co-Pilot turns
and hands him a clipboard. Schaefer reads, notes his
approval and hands it back.
10 EXT. HELICOPTER - NIGHT 10
Flares up into position over the jungle and hovers, as
the SUPPORT HELICOPTER holds in a protective position
above.
11 INT. HELICOPTER - NIGHT 11
Dillon seems comfortable with the men, showing Ramirez
a battered CIGARETTE LIGHTER from a famed commando
unit from the past.
But his ingratiating demeanor is not impressing Mac, who
regards Dillon with the cold suspicion reserved for an
outsider. Mac looks up at Blain, his eyes narrowing.
Blain's massive jaws roll as he masticates the chew.
He pauses, eyes moving downward, spotting his target.
12
11 CONTINUED: 11
He hocks a thick, vile stream of TOBACCO JUICE directly
between Dillon's legs and onto the floor, a gelatinous
skein lacing across the toe of one boot. Dillon looks
up, his face goes cold and menacing.
DILLON
(icy)
Man, that's a real bad habit
you've got.
Dillon turns back to Ramirez, ignoring Mac and Blain,
who continues to stare at him. Mac looks across at
Blain, wide grins breaking across their huge faces.
Cradled in Blain's arms, as if it were a part of his
body, is a large, CANVAS-COVERED BUNDLE. Blain looks
down at his bundle, almost affectionately.
The PILOT's VOICE breaks in over Schaefer's headset.
PILOT NUMBER ONE
(voice over)
LZ comin' up in 30 seconds.
Stand by the rappel lines.
Looking up, Schae
190
fer gives a hand signal to the nearest
man who nods and in return,passes the signal down the
line.
Ramirez and Blain pick up heavy, METAL CONICAL DEVICES,
attached to canvas bags filled with rope.
12 EXT. HELICOPTER - NIGHT 12
From the open doors the RAPPELLING LINES hurtle into
space, CRASHING t
fa0
hrough the double canopy of the trees
and to the jungle floor below.
13 INT. HELICOPTER - NIGHT 13 *
The blue light changes to GREEN. Schaefer nods.
RAPPELLING DEVICES SNAP into place. Gloved hands grab
onto rope. Combat boots move into position.
DILLON
(shouting to
Schaefer)
You don't know how much I
missed this, Dutch!!! Once
you get this in your blood,
you never get it out!!!
13
13 CONTINUED: 13
SCHAEFER
You never were all that
smart...let's go!!!
Schaefer signals. Men leap from the chopper.
14 EXT. JUNGLE - NIGHT 14
The man crash through the trees and are swallowed up by
the darkness below. The helicopters depart, THUMPING
their way into the night.
DISSOLVE TO:
15 EXT. MOUNTAIN RIDGE - DAY (DAWN) 15
A light shower passes through the trees. The sky
clears, REVEALING a lush and exotic foliage. Birds
are beginning to SING but otherwise, all is SILENT.
The dense growth seems impenetrable, but from a solid
wall of undergrowth, a HAND appears and signals in a
downward motion.
As if by magic, the assault team materializes, quietly,
cautiously. Schaefer makes another gesture and the team
moves forward in perfect harmony in POINT-LOCK step,
taking their cue from Ramirez, the pointman. Schaefer,
highly focused and alert to every sound and movement,
follows Ramirez, as if organically connected.
16 EXT. JUNGLE HILLSIDE - DAY 16
Descending the steep mountain slope, the team encounters
an even denser growth of jungle, at times moving by
instinct, as they are often visually separated. At one
point, Schaefer checks his COMPASS, flashing some hand
signals to Ramirez, indicating a new direction. Ramirez
nods and moves on, Schaefer signaling to the rest of the
men.
17 EXT. JUNGLE CLEARING - DAY 17
Blain, in a defensive position, sweeps the jungle slowly
with his MP-5. He steps back and turns, checking,
revealing in the b.g. the WRECKAGE OF A U.S. ARMY UH-1H
HELICOPTER, hanging upside down, twenty feet above the
ground, entangled in vines in the heavy capony, badly
damaged, rotors bent, its tail section blown away.
REVISED - "HUNTER" - 4/21/86 14
*
17 CONTINUED: 17
A GRAPPLING HOOK is hurled from the ground, CLATTERING
into the cargo hold, hooking the edge of the airframe.
18 INT. HELICOPTER - DAY 18
Ramirez moves cautiously, searching for trip wires,
using his knife to check the edges of the seats and
door frames. Grimly he glances at the TWO BODIES
slumped over the controls and then exits, snapping
into and rappelling down the rope to the ground.
He joins Schaefer standing in the f.g. They look
up, watching as Dillon moves
190
through the cockpit,
searching through pockets and compartments. Schaefer
turns his back to the helicopter.
RAMIREZ
The pilots have each got one
round in the head. And whoever
hit it stripped the shit out of it.
Schaefer studies the clearing, eyes always moving, wary.
fa0
He turns back, looking at the chopper.
SCHAEFER
Took 'em out with a heat seeker.
RAMIREZ
There's something else, Major...
SCHAEFER
Mmmnnn...?
RAMIREZ
I don't think that was any ordinary
army taxi...
Schaefer looks at him quizically.
RAMIREZ
...looks more like a surveillance
bird to me.
Dillon rappells down the line and approaches.
DILLON
Have you picked up their trail yet?
Schaefer taps Ramirez on the shoulder and he moves
away. Schaefer turns to Dillon:
REVISED - "HUNTER" - 4/21/86 15
*
SCHAEFER
Billy's on it.
(indicates chopper)
Heat seeker. Pretty sophisticated
for half-asses mountain boys.
DILLON
They're getting better equipped
every day.
Bill approaches from the b.g.
BILLY
Major, looks like there were ten,
maybe twelve guerrillas. Looks
like they took some prisoners
from the chopper.
(points)
Then a different set of track,
over there.
SCHAEFER
(puzzled)
What do you mean?
BILLY
Six others, U.S. issue jungle
boots. They came in from the
north, then followed the guerrillas.
Schaefer turns to Dillon.
SCHAEFER
Mean anything to you?
DILLON
Probably another rebel patrol.
They operate in here all the time.
Schaefer is obviously concerned about this. He
turns to Billy.
SCHAEFER
Get ahead, see what you can find.
(to Ramirez)
Slow and easy.
REVISED - "HUNTER" - 1/27/86 16
18 CONTINUED: (2) 18
SCHAEFER (Contd.)
(to Dillon)
We don't want any accidents.
Billy takes up the trail, disappearing in to the jungle.
Ramirez signals, the team moves out.
19 EXT. JUNGLE - DAY 19
As Billy reconnoiters, Ramirez looks back and gives a *
sign...
Schaefer nods and rappels down cliff. *
As he joins Ramirez, there seem to be butterflies *
everywhere --
SCHAEFER *
What's he got?
RAMIREZ *
Same business, guerrillas
hauling two guys from the
chopper...followed by men
with American equipment...
Ramirez seems concerned by this. Schaefer signals him
190
to *
move on. Before he follows, Schaefer looks around: there's*
something dodgy about this. He goes. *
Over his head is a butterfly on a limb: *
20 EXT. JUNGLE - OVERHEAD - DAY 20
As the assault team passes below, a BUTTERFLY lands on
what appears to be the BARK
fa0
of a TREE. It fans its wings
and flies on.
The impression of the butterfly remains in PERFECT
RELIEF, as is imprinted on the bark. The image fades,
REVEALING for an instant a gridwork of TINY SCALES on
the bark.
The bark moves! Changing colors, like a chameleon,
REVEALING for an instant the form of something alive
as it flows into the leaves, once again becoming
indistinguishable from the surrounding foliage.
TWO EYES, faintly flowing yellow, appear in the
foliage. They blink, disappearing, and then become
VISIBLE again.
REVISED - "HUNTER" - 1/27/87 16-A
21 EXT. ALTERED P.O.V. - DAY 21
SEEN THROUGH HEAT-SEEKING VISION, studying the team's
careful, silent movements at they pass by.
The SOUNDS of the FOREST are also ALTERED and ENHANCED
with an electric, STATICLIKE quality.
The Observer scans over the men...and then focuses
on Schaefer as he crouches down, signaling forward
and rear with a circular motion. He refers to an
OBJECT in his hand, studying it carefully.
17
22 EXT. SCHAEFER - DAY 22
Using a MAP in lining out a course on his COMPASS. The
other team members appear, silently, clustering around
him. Using hand signals, Schaefer indicates a course
change.
23 EXT. OBSERVER'S P.O.V. - DAY 23
Watches closely as Schaefer continues with his hand
signals, instructing his team.
24 EXT. SCHAEFER - DAY 24
25 OUT 25
26 EXT. DENSE UNDERGROWTH - DAY 26
The hillside of a steep valley, dark and foreboding.
Billy passes by and halts, removing his KNIFE. With
his other hand he pulls down from overhead a THICK VINE,
severing it. A thin stream of WATER emerges which
he drinks.
Suddenly he stops, letting the water drip to the
ground. He quietly releases the vine and brings his
M-203 shotgun to bear, listening intently. Something
seems wrong. He brings his eyes upward and stares,
hard into the treeline of the opposing hillside.
As his eyes strain to penetrate the dense, intertwined
canopy, he is engulfed by the rising SOUNDS of the
JUNGLE, a cacophony of BUZZING and CLICKING,
amplified in the sweltering heat of the day. Unable
to locate a source to account for his anxiety, he
relaxes, moving on, resuming the track.
27 BILLY (MINUTES LATER) 27
examines the ground as he moves, growing confused
and puzzled by what he sees before him. He stops,
scrutinizing the jungle, probing the world around him
with his keen senses.
HEARING a faint RUSTLING SOUND he looks up, SEEING a
curtain of MOSS several feet away. He takes a cautious
step forward, extending his weapon. He reaches
forward with his free hand, touching the moss.
Behind the curtain a slight shifting of DARK FORMS
occurs. He pauses and then with a sudden movement,
sweeps the moss aside...
A BLACK EXPLOSION of FLUTTERING WINGS as carrion-eating
BIRDS rush past Billy's body.
18
27 CONTINUED: 27
Billy's face sei
190
zes into a mask of horror, his
expression descending into a state of complete,
primitive shock, his eyes staring transfixed, inches
away from the leering death-grin of a HUMAN FACE,
upside down, completely stripped of skin.
Reeling, his body numbed by the sight before him,
he stumbles backwards and stops.
Vines threaded thro
fa0
ugh their achilles tendons, the
BODIES OF THREE MEN, skinned and gutted, hang
suspended in the think, suffocating air, BUZZING
with insects.
Billy turns away, revulsed as Ramirez moves quietly
INTO VIEW, Schaefer directly behind him. Ramirez
stares at the bodies, now seen to be in the first
stages of deterioration, strips of flesh torn away
by the birds and other scavengers. In an almost
childlike manner, he crosses himself.
RAMIREZ
(hoarse whisper)
Holy Mother...
Schaefer moves into the clearing, kneeling beside
a bloody pile of CLOTHING and ENTRAILS. He examines
the clothing and then rises, holding a DOG TAG on
a broken chain. He reads the tag, his face growing
hardened and bitter as he stares down at the tag,
recognizing the name.
SCHAEFER
(to himself)
J.S. Davis, Captain, U.S. Army...
Schaefer's eyes move from the bloody dog tag to
the bodies.
SCHAEFER
(coldly)
Mac. Cut them down.
Mac moves forward, withdrawing his COMBAT KNIFE.
The blade flashes, cutting the vine as the first
body THUDS to the ground. He bends over, picking up
other DOG TAGS.
Schaefer turns to Dillon.
(CONTINUING)
REVISED - "HUNTER" - 4/19/86 19
*
27 CONTINUED: (2) 27
SCHAEFER
I knew this man. Green Berets,
out of Fort Bragg. What the hell
were they doing in here? You got
any answers for this, Dillon?
DILLON
(stunned)
Jesus...this is inhuman.
(to Schaefer)
Uh...I wasn't told of any
operations in this area. They
shouldn't have been here.
SCHAEFER
(angry)
Well somebody sent them.
Schaefer walks off. Mac steps out of the clearing,
sheathing his knife with a violent gesture, passing
Ramirez.
RAMIREZ
(seething)
Must have run into the guerrillas
...Fucking animals.
Mac moves alongside Blain.
MAC
(spits)
Ain't no way for a soldier to
die.
(looks at Blain)
Time to let 'ol 'painless'
out of the bag.
Grimly, Blain RIPS apart the velcro closures of the
CANVAS BUNDLE slung across his shoulder, REVEALING
a truly awesome weapon, a SIX-BARRELED MINI-GUN adapted
for field combat.
28 EXT. BILLY - DAY 28
Kneels at the side of the original trail examining the
ground. He rises, holding a spent CARTRIDGE. Schaefer
approaches, kneeling beside him.
SCHAEFER
What happened here, Billy?
Billy looks at him, puzzled.
REVISED - "HUNTER" - 4/20/86 20
190
*
28 CONTINUED: 28
BILLY
Strange, Major. There was a
firefight. Shooting in all
directions.
SCHAEFER
I can't believe Jim Hopper
walked into an ambush.
fa0
BILLY
I don't believe he did, Sir.
I couldn't find a single track.
Just doesn't make sense.
SCHAEFER
What about the rest of Hopper's
men?
Billy shakes his head.
BILLY
(uncomfortably)
No sign. They never left here
Major.
(pause)
It's like they just disappeared.
Schaefer ponders a moment. Then, to Billy:
SCHAEFER
Stick with the guerilla trail.
(to team)
Let's get it over with. We move.
Five meter spread. No sound.
Nothing.
CUT TO:
28-A EXT. BLAIN - DAY 28-A
Blain feeds the magazine of BELTED-SHELLS into the
weapon, cocking it. He looks up at Mac, his eyes
cold, his face taut with anger.
BLAIN
Payback time.
Blain hefts the Mini-gun to his hip as Mac draws back
slightly on the breech bolt of the M-60, letting it
snap.
They move on, Billy pausing to look at the jungle
before disappearing into the foliage.
REVISED - "HUNTER" - 4/20/86 21
*
29 EXT. ALTERED P.O.V. - DAY 29
carefully watching this exchange from high in the
treetop canopy. The Observer watches as Schaefer
turns and leaves the clearing, cautiously moving
into the jungle.
30 EXT. JUNGLE HILLSIDE - DAY 30
Mac appears suddenly, materializing out of the
undergrowth, pausing cautiously, his senses alert,
intense, almost nervous. He moves on, his huge body
barely making a sound as he weaves through the heavy
undergrowth.
Dillon appears. As he moves on, he crosses over a
fallen TREE. Stepping down, his foot breaks through
a rotten portion, a CHUCK of the log breaking free
and rolling down the hill.
Dillon at once goes into a defensive position,
listening. The jungle is SILENT. He stands and
starts to move forward. Suddenly Mac appears
within inches of Dillon's face. Mac's face is
menacing, angry.
22
30 CONTINUED: 30
MAC
(hissing; barely
audible)
You're ghostin' on me, mother
fokaaa!...I don't care who
you are back in the world...
You give away our position
again and I'll bleed you quiet
and leave your fuckin' ass
right here.
(hisses; spits)
Got it?
Dillon's eyes are wide and fixed, staring back in
cold hatred at Mac, controlling his rage...he knows
the rules.
Not waiting for a response, Mac turns and vanished
into the jungle. Seething with anger Dillon
focuses on a still moving LEAF and STEM, indicating
Mac's exit point. He moves on.
31 EXT. BLAIN - DAY 31
Crouches under heavy foliage, waiting. He is
joined by Mac. They glance brie
190
fly at each other,
scanning in opposite directions for movement and
sounds. They speak in whispers.
BLAIN
Say, Bull. What's goin' down?
We got movement?
MAC
No. Shithead with his
trenchcoat and dee-coda-da
ring
fa0
was makin' enough noise
to get us all waxed. I don't
like that guy. Don't like
him at my back. I ain't
winding up like those
bastards back there.
Mac, sweating heavily, wipes the moisture from
his brow with his finger.
Blain pats the mini-gun affectionately.
BLAIN
I know what you mean, Bull,
but don't sweat it, me and
'ol 'painless' here are
watchin' the front door.
23
31 CONTINUED: 31
MAC
As always, bro...
They do a gentle fist dap and smile warmly at
each other. Two men who have seen it all,
through a dozen no-win situations, and have lived
to tell about it.
Mac advances a few meters and signals slowly.
32 EXT. KNOLL 32
The assault team moving up the hill, barely
visible in the heavy foliage, the team moves
cautiously into defensive positions. Holding.
A moment later they continue up the hill,
crawling.
On their stomachs, Schaefer and Ramirez clear
the edge of the knoll, SEEING below a GUERRILLA
VILLAGE, a huge, spreading PALAPA covering
implacements dug into a hillside, descending
to a winding stream bed below. 30 MEN, dressed
in a mixture of jungle fatigues and civilian
clothes, armed with AK-47 ASSAULT RIFLES move
about the camp. A heavy MACHINE GUN emplacement
guards the entrance to the camp. TWO MEN sit
in the camouflaged emplacement.
33 SCHAEFER 33
sweeping the camp with BINOCULARS, SEES a
GUARD above the camp. One of the man picks up
a hand-held ROCKET LAUNCHER, placing it beside
a bandolier of ROCKETS and a RADIO SET and
CONSULS taken from the U.S. surveillance
helicopter as if preparing to take them away.
Schaefer puts down the glasses, looking at
Ramirez who nods in acknowledgment. A sudden
MUFFLED CRY brings Schaefer's attention to one
end of the camp, where a heavily thatched DOOR
covers and opening to the PALAPA. A GUARD
stands at the door.
The door flies open as a HOSTAGE, shirtless,
hands tied behind his back, staggers through
the door as if kicked from behind.
REVISED - "HUNTER" - 4/29/86 24
33 CONTINUED 33
The man falls to the ground, feebly trying to regain
his footing. Although difficult to see from Schaefer's
vantage point, the man's battered face and welt-covered
back indicate he has been severely tortured.
Emerging from the palapa, a GUERRILLA LEADER,
moustached and wearing a SIDEARM, approaches the
beaten man, kicking him viciously in the stomach,
rolling him to his side.
Kneeling beside the man he withdraws an AUTOMATIC from
his holster and cocks the hammer. Grabbing the man by
the hair he jams the muzzle into the man's ear and with
a violent twist, pulls the trigger.
The guerrilla leader stands and strides quickly back
to the palapa, still holding the pistol, closing the
door behind him.
34 SCHAEFER
190
34
grim-faced at having witnesses the murder, lowers him
glasses, a look of cold determination on his face.
Quickly he and Ramirez ease down the escarpment,
joining the other team members.
Schaefer makes a circling motion with his thumb
and the team members gather in close, huddle formation.
fa0
SCHAEFER
(whispering; angry)
Just killed one of the *
prisoners. No time for *
invitations. We take them,
now.
35 EXT. BLAIN AND MAC - DAY 35
Crawl silently through the underbrush. With nearly
impreceptible movements, Blain slips out of the
cartridge pack, ditching the Mini-gun. He withdraws
his COMBAT KNIFE, placing it between his teeth.
They move through the underbrush in tandem, like
two bug cats, stalking. Mac freezes, the sweat
pouring from his face, holds up his hand as Blain
stops.
25
35 CONTINUED: 35
Using a BLADE OF GRASS, Mac points out a metal TRIP
WIRE, following it to a hidden CLAYMORE MINE. Blain
grins making a switching GESTURE. Carefully Mac
detaches the LEAD WIRES. Directing the mine towards
the camp, he reattaches the wires, nodding at Blain.
36 EXT. JUNGLE - OVERHEAD - ALTERED P.O.V. - DAY 36
SEEN THROUGH HEAT-SEEKING VISION, FOCUSED ON Blain
and Mac, lying in the grass below, their bodies
outlined in LUMONOUS AUREOLES. The Observer SEES the
NETWORK of TRIP WIRES guarding the approaches to the
machine gun nests. The wires GLOW as if ELECTRIFIED,
standing out in hard-edged relief in contrast to
the jungle foliage. He moves higher into the forest
canopy.
37 EXT. BILLY - DAY 37
On Schaefer's signal rises up, pulling a SENTRY to
him, covering his mouth with his hand, jerking him
backwards and to the side, knocking him off balance
with a sweeping motion of his left leg, killing him
with his COMBAT KNIFE.
38 EXT. SCHAEFER - DAY 38 *
Belly crawls silently through the tall grass just
outside and above the main entrance to the camp. He
stops, studying the ancient, rusted skeleton of a
TRUCK parked on a level spot above the camp, its
engine quietly IDLING. The truck is jacked and
blocked up, one rear wheel attached to a belt-drive
leading to a PUMP, drawing water from a river nearby.
In the open cab of the truck a GUARD is on duty,
watching the high ground above the camp.
Schaefer moves out, heading for the guard.
39 EXT. MACHINE GUN EMPLACEMENT - DAY 39
While one Guerrilla attends to his equipment, the
OTHER attentively watches the approaches to the camp.
He is momentarily distracted by a BUZZING FLY, which
he annoyingly swats at with his hand.
He hears something to his side. Turning to investigate,
the huge, hamhock fist of Mack smashes into his throat.
Simultaneously, Blain rises up behind the other man,
grabs him by the hair, pulling him down, his COMBAT
KNIFE driving downward.
26
40 EXT. TRUCK - DAY 40 *
A SATCHEL CHARGE is looped over the gearshift lever,
resting on the floorboard. Schaefer, lying low
across the seat of the truck, turns and looks, SEEING
the guard, lying in a heap in the foliage.
40-A EXT. RAMIREZ - DAY 40-A *
Moves into position to the side and above the camp.
He carefully checks
190
the readiness of his SIX-SHOT
GRENADE LAUNCHER, also setting his MP-5 in front of
him, ready for action.
41 EXT. SCHAEFER 41 *
Crouched to the side of the truck, watches the camp,
SEEING below through the dense undergrowth, Ramirez,
barely visible, signaling.
Before him are two FR
fa0
AGMENTATION GRENADES. He looks
at his watch, and then up the hill to:
41-A DILLON AND HAWKINS 41-A *
their weapons ready. Dillon picks up his binoculars,
focusing on the machine gun emplacement, seeing a MAN,
his face covered by a HAT. The head rises, REVEALING
the face of Blain, who looks above the camp and
slightly nods. Putting his glasses down, motions
to Hawkins.
DILLON
(to Hawkins)
Ready, kid?
Hawkins grins back. Together they slip through the
grass, downward towards the edge of the camp.
42- OUT 42-
43 43
44 EXT. SCHAEFER 44 *
Holds his huge, COMMANDO MACHETE on a diagonal,
pushing through the belt, slicing it cleanly. Turning
he crawls silently to the rear of the truck,
positioning himself behind the rear of the one ton
truck.
He squats, and with an enormous, concentrated effort,
deadlifts the rear of the truck, its rusted springs
and frame beginning to CREAK and GROAN slightly.
27
44 CONTINUED: 44
With a herculean effort he lifts the truck free of
its blocks and then pushes forward. He rolls aside,
disappearing into the ground cover as the truck, its
tireless rims digging into the earth, lops down the
hill, slowly picking up speed.
45 EXT. GUERRILLA VILLAGE - DAY 45
A Guerrilla, alerted by the SOUND of the approaching
truck, looks up at the hillside, SEEING the vehicle
still moving down the hill at a moderate roll. He
CALLS OUT and several Guerrilla leaves their posts,
moving out to prepare to stop the truck.
The truck rolls into the clearing picking up speed,
heading towards the main palapa. The men rush
forward, surrounding the truck, trying to slow it
down, but the truck rolls, SMASHING through the front
wall of the palapa. The men gather around truck
and then look back up the hill.
46 EXT. ALTERED P.O.V. - DAY 46 *
Watching as Schaefer pulls the pin and launches the
GRENADE into the air, the Observer following its
arc as it spirals dead-center into the camp, bouncing
twice before rolling into the FUEL DUMP...which a
moment later, EXPLODES into an incredible FIREBALL.
The expanding FIREBALL released from the explosion
is to the Observer like an erupting sun, momentarily
blinding him.
47 EXT. GUERRILLA CAMP - DAY 47
The truck is BLOWN up into the air by the explosion...
a moment later the satchel charge DETONATES with an
ear-splitting EXPLOSION, tearing the truck apart.
48 EXT. SCHAEFER - DAY 48
Jumps to his feet, FIRING an M-203 round into the
camp.
49 EXT. KNOLL - DAY 49
Schaefer races down the hillside, joined by Dillon,
leaving Hawkins to cover them. Bullets burst around
their feet as they run low, firing short bursts to
his left and right.
190
28
49 CONTINUED: 49
He FIRES the undermounted GRENADE LAUNCHER, sending a
round into a gun position in the trees. Still running
he breaks open the breach, slamming in another 40mm
ROUND from the cartridge pack at his waist.
Blain and Mac fire the heavy machine guns, laying down
fa0
a withering curtain of lead, shredding the camp,
taking out five Guerrillas at once.
50 EXT. GUERRILLA CAMP - DAY 50
A MAN almost completely ON FIRE is hit by an onslaught
of GUNFIRE, ripping him back into the jungle.
Ramirez cuts loose a barrage from the SIX-SHOOTER...
seconds later the MACHINE GUN IMPLACEMENT erupts in
a series of EXPLOSIONS, blowing two Guerrillas into
the air.
At the HILLSIDE HUT, two Guerrillas move into position
by the window, drawing down on Schaefer as he appears,
racing down the hill.
As they are about to open fire, Dillon appears,
YELLING OUT a warning.
DILLON
On your nine!!!
Schaefer dives, hitting the ground as Dillon OPENS
FIRE taking out the Guerrillas. Schaefer rolls to
his feet, spins, firing the 203 grenade launcher,
completely destroying the hut.
51 EXT. ALTERED P.O.V. - DAY 51
As the Observer regains its vision an eerie, surreal
experience of sight and sound unfolds:
BULLETS streak through the air, leaving blood-red
trails of HEAT, like laser blasts. As they impact
into the Guerillas, we HEAR the enhanced SLAPPING
of BULLETS, SEEING tiny blossoms of HEAT mushroom
out of their bodies.
We HEAR the horrific, deformed CRIES and SCREAMS
of the dying men.
Another searing, blinding EXPLOSION sends pieces of
SHRAPNEL ripping through the air, some of them
ROARING past the Observer's position, like tiny
meteors.
29
52 EXT. GUERRILLA VILLAGE 52 *
at the entrance way to the main palapa, a Guerrilla
stands in the doorway, giving COVER FIRE to his comrades
as they fall back inside.
Jumping from the roof of the adjoining palapa, Billy
drops directly in front of the Guerrilla.
From the side, unseen by Billy, another Guerrilla *
thrusts out with a knife, Billy ducking backwards, the
tip of the knife SLASHING his face. With a lightning
move, Billy whips his arm up and around the Guerrilla,
locking his elbow, breaking the joint.
Still holding the man he FIRES, blowing the other
Guerrilla off his feet with the SHOTGUN portion of his
weapon. He looks at the Guerrilla out of the corner of
his eye. He suddenly strikes, breaking his neck,
dropping him in a heap.
Billy continues on, racing down the stairs, firing the
M-203.
Meanwhile, Blain is crouched next to a tree, providing *
cover. Behind Blain, at the edge of the camp, circling
around from below, TWO GUERRILLAS appear and FIRE a
grenade round which EXPLODES behind Blain, fragments
ripping into the tree next to which Blain is standing,
bark and dirt flying as shrapnel rips into his vest, one
piece tearing into his upper shoulder. The hits have
no effect on the huge man and with a savage GROWL, he
spins, opening fire, raking the two attackers with the
Mini-gun.
Nearby, Mac charges from the jungle on a dead run,
diving over a fallen tree as machine gun FIRE rakes the
ground around him.
Blain, spotting the sniper high in a tree, opens FIRE
with the MINI-GUN, shredding the tree, sending the
Guerrilla crashing down through the roof of the
palapa.
53 INT. PALAPA - DAY 53
The sniper CRASHES t
190
hrough the roof, landing on the
floor near Hawkins and Ramirez who do a quick double
take before opening fire on a group of fleeing
Guerrillas, taking out two, giving chase to the others.
30
53 CONTINUED:
fa0
53
Schaefer and Dillon appear at the top of the staircase, *
Schaefer freezing as he SEES below a Guerrilla raising
an AK-47, preparing to fire. Schaefer tackles Dillon,
the two men hurling into the air, a moment later BULLETS
ripping into the CRATES behind where they were standing.
Dillon rises up, kicking over a crate, shooting the *
Guerrilla who is trying to bring the gun around to fire
at him.
Schaefer crouches, covering the upper entrances to the *
palapa, as Ramirez rushes past, joining Schaefer. From
the corner of his eye, Schaefer catches a movement.
With a whipping, backhanded throw, he lets fly his
COMMANDO MACHETE...
The machete impales the attacking Guerrilla, driving him *
backwards, pinning him to a post.
SCHAEFER
Stick around.
Schaefer and Ramirez run towards the lower levels, side
by side, firing as they go.
They reach a door, Schaefer taking out an ATTACKING
Guerrilla. Ramirez grabs the side of the door, shoots
a look to Schaefer and throws it open. With Schaefer
covering him, Ramirez takes a quick peak inside and
then rushes into the room.
53-A INT. ROOM - DAY 53-A
At one end is a STAIRWAY, leading to an escape door.
A Guerrilla, seen from the waist up, scrambles down
the stairs.
At the base of the stairs, a Guerrilla, holding an
AK-47 on his hip, turns and starts to fire.
Schaefer and Ramirez respond with full AUTO BURSTS
which rip into the Guerrilla, spinning him around,
knocking over a crude WOODEN TABLE, scattering a
BRIEFCASE with burning PAPERS, FOOD CANS, and LIQUOR
BOTTLES.
As he spins he FIRES the weapon, an arcing line of SLUGS
slamming into the tin roof, sending down a shower of
rust and dirt. He falls to the ground. Dead.
31
53-A CONTINUED: 53-A
Ramirez charges through the DUST and thick SMOKE to
cover the fallen men; Schaefer following close behind,
jerking a new CLIP from his ammo belt.
Suddenly, another Guerrilla erupts from behind some
ammunition crates, drawing down on Ramirez with a
machine pistol.
SCHAEFER
(shouting)
Down!!!
As the Guerrilla fires, Schaefer smashes the butt of
his empty weapon into the Guerrilla's shoulder, knocking
the gun aside, the SLUGS thudding into the wall
harmlessly.
He hits the Guerrilla with a vicious glancing blow to
the head with the barrel of his weapon. The Guerrilla
is hurled backward, crashing into the wooden crates and
to the floor.
Ramirez, recovering quickly, descends the stairs with
catlike agility, disappearing.
Schaefer crouches and spins, jamming a new clip into the
rifle, scanning the palapa for any other movement. He
races to the main door of the room, shouting into the
palapa.
He SEES Blain charging down the steps. Catching his
attention he signals him on, out the back to cover
Ramirez.
SCHAEFER
(to Hawkins)
Hawk, Get Con. Op. on the
hook! Position and situation,
190
now!
As Blain runs down the stairs, Hawkins already has the
radio off his back, setting up the portable SATELLITE
DISH ANTENNA.
HAWKINS
You got it, Major!
REVISED - "HUNTER" - 4/29/86 32
53-B EXT. PALAPA - WATER AREA - DAY
fa0
53-B
Ramirez, Blain and Billy race down the back stairs
of the palapa, FIRING Mini-gun, automatic and grenade
rounds at the escaping GUERRILLAS as they flee the area,
splashing, charging across the shallow river.
The guerrillas are history...in no uncertain terms.
53-C INT. PALAPA - DAY 53-C
For the first time, Schaefer studies the interior of
the cavernous palapa, SEEING the enormous stockpile
of WEAPONS, EQUIPMENT and SUPPLIES stacked along the
walls, obviously a major military stronghold hidden
deep within the mountains. Mac hustles up to Schaefer,
a look of urgency on his face.
SCHAEFER
Any sign of the hostages?
MAC
(nods)
We found 'em both, dead.
And the gear from the chopper.
If they're Central American,
I'm a fuckin' Chinaman. By *
the looks of 'em, I'd say our *
cabinet minister and his aide *
are CIA.
(pause)
Another thing, Major, we were
lucky...couple of those guys
we waxed are Russians,
military advisors by the look
of it. Something big was
about to happen here.
Schaefer looks at Mac a moment, a flush of anger
beginning to show.
SCHAEFER
Good work, Mac. Clear the
area, no traces. Get the men
ready to move.
Schaefer goes back into the room, looking down at the
unconscious guerrilla, racking a round into the
chamber, reloading his weapon.
He kneels, staring into the FACE of a WOMAN, ANNA,
dark, late twenties. Despite her blood and
dirt-smeared face, she is beautiful.
33
53-C CONTINUED: 53-C
SCHAEFER
(closes eyes)
Shit...
He checks her pulse and then slowly he bends to pick
up her PISTOL, ejecting the clip. He stands, beginning
to shuffle through the PAPERS scattered about the room.
Staring at one he looks up, the pieces falling together.
54 EXT. JUNGLE - DAY 54
Ramirez, at a crouch, runs through the jungle,
following the obvious signs of the Guerrilla's
retreat. He emerges from the trees into an opening,
leading to a sheer rock cliff, towering fifty feet
above the ground. Scanning the wall, he SEES
movement and quickly takes cover, as automatic
FIRE rips up the ground before him.
54-A EXT. ROCK WALL - DAY 54-A
Near the center of which a narrow cut, two feet
wide, leads to the top of the cliff, giving access
to the adjoining ridge.
Two Guerrillas scramble up through the chimney,
assisted by a ROPE, which with withdraw as they
reach the top. Ramirez takes out one man, the
other taking cover, returning fire.
54-B EXT. BASE OF ROCK WALL - DAY 54-B *
Blain joins Ramirez, behind cover at the foot of
the cliff. As they take cover, Ramirez notices
the wound on Blain's shoulder.
RAMIREZ
You'r
190
e hit. You're bleedin',
man.
Blain looks briefly at the wound.
BLAIN
(spits)
Ain't got time to bleed.
On a signal, they both clear cover and fire LONG
BURSTS from their weapons up the cliff.
fa0
34
54-B CONTINUED: 54-B
The smoke is hardly cleared when they are answered
by withering FIRE. They duck down as a grenade
EXPLODES nearby. Ramirez quickly replaces the 40MM
rounds into the SIX-SHOOTER.
BLAIN
Son of a bitch's dug in like
a Alabama tick...
(spits)
...jack us around all day.
RAMIREZ
Hell, dude, we don't have all
day.
Ramirez immediately rolls into the line of fire,
BLASTING six RAPID-FIRE shots on a HIGH-ARC trajectory
towards the rocks. Blain reacts.
BLAIN
Shit, Pancho!!!
Blain dives against the protective cover of the
rock wall, covering his head. Ramirez casually
hops across, squatting next to Blain. They make
eye-contact.
RAMIREZ
What's your problem, dude?
Before Blain can answer, Ramirez puts his fingers
into his ears and grimaces just as...
The entire hillside EXPLODES, blowing the Guerrillas
into the air, a torrent of vegetation and earth
raining down the cliff, obscuring Blain and Ramirez.
55 INT. PALAPA ROOM - DAY 55
Schaefer is staring out the window, his weapon slack
in one arm, still holding the paper. Dillon enters,
obviously excited about what he has found. He sees
the papers on the floor. He reads through them
quickly, growing even more excited.
DILLON
This is beautiful! More than
we ever thought. We got the
bastards!
REVISED - "HUNTER" - 4/17/86 35
*
55 CONTINUED: 55
Schaefer turns, striding slowly to Dillon, handing him
the paper he is holding.
SCHAEFER
I think this is the one you want.
Dillon reads it.
DILLON
(reacting)
Two days...that's all we had.
In two days, three hundred of
these bastards would have been
equipped with all this. After
they crossed the border, it
would have taken a year to
stop them.
(looks up)
We've averted a major
guerrilla invasion, Dutch...
Schaefer moves in close to Dillon, face to face,
anger flaring in his eyes.
SCHAEFER
(slow; deliberate)
It was all bullshit. All of it.
From the start...you set us up,
got us in here to do your
dirty work.
DILLON
(angry)
That's right, I set you up.
You're a veteran at this, Dutch,
I had to.
SCHAEFER
Why us?
DILLON
Because I told you, you're the
best. I knew you could do it but
I couldn't get you in here without
a cover story.
SCHAEFER
190
What story did you give to Davis?
REVISED - "HUNTER" - 4/29/86 36
55 CONTINUED: (2) 55
DILLON
We've been lookin' for this
fa0
place for months. The chopper
must have gotten close when
they got shot down. Hopper *
was sent in to get my men.
He was just doing his job.
When he disappeared I had to
clean this up, I had to stop
there bastards. We were so
close, we couldn't quit. We
couldn't sleep through this
one. I needed you, Dutch,
can't you see that?
DILLON
To invade a foreign country,
illegally? You lied, Dillon.
Stacked the odds against us. Set
us up. You could have gotten
us all killed.
(pause; looking at him)
You used to be one of us,
Dillon, someone I could trust
with my life...
DILLON
We've been through a lot together
Dutch. When we were together, no *
one could stop us, the hottest *
Goddamned team the army ever saw. *
But things changed, I woke up.
We're fighting them in a dozen
Goddamned countries. It's a
fight we can't lose, Dutch. We're
all expendable assets, can't you
see that?
Schaefer takes the paper from Dillon's hands.
SCHAEFER
That's your problem, Dillon.
You always did put ambition
before the lives of your men.
(pause)
My men are not expendable. I
don't do this kind of work.
(crumples up
paper in fist)
This is your dirty little war,
not mine.
REVISED - "HUNTER" - 4/17/86 37
*
55 CONTINUED: (3) 55
He stuffs the crumpled paper into Dillon's shirt
pocket.
Anna, regaining consciousness, GROANS, a heavy flow
of blood running down her face from her head wound.
Hawkins appears at the door.
HAWKINS
Major!
Schaefer turns away from Dillon and steps through
the doorway into the palapa as Anna moans again,
MUMBLING something in Spanish. Dillon kneels,
beside her.
DILLON
(quietly; in Spanish)
Are you all right?
55-A INT. PALAPA - DAY 55-A
Schaefer is talking to Hawkins who has the field
radio set on a crate just outside the door.
HAWKINS
(urgent)
Major, we stepped into some
real shit here. I got a hook-up
with aerial surveillance.
SCHAEFER
Movement?
REVISED - "HUNTER" - 4/29/86 38
55-A CONTINUED: 55-A
HAWKINS
(nods)
Guerrillas swarming like flies *
all over the place. Can't be more *
190
then one, maybe two miles away. *
Place is going down, Major.
SCHAEFER
How much time?
HAWKINS
Half an hour, maybe less. *
Schaefer touches him on the shoulder.
SCHAEFE
fa0
R
(urgently)
Tell Mac we move in five.
He starts to walk away.
DILLON
(o.s.)
She goes with us.
Schaefer turns. Dillon is at the doorway, supporting
the still groggy Anna.
DILLON
She's too valuable. She's
got to know their whole
network. The whole set up.
We take her with us. *
SCHAEFER
We take her and she'll give
away our position, every
chance she gets. No
prisoners, Dillon.
Dillon grabs the handset from Hawkin's radio, shoving it
at Schaefer.
DILLON
You're still under orders,
Dutch. You want to make the
call, or should I?
Schaefer looks at the handset. Then at Dillon, he knows
Dillon's won.
39
55-A CONTINUED: (2) 55-A
He starts to walk away but stops, turning back, pointing
a finger at Dillon.
SCHAEFER
I'm getting my men out of this
damn jungle, Dillon. She's
your baggage. You fall behind,
you're on your own.
56 EXT. GUERRILLA VILLAGE - DAY 56
Schaefer and Billy are kneeling on the ground near the
trailhead, studying a MAP. In the b.g., the team, hidden,
covers the hillside approaches to the camp, nervous and
wary, weapons ready.
SCHAEFER
This place is too hot for a pick-up.
They won't touch us until we're over
the border. We can lift at LZ 49,
here.
(points to map)
Spotter plane says we're cut off.
(points to map)
Except for this valley.
Billy shakes his head, following the CONTOUR LINES of
the rugged terrain.
BILLY
Looks bad, Major. It's gonna be
a real bitch.
(points to map)
If we follow above the river and
then down, here, at this canyon,
we might find a way out.
Schaefer turns to Ramirez, kneeling close by.
SCHAEFER
(decisively)
Not much choice. Pancho, take
the lead. Double time it.
He turns and looks at Dillon, Anna as his side, her
forehead bandaged, her hands bound in front of her.
He turns back to the others.
SCHAEFER
Lock n' load, watch your ass.
Blain moves out, swinging the Mini-gun in front of him
as he goes.
40
56-A EXT. OBSERVER'S P.O.V. - DAY 56-A
Watching as Dillon leads ANNA onward, SEEING her bound
hands. Dillon pushes her.
57 EXT. ANNA - DAY 57
Spins, hurling a string of insults to Dillon in
SPANISH.
ANNA
(in Spanish)
You touch me again, pig, and
I will cut off your ball
190
s!
DILLON
(in Spanish)
It's a long walk back, make it
easy on yourself.
She spits at him, turning forward with a twist of
her head.
Dillon picks up his back, shouldering it. As they
move on, Mac calls out to him.
MAC
fa0
(quietly)
Hey, Dillon, over here.
Dillon doesn't respond.
MAC
(louder)
Dillon, over here.
Dillon turns and approaches, warily, holding
the girl.
DILLON
Yeah, what is it, Sergeant?
MAc unsheathes his knife. He gives Dillon a cold
look and turns him by the shoulders. Crawling
across the PACK on Dillon's back is a huge SCORPION.
Mac skeweres the scorpion with the tip of his
blade, holding it before the wincing Dillon. Anna
smirks, nodding to the writhing, stinging insect.
ANNA
(in Spanish)
When my people catch you,
you'll wish you were him.
41
57 CONTINUED: 57
Dillon looks at Mac.
DILLON
Thanks.
MAC
(coolly)
Anytime.
Mac flings the scorpion to the ground, crushing it
with his boot. He looks up at Dillon, walks away.
Dillon follows, pulling Anna behind him.
Billy, guarding the rear, glances furtively around
the clearing. He moves a step forward and stops,
freezing.
Slowly he turns back, his eyes riveted upon the
treeline above the camp. His eyes strain, his
senses registering a fear he cannot name or see.
Something is out there, in the trees, waiting,
watching.
Billy turns and walks into the jungle, pausing
one last time to look behind him before he too
disappears from sight.
The jungle GROWS SILENT.
58 EXT. OBSERVER'S ALTERED P.O.V. - DAY 58
LOOKING DOWN from his vantage point TO the treeline
below, terraces like stepping stones, FOCUSING ON
a TREE, fifty feet away.
The Observer utters a LOW TRILL and springs outward
into space, hurtling downward towards his landing
point, the canopy of the trees approaching in a
staccato rush of green.
The SOUNDS of the FOREST are again altered and
enhanced with an electric, STATIC-LIKE quality as
the Observer descends fluidly through the trees
and to the ground.
He enters the camp, surveying the terrible
destruction and carnage. He SEES the dead
Guerrillas, the dissipating heat from their bodies
leaving them pale and GHOST-LIKE, as if fading
light about to extinguish. He sees their weapons,
the cold hard steel of the barrels registering
ICE BLUE in his vision.
42
58-A EXT. OBSERVER'S P.O.V. OF HIS HAND - DAY 58-A
As it appears, pulsing in a pale magenta heat, low
to the ground, holding his weapon. He lays down
the weapon, picking up the SCORPION, turning it
slowly in his fingers, examining it. It looks like
an exotic flower, its color fading from sight,
turning to BLACK.
A low SOUND is uttered, something vaguely familiar
about it: A NEARLY HUMAN VOICE, a distorted
imitation of Mac.
HUNTER
(o.s.; filtered)
Dillon, over here.
Again the phrase is uttered, improving, closer to
Mac's inflection and accent.
190
HUNTER
(o.s.)
Dillon, over here.
The Hunter lowers the pitch.
HUNTER
(o.s.)
Dillon, over here.
The last effort is a chilling simulation of Mac's
voice.
59 EXT. OBSERVER'S HAND - DAY 59
Drops
fa0
the scorpion and picks up the weapon which
changes instantly back to the Observer's skin tones.
59-A EXT. OBSERVER'S P.O.V. - DAY 59-A
He turns and focuses on the area where the team
left camp.
He crouches and springs to the lower branches of a
tree, grasping them with his clawed, three-fingered
hands, pulling himself up and through the branches
with astounding speed and simian-like dexterity; his
spurred prehensile feet, grasping and thrusting him
to a vantage point, fifty feet above the ground.
As he moves on, the jungle grows suddenly QUIET, as
if aware, sensing that the HUNTER is now stalking, no
longer observing!!!
43
60 EXT. JUNGLE VALLEY - DAY 60
The twilight world of a PREHISTORIC FOREST, filled
with gigantic plants and towering trees, overgrown
with vines and creepers.
The team, with Billy at point, walk alongside a
wandering STREAM BED, weirdly illuminated by SHAFTS
OF LIGHT, streaming through openings in the trees,
as if from spotlights, a hundred feet above.
It is midday, hot and humid, the air BUZZING with the
sounds of insects, the CRYING of birds and monkeys.
The men are moving fast and quiet, straining to see
into the dense jungle, aware of every sound, sweating,
quietly slapping at biting insects.
61 EXT. GIANT HARDWOOD TREE - DAY 61
Lies across their path. As the man climb over a
rotten section, Mac stops to assist Blain with his
Mini-gun.
MAC
I've seen some badass bush
before, but nothin' like
this, man.
(pause)
Little taste 'o home?
Blain nods and pauses to rest, looking around him
as Mac withdraws a small silver POCKET FLASK. He
takes a nip, passing the flask to Blain who also
takes a sip.
BLAIN
I hear you bro, this is some
shit. Makes Cambodia look
like Kansas. Lose your way
in here, man, you be in some
kinda hurt.
Blain hands back the flask, Mac replacing it inside
his vest. They do their hand dap, looking warily
behind them before they move on.
62 EXT. ANNA AND DILLON - JUNGLE - DAY 62
Have fallen behind, Dillon looking worriedly ahead
at the them out distancing them. Anna is keeping
her pace purposefully slow. She trips on a root
falling to the ground. She lies there, motionless.
He quickly reaches down to haul her to her feet.
REVISED - "HUNTER" - 4/29/86 44
62 CONTINUED: 62
DILLON
(urgently)
Shit. Come on...
Like an uncoiled spring, Anna turns, flinging a
handful of DIRT into his face, momentarily blinding
him. She lunges for his rifle with her bound hands.
Suddenly the BARREL of an MP-5 is thrust into her face.
Looking up she SEES Ramirez, calmly holding the weapon
on her, the look in his eyes indicating he'd hove no
trouble shooting her.
RAMIREZ
(in Spanish)
Don't try it.
190
She looks back at Dillon, wiping the dirt from his eyes.
She moves on. Ramirez gives him a cold look as Dillon
hurries past.
RAMIREZ
(coolly)
You should put her on a leash,
Agent Man. If you can't handle
her, just say the word.
Dillon move
fa0
s on, ignoring Ramirez, who turns, scanning
the jungle behind him before moving on. Dillon catches
up with Anna, turning her sharply by the chin.
DILLON
(cold; in Spanish)
Try that again. Please. *
She looks at him contemptuously, undaunted. She will
try it again. She breaks away from his grasp and
moves on, Dillon watching her go, he won't hesitate
next time.
63 EXT. HUNTER'S P.O.V. - DAY 63
As he travels, directly overhead, timing his movement
with those of the team. He moves lower, closer to
the slowly moving humans.
64 EXT. RIVER BED - DAY 64
The team moves cautiously through the winding stream
bed, now wearing their clothing in various stages of
disarray for comfort, sweat dripping from their bodies.
REVISED - "HUNTER" - 4/17/86 45
64 CONTINUED: 64
Billy, in the lead, picks his way along the riverbank,
his concentration rapt, aboriginal. His face a
trancelike mask of expectation.
Blain, cradling the heavy Mini-gun as if it were a
toy, swings the weapon relentlessly across his field
of view. He pauses to adjust the hanging, belted
loop of cartridges trailing from the back pack
magazine. An INSECT lands on his face and is trapped
in the grease paint near his lips. He draws the
hapless bug into his mouth with his tongue and quietly
spits it out, his concentration unbroken.
Mac follows, holding the M-60 high across his chest.
Schaefer, bent, cautious, his feet moving aside the
dry leaves on the ground, heel to toe and on foot
edges. He glances around, checking the team's
position and progress.
Hawkins follows, his mouth open, breathing deeply,
exhausted, the radio a 60 pound demon.
Anna, struggling to climb a section of the stream
bank, slips on some loose dirt. Unable to assist
herself with her hands tied, she nearly falls.
Dillon prods her with his rifle, forcing her to
her feet. She scrambles up the bank, Dillon following.
65 EXT. RIVER BANK - DAY 65
As Billy enters a small clearing, bordered on one
side by the towering trees, carpeting the
mountainside. High above in the thick, impenetrable
treeline, brightly colored birds SQUAWK loudly,
chasing each other from branch to branch.
Suddenly Billy stops. Schaefer holds up his hand
and the team freezes in position. An eerie SILENCE,
like a slowly falling curtain, descends over the
jungle until even the BUZZING and CLICKING of insects
have CEASED.
66 EXT. TEAM MEMBERS - DAY 66
Sensing an ambush, move quietly into the foliage.
Dillon moves into the undergrowth, dragging Anna
with him. He slings his MP-5 over his shoulder,
withdrawing his KNIFE. Grasping Anna by her shirt
collar and pushing her to the ground he holds the
weapon near her throat. Dillon signals to Ramirez *
who approaches. Dillon hands Ramirez the knife.
REVISED - "HUNTER" - 4/17/86 46
*
66 CONTINUED:
190
66
DILLON
Watch her.
Before Ramirez can respond, Dillon slips into the
undergrowth. Ramirez holds the knife on Anna,
cautiously scanning around him for movement.
Unseen by Ramirez, Anna's outstretched hands slowly
tighten around a stout ROOT-BURL, lying
fa0
loose on the
ground.
67 EXT. BILLY - AT THE RIVER BED - DAY 67
He remains frozen and transfixed, staring into the
treeline. Something is moving, fluid, silently and
downward, into the forest. Billy remains rooted to
the spot, lost in concentration.
68 SCHAEFER 68
sensing something very wrong with Billy, moves alongside
Mac.
SCHAEFER
What's got Billy so spooked?
MAC
Can't say, Major...been
squirrely all mornin'...
fuckin' weird...sometimes
I think that nose of his is
too good...smells things that
ain't there.
Schaefer signals for Mac to cover him and then moves low
and quiet towards Billy. Dillon appears, looking to
Mac for an explanation. Mac ignores him, concentrating
on the jungle. Dillon looks forward at...
Billy, his eyes riveted to the capony above, as he
unconsciously reaches to his throat, grasping a LEATHER
POUCH, secured to his neck by a thong. He fingers the
MEDICINE BAG talisman.
69 EXT. HUNTER'S P.O.V. - DAY 69
As he slowly descends through the trees, moving
towards Billy, who's eyes search the treeline for
movement.
47
70 BACK TO SCENE/SCHAEFER 70
approaches Billy, gripping his shoulders and in a
hoarse whisper, speaks his name.
SCHAEFER
What is it...?
Billy, rigid, does not respond. Schaefer forcefully
jerks his around to face him.
SCHAEFER
Billy...What the hell's wrong
with you?
BILLY
(low)
Something...in the trees...
71 EXT. HUNTER'S P.O.V. - DAY 71
Still closing in on Billy. Billy turns back, looking
high into the trees, puzzled and frightened. He's
lost sense of the Hunter's presence. He lowers his
vision, looking towards the Hunter, now on the ground,
30 yards across the clearing from Billy. The Hunter
pauses.
72 BACK TO SCENE/BILLY AND SCHAEFER 72
BILLY
(whispers)
Can you see anything...
(points)
...there?
Schaefer stares hard at the jungle.
SCHAEFER
It's...nothing...
73 EXT. HUNTER'S P.O.V. - DAY 73
Moves behind a broad fern, skirting around Billy
and Schaefer, heading away from the column.
74 BACK TO SCENE/BILLY AND SCHAEFER 74
Schaefer shakes his head, continuing to stare into
the jungle. He turns to Billy.
SCHAEFER
What do you think...?
REVISED - "HUNTER" - 4/17/86 48
*
74 CONTINUED: 74
Billy turns, a puzzled look in his eyes. He nods
in agreement.
BILLY
It's nothing...
75 EXT. ANNA AND RAMIREZ - DAY 75
Sensing the da
190
nger has passed, Ramirez releases his
grip on Anna. As they start to rise, Ramirez sheaths
his knife and unslings his MP-5. Anna still stares
hard into the jungle.
Suddenly, without even looking, Anna with the trained
reflexes of an experienced fighter swings the BURL with
all her might, catching Ramirez hard on the side of the
fa0
head, just above the eye, opening a wicked gash.
Spinning around she knees him brutally in the groin.
As Ramirez goes down, doubled over in pain, Anna turns,
scrambling up the embankment, running for the jungle.
Ramirez CRIES out.
76 EXT. SCHAEFER - DAY 76
HEARING Ramirez' cry, Schaefer signals to Hawkins to
move. Hawkins moves out, fast, heading towards the
sound...
77 EXT. HAWKINS - DAY 77
SEES Anna running away. He gives chase.
Anna, although bound, is light and fit and runs fast,
hurdling fallen logs and branches, charging through the
undergrowth. SHe has a good start.
Hawkins, hampered by the radio and weapon but in
tremendous shape, thunders after her, closing the
distance.
78 EXT. HUNTER'S P.O.V. - DAY 78
As he passes from behind a large tree, surrounded by
dense foliage, SEEING the fleeing Anna. He watches
her and then begins to move parallel with her, only
faster, the green of the jungle rushing by in a blur.
79 EXT. ANNA AND HAWKINS - DAY 79
Anna, bursting through a grove of ferns, drives on,
breathing hard with the exertion.
49
79 CONTINUED: 79
Hawkins, ten yards behind, closing the distance,
taking advantage of any hesitation Anna makes,
struggling with the dense jungle.
Anna hits a small clearing, an alleyway through
the trees. She sprints hard across the clear
ground.
80 EXT. HUNTER'S P.O.V. - DAY 80
Moving through the jungle. As he steps clear of
the foliage he SEES Anna driving hard into the
alleyway, running directly towards him. Twenty
yards away, Hawkins, closes in.
81 BACK TO SCENE/HAWKINS 81
Only a few feet behind Anna, lunges forward, knocking
her to the ground. In a second he's on her, his
weapon ready. She struggles to her feet, fighting,
gasping for breath. Hawkins holds the MP-5 on her,
looking at her, almost pleading. He doesn't want
to shoot her, but he will if he has to.
HAWKINS
Please...
She looks at the weapon, to Hawkins and then,
hopefully, to the jungle. She stops, staring hard
down the alleyway. Something...suddenly she sees it!
ANNA
(in Spanish)
Look out, behind you!!!
Hawkins spins...
82 EXT. HAWKINS AND ANNA'S P.O.V. - DAY 82
SEEING the MOTTLED OUTLINE of the Hunter's body,
racing towards them, as if the entire wall of the
jungle were rushing in. The Hunter's WEAPON
flares to life.
83 EXT. HUNTER'S P.O.V. - ANNA AND HAWKINS - DAY 83
As he hurtles towards them, their faces frozen in
surprise.
84 BACK TO SCENE/ANNA AND HAWKINS 84
A splitting THUD as Hawkins is hurtled backwards into
the undergrowth, the Hunter's hand and WEAPON flashing
REVISED - "HUNTER" - 4/17/86 50
*
84 CONTINUED: 84
through the air. BLOOD splashes on Anna's f
190
ace.
She SCREAMS as Hawkins' MP-5 FIRES a short BURST
into the air.
85 EXT. RIVER BED - DAY 85
HEARING the GUNFIRE, Schaefer WHISTLES low and sharp.
Ramirez, face bloody, swings into action, moving in a
coordinated defensive/offensive pattern into the
jungle.
86 HAWKINS/BACK TO SCENE
fa0
86
The Hunter's ARM and SPUR hook into Hawkins' leg, and
he is dragged into the jungle.
87 EXT. RAMIREZ - DAY 87
Ramirez runs forward ten paces, drops to a crouch,
scanning to each side. Immediately Schaefer runs
forward twenty paces. As he passes Ramirez, Ramirez
turns and scans the rear and flanks.
Dillon, Mac and Blain repeat the maneuver, leap-frogging
forward, canvassing the jungle, providing areas of
intersection cover.
88 EXT. RAMIREZ 88
Entering the alleyway where Hawkins was killed he SEES
Anna, cowering in the bushes, her blood splattered
face glazed with terror, his eyes vacant. He
approaches, angry, wary, but the girl is so stunned.
He SEES the trail of BLOOD and CRUSHED GRASSES leading
into the jungle. He gives a LOW WHISTLE and then moves
on, the rest of the team assuming defensive positions
around the clearing.
He follows the trail, finding first Hawkins'
blood-covered weapon, and then, a few yards later,
the radio. Ramirez cautiously parts the brush before
him. A look of puzzlement and then revulsion comes
of his face.
89 EXT. ALLEYWAY - DAY 89
Blain and Mac at either end, cautiously searching
the jungle; Billy covering their flanks.
51
89 CONTINUED: 89
Schaefer and Dillon approach Anna. She seems unaware
of their presence, staring numbly ahead. Schaefer
checks her out, looking for wounds, he wipes some of
the blood from her face.
SCHAEFER
It's not her blood.
Ramirez emerges from the jungle carrying Hawkins'
MP-5 and radio. He approaches, dumping the equipment
on the ground.
RAMIREZ
Major, you'd better take a
look at this.
SCHAEFER
Hawkins?
RAMIREZ
(oddly)
I can't tell.
90 EXT. SCHAEFER AND RAMIREZ - DAY 90
Dillon in the b.g., as Ramirez parts the brush with
his weapon. Before them, covered with dirt and
leaves, are Hawkins' ENTRAILS. There is no body.
SCHAEFER
(shocked)
What in God's name...?
RAMIREZ
I think it's Hawkins.
SCHAEFER
Where the hell is his body?
RAMIREZ
There's no sign of it.
91 EXT. ALLEYWAY - DAY 91
The entire team is gathered, still holding defensive
positions. Anna, still stunned, is beginning to
come around. She looks up at Schaefer. He turns to
Ramirez.
-----------------------------------------------------------------------
REVISED - "HUNTER" - 4/17/86 52
*
91 CONTINUED: 91
SCHAEFER
Ramirez, ask her wha
190
t
happened.
Ramirez drops to one knee and talks softly to her in
SPANISH. She mutters incoherently in Spanish, still
dazed, shaking her head. Dillon listens closely to her
response. Ramirez turns to Schaefer. He seems
confused.
RAMIREZ
She says...the jungle came
fa0
alive, and took him...
DILLON
That isn't what she said...
she said...
(pondering; to
Ramirez)
...she doesn't make sense.
RAMIREZ
(growing angry)
Couple of sappers been
trailing us all the way from
the camp, Major. Billy heard
them. She set us up, ran
for it...They were waiting.
I should've wasted the bitch
when I had the chance.
Schaefer, looking at Hawkins' bloodstained equipment
lying at Anna's feet, looks up.
SCHAEFER
(quietly)
Why didn't they take the
radio and his weapon?
(pause)
Why didn't she escape?
Ramirez and Dillon look at the equipment and then
to the girl, still numb with shock.
DILLON
(grimly; remembering)
They did the same thing to
Davis...
53
91 CONTINUED: (2) 91
The two veteran commandos look at each other, finding
no explanation between them.
SCHAEFER
(urgent; to the others)
I want him found. Sweep
pattern and double back. Fifty
meters.
They move out. Schaefer moves into the jungle,
searching. He crouches at the base of a huge
MAHOGANY TREE, covered with vines, studying the
jungle. He moves away from the tree and into the
forest, looking for signs on the ground.
Where he was sitting, a DROP OF BLOOD falls. Another
drop falls, dripping from a leaf and above that, from
another leaf. Above that, high in the top of the
tree, SUSPENDED from vines from his ankles, is
HAWKINS' BODY, his chest a gaping wound.
He hands there as if he were an animal, field dressed.
92 EXT. BLAIN - DAY 92
Crouched in the undergrowth. There is a movement in
the brush before him. He wipes the sweat from his
eyes and clicks his safety on the Mini-gun to fire.
The SOUND is growing closer. Blain levels the weapon.
A smile crosses his face.
BLAIN
(whispers)
Come on in you fuckers...come on
in. 'ol 'painless' is waitin'...
The movement in the brush is GROWING LOUDER. Blain's
finger moves closer to the trigger.
Suddenly a small TAPIR bursts through the leaves,
startling Blain. He relaxes momentarily as he
watches the animal scurrying from sight. He
stands...
54
92 CONTINUED: 92
SOMETHING grazes his shoulder, a gout of BLOOD erupting.
He starts to turn, the Mini-gun held low, ready to
fire...
...from out of the jungle, 75 feet away, the Hunter's
WEAPON streaks toward him like a missile. He SCREAMS
as it enters his back, erupting from his chest in an
EXPLOSION of BLOOD.
93 EXT. MAC - DAY 93
Has heard B
190
lain's cry. He moves fast through the brush.
He HEARS a RUSTLING in the bushes. A wet SUCKING SOUND.
Mac charges into the clearing. In the instant before
the Hunter disappears into the forest, Mac SEES a vision
so brief and fantastic that it seems like a
hallucination.
The Hunter's EYES flare momentarily from the green
befo
fa0
re they vanish.
Mac sees his friend, lying on the ground, his chest
open, the powerful man, dead.
MAC
(shouting)
Contact, 30 Right!!!
He OPENS FIRE with his M-203, belted shells slamming
into the weapon from the magazine at his waist,
expending it in one LONG BURST.
94 EXT. THE OTHER TEAM MEMBERS - DAY 94
Flying through the jungle, weapons ready, eyes searching
for movement.
95 EXT. MAC - DAY 95
He throws down the weapon and with a cry of rage, lunges
forward, grabbing the Mini-gun. As he stands, the
CARTRIDGE BELT, attached to Blain, strings out between
them.
He opens FIRE and the foliage before him EXPLODES with
the fury of the terrible weapon. Mac sweeps the
Mini-gun from left to right, like a man possessed,
mowing down the jungle.
The other team members race INTO SIGHT and begin firing
with Mac.
REVISED - "HUNTER" - 4/29/86 55
95 CONTINUED: 95
Ramirez opens FIRE with the SIX-SHOOTER grenade
launcher...EXPLOSIONS rock the jungle.
96 EXT. HUNTER - DAY 96
Moving. A piece of SHRAPNEL cuts his shoulder. A
splash of ORANGE BLOOD spatters across the LEAVES
of a nearby tree, bullet holes ripping through the
surrounding foliage.
97 BACK TO SCENE/MAC 97
More FIRING. Mac, his weapon expended, continues
to thrust the Mini-gun forward, still squeezing the
trigger.
Suddenly, as quickly as it started, THE FIRING STOPS.
The men move catlike into the jungle, reloading,
searching, their nerves taut, stretched to the limit,
ready to fire again at any second.
Mac is frozen, eyes wide, unblinking, his breath
coming in rapid gasps as he stares into the jungle,
still squeezing the trigger of the weapon, its
breech locked open, GUNSMOKE wafting from the chamber
and barrel.
Schaefer moves in front of Mac, still staring into the
jungle. Dillon pushes Anna into the clearing, moving
towards the body. Anna looks at the body and then up
to Mac. Schaefer sees a terrifying moment of
recognition flash in her eyes as she continues to
stare at Mac. He turns to Mac.
MAC
(confused)
I...saw it.
At these words, Anna reacts in shock, drawing a *
slight breath. Schaefer turns, sees her staring at *
Mac. He turns back.
SCHAEFER
You saw what?
MAC
(still dazed)
I saw it.
Schaefer turns back to see Anna, staring fixidly at Mac, *
watching his lips. Schaefer turns quickly to Blain's *
body and kneels alongside Dillon.
98 SCHAEFER 98
is at Blain's side, shocked at the sight of the
mutilated body. He is joined by Dillon.
56
98 CONTINUED: 98
SCHAEFER
(
190
to himself)
Blain...
(puzzled)
...Just like the others...no
powder burns, no shrapnel.
DILLON
The wound all fused,
cauterized...what the hell
did this?
Schaefer stands, looking at the body. In the b.g.
fa0
Anna drifts away from the group.
SCHAEFER
(to Mac)
...Mac!
Mac stares ahead, dumbly, not hearing. He grabs Mac
by his shoulders, shaking him violently back to
awareness.
SCHAEFER
(demanding;
angry)
Mac! Mac! Look at me!
Mac turn to face Schaefer, a shocked expression on his
face.
SCHAEFER
(urgent)
Mac, who did this?
Mac is suddenly angry and frustrated, he has no
explanation.
MAC
I don't know. Goddamn it,
something...I saw something/.
Ramirez runs from the jungle, breathing hard, shaking
his head.
RAMIREZ
Nothing. The same thing.
Not a fucking trace. No
bodies, blood, anything.
57
98 CONTINUED: (2) 98
Mac stands. Instinctively the team has now grouped
around Schaefer, their weapons pointing into the jungle,
ready, their nerves on total edge. Schaefer looks
upward at the darkening sky.
SCHAEFER
(quietly)
We're losing the light. Mac,
I want a defensive position
above this ridge, mined with
everything we're got.
Man is again the hardened professional.
MAC
Yessir.
Schaefer looks down at Blain's body. He turns to
Ramirez and Billy.
SCHAEFER
Put him in his poncho and
liner and carry him back.
We'll bury him in the morning.
MAC
I'll take him.
99 ANNA 99
as they leave approaches the brush, her attention
focused on something clinging to the leaves, well off
to the side of where Mac saw the Hunter. She draws
closer, reaching out, hesitant, as if drawn magnetically
to the leaves.
100 EXT. DETAIL - HUNTER'S BLOOD - DAY 100
Clinging to the leaves, thick, viscous, pale-orange,
almost like the sap of an exotic plant. Her fingers
hover above it, hesitantly, and then touch it.
101 ANNA 101
examines the blood, transfixed. Dillon appears at her
shoulder, startling her. He motions for her to return.
She turns, wiping the blood onto her pants leg.
102 EXT. ENCAMPMENT - DUSK 102
The team is dug into the foxholes in a dense grove of
trees, a solid wall to their backs. The men are barely
visible they blend in so well.
58
102 CONTINUED: 102
Nearby, Mac is stringing a TRIP WIRE, low to the ground,
covering it with leaves and grass. He moves into camp
and reports to Schaefer.
MAC
We've got most of the flares,
190
frags. and two claymores just
outside. Nothin's comin'
close to here without trippin'
on somethin'.
SCHAEFER
Thank you, Sergeant.
Mac starts to go but Schaefer places his hand on his
shoulder.
SCHAEFER
fa0
I'm sorry, Bull. It's never
easy. He was a good soldier.
MAC
(hardened)
The best friend I ever had.
Mac turns and walks through the camp, stopping beside
a DARK OBJECT on the ground. He kneels beside the
PONCHO pulling back the zipper REVEALING Blain's face,
looking peaceful in death, as if lying in state.
Mac removes something from his pocket, holding it in
his hand, studying it.
103 DETAIL OF OBJECT IN MAC'S HAND 103
The small WHISKEY FLASH, the chrome rubbed away in
places REVEALING the brass beneath and a MEDALLION
depicting the 101 1ST AIRBORNE DIVISION.
104 MAC 104
takes a tiny sip from the flask. He replaces the cap
and lifts the flap of Blain's shirt pocket, placing
the flask inside. He lingers on the face and then
closes the zipper.
MAC
(softly)
Good-bye, Bro.
59
105 ANNA 105
is huddles into a foxhole, her hands still tied in front
of her. She looks down at her pants leg. The Hunter's
BLOODSTAIN glows with a faint luminosity. She places
her fingers near the stain.
106 INT. HUNTER'S SHIP - NIGHT 106
Hawkins' BODY impacts the floor with a THUMP.
107 EXT. ENCAMPMENT - DAY (DUSK) 107
A momentary HUSH falls over the symphony of night
sounds. Anna and Billy turn towards the trees with a
growing look of wariness. The others, setting up the
RADIO, show no response.
108 INT. HUNTER'S SHIP - DAY (DUSK) 108
The Hunter's foot steps on the upper leg of the corpse,
the PREHENSILE SPUR digging deep, pinioning the body
to the ground. The Hunter's HAND extends, his
FINGERS puncturing the skin at the base of the spine,
gripping the vertebrae.
With otherworldly strength the arm pulls, the entire
SPINAL COLUMN ripping free from the body, a sickly
SNAPPING and POPPING of cartilage separating from bone
and tissue.
109 EXT. ENCAMPMENT - DAY (DUSK) 109
Ramirez is tuning in the compact FIELD RADIO, equipped
with a CRYPTO-PHONE device. Dillon holds the handset.
DILLON
(to phone)
Blazer One, say again...
A CRACKLE of STATIC over the radio.
BLAZER ONE
(voice over)
Red Fox, I say again. Your
request for extraction denied.
Your area still compromised.
Proceed to Sector 3000 for
prisoner extraction, Priority
Alpha. Next contact at 1030
hours.
REVISED - "HUNTER" - 4/17/86 60
*
109 CONTINUED: 109
DILLON
(to phone;
angry)
Roger, Blazer One. 1030
hours...damn, bastards.
He puts down the phone, turning to the group, huddled
together in a tight circle, Ramirez and Billy facing
outward in defensive positions, Anna, silent, w
190
atching.
Schaefer is look at him.
DILLON
(angry;
shocked)
We're still too far in, they
won't risk coming in for us.
SCHAEFER
Expendable assets, Dillon.
Seems Langley is never around
fa0
when you need them.
DILLON
I can accept that, it comes
with the job.
SCHAEFER
Bullshit. You're just like
the rest of us.
Dillon glares back. Schaefer leaves, lost in thought.
Ramirez looks up at the impenetrable canopy.
RAMIREZ
Shit load o' good a chopper'd
do us in here anyway.
Dillon turns to Mac.
DILLON
Mac. Who hit us today?
Mac is still obviously feeling the anger and bitterness
of the mystifying event.
MAC
Don't know, only saw one of
'em. Camouflaged. He was
there...
(remembering)
...Those fucking eyes...
REVISED - "HUNTER" - 4/17/86 61
*
109 CONTINUED: (2) 109
DILLON
(abruptly;
pushing)
What, Sergeant?
MAC
(returning;
angry)
Those eyes...disappeared. But
I know one thing, Major...
(pause)
...I drew down and fired
right at it. Capped-off two
hundred rounds and then the
Mini-gun; the full pack.
Nothin'...nothin' on this
earth could have lived...not
at that range.
Dillon ponders this for a moment, staring hard at Mac.
Mac gets up.
MAC
I've got the first watch.
Mac departs. Dillon watches Mac as he creeps forward
to the sentry position. He turns to Ramirez.
DILLON
Ask her again. What did she
see? What happened to
Hawkins?
Ramirez turns to Anna. They talk quietly in Spanish,
Dillon watching, listening carefully. Ramirez turns
back to Dillon.
RAMIREZ
(interpreting)
She says the same thing...
It was the jungle...
Ramirez looks up at Billy who continues to stare into
the jungle, aware, catlike, reacting to every sound,
his nerves on edge, as if ready to snap. Ramirez
rises, moves alongside his friend, Dillon watching
closely.
REVISED - "HUNTER" - 4/17/86 62
*
109 CONTINUED: (3) 109
RAMIREZ
(whispering;
imploring)
You know something Billy, what
is it?
Billy turns, his face a mask of primal fear. He moves
close to Ramirez.
BILLY
I'm scared.
Ramirez is frightened by this.
RAMIREZ
(shaken)
Bullshit. You ain't afraid
of no man.
Billy looks deep into his eyes, chilling Ramirez to the
bone, looking at his with eyes
190
which have seen on an
instinctual level what the others have so far only begun
to sense.
BILLY
There's something out there,
waiting for us...it ain't
no man.
Billy turns away, moving a short distance away, taking
up his position. Dillon looks after him and then in
fa0
to
the blackness of the jungle canopy. Dillon speaks to
Ramirez.
DILLON
He's losing his cool. There's
nothing out there but a couple
of men that we're going to
have to take down.
Despite his words, there is an edge of doubt in his
voice. Schaefer returns. He's overheard this exchange.
He's holding the group of DOG TAGS taken from Davis' men.
He holds them up for Dillon to see.
SCHAEFER
You still don't get it, do
you Dillon? He took Davis...
and now he wants us.
63
110 INT. HUNTER'S SHIP - NIGHT 110
CLOSE ON an oval CHAMBER made of an otherworldly looking
metal with a strange copperlike patina, its interior
bathed in INTENSE BLUE LIGHT. In the chamber is
Hawkins' SKULL CAP and SPINAL COLUMN still attached.
The light field suddenly changes as all connective
tissue, flesh and blood and drawn away from the bony
structures with incredible force, disintegrating as they
rush toward the sides of the chamber.
The light changes in frequency to a dull glow as the
Hunter's hands remove the GLAZED, POLISHED trophy from
the chamber. He turns, carefully placing it upon a
GLOWING SURFACE. He touches the trophy gently, feeling
its texture, as a man might touch the hide of a big cat.
He pulls his hand away and instantly an opaque FORCE
FIELD covers the trophies.
111 EXT. MAC - NIGHT (LATER) 111
Hunched down in a foxhole, the Mini-gun on a tripod
before him. It's nearly a FULL MOON, the jungle a
montage of SHADOWS AND REFLECTIONS. Mac stares into
the night, his eyes always moving.
MAC
(distant;
whispering)
It's the same kinda jungle,
Bro, same moon...
everything...
(pause)
...a real number ten night.
Remember Bro? Only you and
me, the only one's out of the
whole fuckin' platoon who made
it out.
His eyes probe the darkness, remembering.
MAC
...we walked out on top of
'em. Not a scratch, not a
fuckin' scratch.
(spits into
the night)
No fuckin' chili-choker got
to you, Bro...you were just
too good...
He ponders this a moment.
64
111 CONTINUED: 111
MAC
...I promise you this, Bro...
whoever he is, I hope he's
plannin' to hit us again...
(pauses;
spits)
...'cause he's got my name
on 'em.
112 INT. HUNTER'S SHIP - NIGHT 112
A FORCE FIELD that permeates the jungle, becoming one
with the trees and foliage. The Hunter walks down a
CORRIDOR of SOLID LIGHT, leading to an opening to the
jungle. As the Hunter reaches the doorway he changes
from visible to invisible, moving on into the night.
113 EXT. ENCAMPMENT - N
190
IGHT 113
The mist has thickened, the night alive with a million
JUNGLE SOUNDS. The team members sleep uneasily, if at
all.
Mac, although weary, stares hard into the night,
waiting, each small sound a potential enemy. A LULL
spreads over the jungle, animals and insects QUIETING.
Mac tightens his
fa0
grip on the Mini-gun.
Billy awakens, peering into the night. Nothing.
Suddenly, a metallic CLICK, a POP, the SOUND of a
warning flare rocketing into the canopy. A moment later
a brilliant FLASH as the flare burns, illuminating the
camp.
An echoing eerie SCREAM fills the night as a DARK SHAPE
in the mist rockets through the undergrowth towards Mac.
Mac spins, hauling the heavy gun around, just as
something crashes into his upper body, driving the huge
man into the foxhole.
A desperate battle for life ensues, illuminated with
the strobing light of the descending flare. Mac's
enraged SHOUTS and ROARS mingled with horrific SCREAMS
fill the night.
Mac's razor-edged KNIFE slashes in the light; BLOOD
spatters his face as he attacks fiercely.
65
113 CONTINUED: 113
Schaefer and Ramirez rush at a crouching run towards
the foxhole, their weapons ready.
A tremendous climatic SCREAM from the foxhole AND THEN,
SILENCE. Schaefer and Ramirez approach, cautiously.
Mac stands, his face and clothes drenched in blood,
some of it his, his breath coming in rapid gasps. He
looks at Schaefer, whispering hoarsely.
MAC
Got the motherfucker...
As the flare breaks through the canopy, dying out in
great flickering bursts, the man stare down into the
foxhole. A huge, jungle BOAR lies mutilated in a pool
of blood, still quivering in the final throes of death.
The flare dies out.
Mac, shaking from adrenalin, breathing heavily, looks
down at the dying animal.
MAC
(incredulous)
A pig...just a fucking pig...
Schaefer shines his TEKNA-LIGHT onto the boar, playing
the light along its massive hulk, its razor edges tusks
gleaming in the light. Ramirez appears by his side,
looking down at the huge carcass.
RAMIREZ
Holy shit, Mac.
Nearby, unnoticed by the men, Anna stoops, her hands
still bound, picking up an MP-5 from the ground. She
turns, looking for an avenue of escape, running for
the jungle.
But the forest looks foreboding and sinister. She
stops, staring at the jungle, the moonlight reflected
off leaves like a thousand eyes. For a brief second
she imagines she can see the Hunter's eyes, crashing
towards her, the shifting patterns of light and dark
making the jungle seem to strobe, like it is about to
rush in at her. She freezes, paralyzed by fear, by her
memories of the attack.
She drops the MP-5 to the ground.
Back at the foxhole, Schaefer and Ramirez help the
still shaken Mac from the hole. Schaefer looks at
Mac, at the huge gash across his chest.
66
113 CONTINUED: (2) 113
SCHAEFER
Get a field dressing on that
right away.
Suddenly he remembers, Anna.
SCHAEFER
Where's the girl?
They all turn, ready to move and then stop. Coming
forth from the shadows Anna appears, still frightened,
seeking the security of the soldi
190
ers.
From the darkness nearby, Billy's VOICE in a hoarse
WHISPER.
BILLY
(o.s.; urgently)
Major, over here.
Schaefer turns, apprehensive, something in Billy's
voice...
He walks over to Billy, standing with a FLASHLIGHT
pointing to the ground. They see B
fa0
lain's BODY BAG
slashed open, covered in blood. Ramirez appears.
BILLY
The body...it's gone.
RAMIREZ
Came in through the trip
wires, took it right out from
under our noses...
Anna appears between Schaefer and Ramirez, staring down
at the empty, blood-soaked body bag. She looks up, into
Schaefer's eyes.
114 EXT. ENCAMPMENT - DAY (PRE-DAWN) 114
A patchy GROUND FOG covers the area. Anna, in her
foxhole, awakens, LISTENING to the rising SOUNDS of
the jungle. MONKEYS begin to forage, their noisy
CHATTERING and SCREECHING filling the air.
A BIRD flutters back to its nest; a CHAMELEON emerges
onto a leaf, directly above Anna's head.
REVISED - "HUNTER" - 5/6/86 67
114 CONTINUED: 114
Anna carefully extends her arm, allowing the lizard
to crawl onto her, watching, fascinated as it changes
colors. She carefully places the chameleon back on the
leaf, which changes color again, becoming nearly
invisible.
Near the empty PONCHO, Schaefer, Billy and Ramirez
are examining the ground and the trip wire to the
flare. Billy stands, turns to Schaefer.
BILLY
Boar set off the trip flare,
Major. No other tracks.
Schaefer kneels and examines the thin, well hidden
WIRE. He stands, looking around the camp.
RAMIREZ
How could anyone get through
this, carry Blain out, right *
under our noses without leavin' *
a trace?
SCHAEFER
He knows our defenses. *
*
RAMIREZ
Why didn't he try to kill one
of us last night?
Schaefer looks at him.
SCHAEFER
He came back for the body.
(pause)
He's killing us, one at a
time...
Schaefer turns and looks at Billy, asking with his
eyes for a viable explanation.
BILLY
Like a Hunter. *
Schaefer stares at him, the words sinking in. He *
looks up, reconstructing in his mind the possible *
events of last night, his eyes following the tree line, *
tracing the path of the intruder as he might have *
travelled through the trees and down to the ground. *
He looks up at Billy.
SCHAEFER
He uses the trees. *
REVISED - "HUNTER" - 5/6/86 68
114 CONTINUED: (2) 114
Billy and Ramirez stare up at the trees, a wave of fear *
passing through them...from the trees. Schaefer turns, *
moving to where Dillon is guarding Anna, sitting on the
ground. Reaching down, Schaefer pulls her firmly to her
feet, looking at her intensely.
SCHAEFER
Yesterday. What did you see?
She
190
stares back at him.
DILLON
You're wastin' your time.
SCHAEFER
No more games.
She looks at him a long moment, and then answers in
English.
ANNA
I don't know what it was.
It...
Dillon
fa0
does a double take. Schaefer continues to look *
at Anna. He wasn't surprised: he knew it yesterday. *
SCHAEFER
Go on.
ANNA
It changes colors, like the
chameleon. It uses the jungle...
DILLON
(derisively)
Shit, you trying to tell me
Blain and Hawkins were killed
by a fucking lizard? Don't
listen to her. Its's a psych-job.
Two, maybe three of them, that's *
all. We keep our cool, out-think *
them 'til we're across the *
border... *
Ignoring him, Schaefer takes her hands, drawing his
COMMANDO KNIFE, looking squarely into her eyes.
SCHAEFER
What's you name?
She looks back into his eyes.
REVISED - "HUNTER" - 5/6/86 69
114 CONTINUED: (3) 114
ANNA
Anna.
SCHAEFER
Anna. He's hunting us. You
know that?
She nods. With a sudden movement he slices through
her bonds.
DILLON
What the hell do you think
you're doing?
SCHAEFER
We're going to need everyone. *
DILLON
What are you talking about?
We'll be out of here in ten *
minutes. *
SCHAEFER
We're not going. *
DILLON
That rendezvous is ten maybe *
twelve miles, at most! We're *
almost home. But the chopper *
won't wait.
Schaefer turns to face him.
SCHAEFER
Dillon...This thing doesn't *
care who we are, who she is.
We make a stand or there won't *
be anyone left to make that *
chopper.
Dillon stares back, not wanting to hear what he
already knows to be true.
Anna touches Schaefer's arm.
ANNA
There is something else. When
the big man was killed, you
must have wounded it.
(pause)
It's blood was on the leaves.
REVISED - "HUNTER" - 5/6/86 70
*
114 CONTINUED: (4) 114
She touches her pant leg, the stain is faded but still
there. Schaefer turns to Dillon.
SCHAEFER
If it bleeds, we can kill it.
115 EXT. ENCAMPMENT - MORNING (LATER) 115
Anna at the base of the rocks scans the jungle with
binoculars watching the tree l
190
ine. Mac moves past her,
uncoiling a trip wire linking up four CLAYMORE mines
hidden at various points with leaves and foliage. In
a tree at the edge of the clearing, Billy tosses an
uncoiling roll of wire to Ramirez who attaches it to
a GRENADE, wedged it the crouch of a tree.
Wires attached to GRENADES and CLAYMORE MINES lead off
fa0
through the underbrush and trees leaving a long, unmined
corridor leading from the camp and into the jungle.
At the corridor's end, where the rocks merge with
the jungle, Schaefer hauls down on a HEAVY VINE,
straining with every ounce of strength, his muscles
bulging, while Dillon takes up the slack of the vine
REVISED - "HUNTER" - 4/29/86 71
115 CONTINUED: 115
around the base of a tree. The vine is attached to a
forty foot SAPLING, arcing closer to the ground in a
gigantic bow with every pull, CREAKING and GROANING
with tension. With a last mighty heave, Schaefer draws
the tree almost within reach, gesturing to Dillon to *
tie it off, who does. *
DILLON
(straining)
I'm tellin' you, this little *
'boy scout' stunt is a *
Godamned waste of time. *
(stands) *
We've got to get the hell out *
of here, now, while we've still *
got the chance.
Ignoring him, Schaefer rapidly drags into position a
NET crudely woven of differing sizes of vines, their
LEAVES still attached. He carefully begins to cover
the net with leaves and debris. Dillon watches him
in growing frustration as Schaefer moves quickly,
picking up a FRAMEWORK of STICKS he has tied together,
a TREADLE-SPRING TRIGGER. He holds up the framework,
hurriedly examining his work before placing it on
the ground.
SCHAEFER
He'll be looking for the trip wires.
If we're lucky, he won't see this.
DILLON
Now what, Dutch. You going to
send your mystery guest an
invitation?
Schaefer turns, there is a touch of fear in Dillon's
eyes.
SCHAEFER
You're catching on, Dillon.
Schaefer returns to his work on the net and trigger. *
REVISED - "HUNTER" - 1/30/87 72
*
116 EXT. ENCAMPMENT - DAY (LATER) 116
Morning passes. Fog lifts as the sun creeps into the jungle.
Insects swarm and are fed upon by BIRDS and other predators.
At the entranceway to the rock outcropping, the net and trigger
are hidden beneath the leaves, the framework of the trigger
bulging with tension from the straining vine attached to the
bent tree.
At the other end of the corridor, several meters above the
jungle floor, Schaefer and his team, heavily camouflaged,
nearly invisible, lie hidden, waiting. The team members, as
if hypnotized by the BUZZING din, stare into the jungle,
fixated, alert.
ANNA while waiting at the net:
ANNA
(hushed)
When I was little we find a man --
(she struggles for
the words)
-- like a butcher. The old ones in
the village cross themselves and
whisper crazy things. 'Demonio,
190
cazador de trofoes...Only the hottest
times of the hottest years...' Crazy
things...This year is grows hot. And
we begin finding our men. We find
them sometimes without their skin.
Sometimes...much, much worse. Cazador
de trofoes...means the demon who takes
fa0
trophies.
SLOW RACK TO Schaefer's face. Ashen. HOLD. Suddenly an
EERIE SILENCE moves over the jungle:
He whips his face forward. The silence is SHATTERED by a
bird flapping from the brush.
Schaefer sits back and scratches his head, frustrated and a
little chagrined.
DILLON
(o.s.)
What'll you try next -- cheese?
Schaefer glares at him. Turns to go --
He stands and begins to move low to the ground toward the
waiting snare.
REVISED - "THE HUNTER" - 1/27/87 72-A
*
116 Cont.
Behind him, sighting down their well-hidden gun barrels, the
others scan the jungle, alert for the slightest sound or
movement, covering him.
Schaefer reaches the trap, carefully skirting the trigger
hidden beneath the leaves. He reaches the end of the corridor,
moving out into the jungle. He moves further away from the
others, the silence crushing down on him. He stops and waits,
sweat pouring down his face, his finger tightening on the
trigger of his M-203, eyes scanning the jungle.
He turns his back on the jungle, waiting. Nothing. He moves
back towards the corridor, reaching the net, again waiting,
listening, sensing. Nothing. He turns around, looking at the
jungle one last time, his face measuring defeat and then, with
carefully, measured strides, he walks back to the camp.
Schaefer looks at Billy who shakes his head in puzzlement.
Nearby, Dillon starts to rise.
DILLON
(low; whispered)
Satisfied? Now let's get the hell
out...
73
116 CONTINUED: 116
Suddenly, behind Schaefer at the end of the corridor,
with a resounding SWISH and SNAP, the NET explodes off
the floor of the jungle in a hail of leaves and sticks,
rocketing upward into the treetops.
Schaefer spins, the others leaping to their feet as
they SEE the net as it tears into the treetops, a
large struggling bulge trapped within as a long,
unearthly TRILLING SCREAM ECHOES through the jungle.
Schaefer and the others charge from the rocks towards
the jungle and the bobbing net, their weapons ready.
Anna remains behind, watching terrified from the rocks.
They arrive under the net, raising their weapons to
fire...but before they can fire the entire net
EXPLODES into a flurry of leaves, twigs, vines, dirt
and a FLASH of PULSATING CRIMSON.
117 EXT. HUNTER'S HAND AND ARM - DAY 117
As the Hunter leaps from the net his WEAPON activates,
his arm slashing out, severing a THICK LIMB of the
spreading tree capony, entangled in vines.
118 EXT. THE TEAM - DAY 118
The limb CRASHES down from the trees, Schaefer, Dillon,
Billy and Mac Diving for safety. But Ramirez, following
the Hunter's leap, SEES too late the pendular movement
of the severed limb and is struck a THUDDING blow in
the ribs, which lifts him off his feet, hurling him
backwards like a rag doll, his shirt torn open,
e
190
xposing a BLOODY WOUND.
As Anna runs to Ramirez's side the others, still
stunned, look upward, frozen in shock SEEING: THE
HUNTER, clinging to a side of a tree, flushed bright
crimson.
Dillis is dumbfounded, like the others, rooted to the
ground staring upward.
DILLON
What is God
fa0
's name...?
The Hunter utters an unearthly SNARL and HISS from his
open mouth as an instant later his camouflage resumes
and he vanishes from sight...a rapid, furtive movement
through the trees.
74
118 CONTINUED: 118
Mac OPENS FIRE with the M-60, the others joining in,
shredding the foliage, but they know the creature is
gone.
With a SHOUT, Mac races into the jungle, in pursuit
of the Hunter.
SCHAEFER
Mac!
Schaefer hurriedly ejects the spent clip from the M-203,
slamming in a new one. He shouts an order to Billy.
SCHAEFER
(to Billy)
Get Ramirez on his feet! Take
the girl and get the hell out
of here!
He turns to run after Mac. Dillon steps in front of
him, putting his hand on Schaefer's chest.
DILLON
No way, Dutch. I'm going.
You get these people and get
the hell out of here.
SCHAEFER
This isn't your style, Dillon.
DILLON
Guess I've picked up some bad
habits from you, Dutch. Now
don't argue with me, you know
I'm right. Get to that
chopper and hold it for us.
We'll be along.
SCHAEFER
You know you can't win this
one.
Dillon stares at him.
DILLON
You know me, Dutch, I never
did know when to quit.
Dillon turns and begins to move out.
75
118 CONTINUED: (2) 118
SCHAEFER
Dillon!
Dillon turns. Picking up the spare MP-5, Schaefer
tosses the weapon to Dillon, who grabs it with one
hand. They share a look, knowing this is farewell.
SCHAEFER
I'll see you there.
DILLON
Right behind you.
Hefting both weapons at the hip he runs into the jungle
after Mac. Schaefer watches him leave. He breaks and
goes to Ramirez, attended by Anna and Billy, who is now
sitting up, holding his ribs and gasping for breath.
BILLY
He's busted up, bad, Major.
RAMIREZ
(gasping)
I can make it, Major.
Schaefer lifts him to his feet, supporting him.
SCHAEFER
Come on, Poncho, we're getting
out of here.
(to Billy)
Billy, take the radio, leave
the rest. Come on!
119 EXT. MAC - DAY 119
Creeping low to the ground, his eyes searching through
the trees.
MAC
(whispered)
Come on, you motherfucker!
120 EXT. DILLON - DAY 120
Moving through the underbrush HEARS a slight RUSTLING
in the foliage. Mac? He strains to locate t
190
he source
of the movement.
He HEARS A SOUND, too faint at first it identify. He
listens. Silence. He hears is again, the SOUND of
a VOICE, barely audible. A VERY QUIET WHISPER.
76
120 CONTINUED:
fa0
120
VOICE
(o.s.)
Dillon, over here.
Dillon locates the direction of the voice and moves
towards it.
VOICE
(o.s.; barely
audible)
Dillon, over here.
Dillon moves a few feet into the undergrowth. He
carefully parts the thick leaves and vines and enters
a tiny opening. He looks around, seeing nothing.
DILLON
(whispering)
Mac?
Suddenly a HAND appears and covers Dillon's mouth.
Dillon gasps as Mac pulls him down to where he is
hiding.
MAC
(whispering;
close)
Out there. Past the rocks...
can you see it?
Something seems to MOVE in the direction Mac is pointing.
DILLON
(whispering)
I see it!
(pause)
We're gonna take this thing.
Dillon points to an OUTCROPPING OF ROCKS, covered with
VINES.
DILLON
Take a position over there.
I'll work around towards you.
When I flush him, you nail
him...
MAC
(a mean look)
...Right, I got a score to
settle for the Bro...
77
120 CONTINUED: (2) 120
DILLON
We both got scores to settle.
Dillon silently disappears into the jungle, Mac
watching him go.
Mac makes his way toward the rock outcropping, working
his way between the rocks and the vines. He takes up
a position and scans the jungle before him.
121 DILLON 121
moving quietly, his face intense, determined. He
stops and listens.
122 MAC/ROCK OUTCROPPING 122
straining to hear VAGUE SOUNDS coming from the jungle.
He reaches out and grabs a VINE and carefully pulls
himself forward into a better position.
123 BACK TO SCENE/DILLON 123
moving, searching. He goes into a crouch.
124 MAC/ROCK OUTCROPPING 124
There is MOVEMENT in the undergrowth. He begins to
sweat. He moves the safety to fire; reaches out and
grabs another vine to pull himself forward. Mac
reacts in shock.
The vine is alive! Before he can move, the Hunter's
HAND appears from the vines, grabbing Mac by the
wrist.
In the moment before he is killed, Mac turns and SEES
the Hunter's glowing EYES.
A FLASH as the Hunter's other hand, moves with
blinding speed, Mac's face contorting in pain as the
Hunter's razor-sharp SPUR rips deep into his throat.
He falls forward into the leaves.
125 DILLON 125
He HEARS the faint disturbance in the leaves. He
pauses, turning in Mac's direction, listening.
Hearing no further sound he relaxes, moving on.
78
126 EXT. NARROW
190
RIVER GORGE - DAY 126
Anna in the lead, followed by Schaefer carrying Ramirez
on his back. Billy, carrying the RADIO is covering
them from above, as they skitter and slide down the
loose gravel of a rocky slope, leading to a river
crossing.
127 EXT. DILLON 127
He
fa0
stalks through a narrow corridor of tangled vines
and moss, leading to the rock outcropping on the other
side, his face alert, showing no signs of fear, his
weapon ready.
128 EXT. VINES AND MOSS - DETAIL - DAY 128
Through the thick tangle of undergrowth, there is
MOVEMENT, a slight, undulating distortion, drifting
through the hanging vegetation, as if cast by a
passing shadow.
129 DILLON 129
as he stops and crouches slightly, listing behind him.
Did he hear something? He moves on.
130 EXT. HUNTER'S P.O.V. - DAY 130
Behind Dillon and to the side of the corridor. The
Hunter syncopates him movements precisely with those
of Dillon.
Dillon stops. The Hunter freezes in position.
131 BACK TO SCENE/DILLON 131
He does sense something behind him. He crouches and
spins, leveling the weapon. The corridor behind him
is empty, quiet and undisturbed. He studies the trail
intently.
132 EXT. HUNTER'S P.O.V. - DAY 132
Peering out through the vines. Dillon is looking
directly at him. Dillon turns, moves on, as the
Hunter resumes his stalk, timing his movements
perfectly with those of Dillon.
133 BACK TO SCENE/DILLON 133
as he approaches the rock outcropping. He signals.
Receiving no response he moves closer, turning
cautiously to right and left.
79
133 CONTINUED: 133
DILLON
(whispering)
Mac...Mac.
He moves closer to the rocks, eyes probing. Through a
gap in the rocks he SEES Mac's face, staring up at him,
eyes frozen wide in death.
Dillon spins hard. He stares at the solid wall of
undergrowth. He looks from one side of the corridor
to the other. Something it out there. Where?
Something in the vines has caught his attention. He
stares hard at a section of moss.
134 EXT. MOSS - DETAIL - DAY 134
Suddenly the right combination of light and shadow
prevail and Dillon SEES in an instant, the Hunter's
EYES materialize and then disappear.
135 BACK TO SCENE/DILLON 135
With a growl and exhalation of breath, charges,
bringing the weapon to bear. A short BURST OF GUNFIRE
erupts from the barrel.
136 EXT. THE HUNTER - DAY 136
In an indiscernible blue of camouflage releases his
weapon.
137 DILLON 137
SCREAMS, his arm instantly severed halfway between
his shoulder and elbow. The weapon drops to the
ground, the forearm still attached, still FIRING.
With his left hand he FIRES the second weapon
SHOUTING INSANELY as swings it towards the blurred
image of his unseen attacker, hitting nothing.
The Hunter reloads his WEAPON which turns INVISIBLE
again. Dillon continues to fire. The Hunter's
weapon appears from below, cutting into Dillon's
unprotected abdomen, which, as if hit by a samurai
sword, bursts open. Dillon CRIES OUT as the huge man
hits the ground.
138 EXT. LOG CROSSING - DAY 138
spanning the narrow go
190
rge, Schaefer and Anna with
Ramirez between them, move onto the log, preparing
to cross. They stop, HEARING Dillon's GUNFIRE.
80
139 EXT. HUNTER'S P.O.V. - DAY 139
Moving through the jungle with incredibl
fa0
e speed,
leaping, tearing from tree to tree, the jungle a rush
of HEAT TRAILS as he charges on.
140 EXT. LOG CROSSING - DAY 140
The jungle is still deathly SILENT. Schaefer, Anna
and Ramirez cross the log, moving onto the other side.
Billy, still at the foot of the log, providing cover,
turns to face the jungle.
He lifts his head towards the trees, feeling the
onrushing presence of the Hunter. He shrugs off the
radio letting it fall, smashing into the rocks
below.
He casts away his weapon. Staring forward he reaches
into his cargo pocket, withdrawing a small
GREASE-PAINT TIN. Covering his finger in BLACK
PAINT he applies dark slashes under his eyes and
again, vertically down his cheeks. Taking another
dap of paint he makes a SYMBOL on his bare skin, over
his heart.
He drops the tin, withdrawing his COMBAT KNIFE. Holding
the knife he grasps the MEDICINE BAG around his neck,
yanking it free with a quick snap. He wraps the
leather thong around his hand and knife, binding the
weapon and bag together.
Staring outward, as if in a trance, he begins a low
CHANT.
On the other side, Schaefer carrying Ramirez on his
back, laboring up the steep slope, nearing the top,
turns and SEES Billy standing, waiting at the foot of
the bridge.
SCHAEFER
(screaming)
Billy!!!
But Billy stands at the foot of the bridge, knife
raised, waiting, accepting his oncoming destiny.
SCHAEFER
Billy!!!
REVISED - "HUNTER" - 4/17/86 81
*
140 CONTINUED: 140
In frustration, Schaefer hikes Ramirez higher onto his
back, digs in and sprints to the top of the hill, Anna
waiting at the top.
141 OUT 141
142 EXT. BILLY - DAY 142
Crouches low, knife extended in a fighting position.
143- OUT 143-
144 144
145 EXT. RIDGETOP - DAY 145
Over the top, in a low depression, Schaefer props
Ramirez against some rocks, reaching for his weapon.
They HEAR Billy's echoing SCREAM. Instantly their
weapons are raised, cocked and ready.
SCHAEFER
Get back, into the rocks!
Schaefer sweeps Anna behind him as Ramirez struggles
to his feet. Together they back up, covering the
ridgeline over which they've just come.
Suddenly, from one side, near Ramirez, the Hunter
bursts from the jungle, Ramirez, seeing the Hunter,
spins raising his weapons to fire...
Ramirez SEES the Hunter's onrushing face, still in
camouflage, a montage of organic textures and colors,
his yellow eyes burning.
Whipping the MP-5 is the direction of the Hunter
he is hurled backwards from the impact of the Hunter's
weapon, his neck gushing BLOOD, the MP-5 flying
through the air, landing in front of Anna. She moves
for the weapon...
The Hunter, with unearthly speed, turns towards
Anna, as Schaefer starts to spin, SEEING the Hunter
about to strike as Anna dives for the
190
weapon.
Schaefer lunges kicking the MP-5 out of Anna's reach.
SCHAEFER
(to Anna)
Run! Get to the chopper!
82
145 CONTINUED: 14
fa0
5
Schaefer spins and FIRES, bullets THUDDING into the
ground, the barrel arcing towards the Hunter as Anna
stumbles to her feet running into the jungle.
In a blur the Hunter spins back, hurling his weapon at
Schaefer which slices through the wooden stock of the
rifle, SPARKS FLYING as it severs the trigger guard
and steel breech.
The M-203 flies out of Schaefer's hands as the Hunter's
weapon cuts deeply into his left shoulder, laying open
the flesh.
The M-203 hits the ground, where it lies broken in half,
useless.
Schaefer hits the ground and is rolling, up and running
for his life, the Hunter charging after him.
146 SCHAEFER 146
crashes headlong through the jungle. He leaps a fallen
log, stumbles, struggles to his feet, running on pure
adrenalin, his shoulder pulsing blood, his eyes filled
with terror.
Behind him he can hear the Hunter in pursuit, closing.
Schaefer spins to look behind him, a wild desperate
look on his face; he turns back, ducks an overhanging
limb and lunges on.
147 EXT. HUNTER'S P.O.V. OF SCHAEFER - DAY 147
Closing rapidly...another few yard.
148 BACK TO SCENE/SCHAEFER 148
runs like a madman, the SOUND of the Hunter's FOOTSTEPS
close behind. He's losing ground. He knows he's going
to die.
Schaefer SHOUTS. Suddenly the ground before him
COLLAPSES and he disappears from sight.
149 EXT. CANYON WALL - DAY 149
In a shower of leaves, flailing arms and legs, Schaefer
crashes through the trees at the canyon's edge, free
falling into space.
83
149 CONTINUED: 149
With a sickening IMPACT, he hits the branches of the
first trees lining the canyon and falls, a hundred feet,
through one canopy after another, desperately grabbing
for limbs and branched to break his fall.
He hits the bottom branches of the list line of trees,
impacting crosschest on a large BRANCH, knocking his
wind out.
Semi-conscious, he hangs momentarily before he slides
off, fingers digging into the bark, falling another ten
feet into the swiftly moving river.
150 EXT. RIVER - DAY 150
Weighted down by his boots and clothing, Schaefer
struggles to stay afloat. Gasping for air he ducks
underwater, untying one of his boots. He surfaces,
fills his lungs and dives again, releasing the other
boot. He surfaces, strips off his shirt and pants and
begins to swim towards shore, stroking with one arm.
151 EXT. HUNTER'S P.O.V. - DAY 151
As he nears the edge of the precipice from which
Schaefer has fallen. The Hunter in close pursuit does
not hesitate but LAUNCHES himself off the cliff in
a spectacular LEAP, streaking downward towards the tops
of the trees that grow out from the canyon wall.
The Hunter tears through the canopy of the first tree,
the branches and leaves rushing past in a KALEIDOSCOPIC
BLUR.
The Hunter bounds off of one branch after another,
moving through the trees as an expert skier might
negotiate a series of downhill gates.
The Hunter leaps free of one tree, bounds across twenty
feet of open space to a
190
large branch of a huge tree,
affording a good view of the river below. From his
vantage point, looking down at the windening, slowing
expanse of river, Schaefer is nowhere to be seen.
152 EXT. SCHAEFER - DAY 152
He is swept into a still FASTER CURRENT and is carried
helplessly downstream. Boiling WHITEW
fa0
ATER appears.
84
152 CONTINUED: 152
Out of control he is swept through a series of rapids,
pulling his further and further downstream until he is
finally ducked into the undertow and hurled over the
top of a six foot falls, driven deep underwater by the
pounding force of the water.
153 EXT. POOL AT BASE OF FALLS - DAY 153
There is no sign of Schaefer. Precious seconds pass.
Slowly, looking like a drowned rat, he surfaces, taking
a feeble breath. He is nearly finished, his energy
sapped. But the water is calm and a few strokes are
enough to carry him near the shore. His feet hit
bottom.
He tries to stand but pitches headfirst into the thick
MUD SLURRY at the river bank. With his last ounce of
strength, he crawls, panting and gasping into a
sheltered mud OVERHANG, collapsing beside the exposed
ROOT-SYSTEM OF A DEAD TREE, his body completely covered
in thick, gray MUD.
Nearly unconscious, he raises his head and looks to the
opposite side of the river, scanning the bank. There is
no sign of the Hunter. He collapses in relief. He's
escaped.
Suddenly, the Hunter impacts the water, throwing up a
huge SPLASH. He stands up in the waist deep water. As
the water streams off of his body, the chameleon effect
rapidly changes, struggling to match the shifting color
patterns of the shimmering water.
His glaring yellow orbs stare directly at the spot where
Schaefer lies helplessly trapped.
The Hunter surges forward, relentlessly closing in on
this prey.
154 SCHAEFER 154
is frozen in terror, paralyzed with fear, his eyes
locked ontothe incredible creature that is about to
kill him.
155 EXT. HUNTER - DAY 155
Closing rapidly, another ten feet. He leaves the water
and walks through the mud, stopping, towering over
Schaefer.
85
156 EXT. SCHAEFER'S P.O.V. - DAY 156
As the Hunter's feet surge though the mud and stop,
three feet away.
157 EXT. SCHAEFER - DAY 157
Realizing his life is about to end, closes his eyes,
awaiting the Hunter's killing blow.
158 EXT. HUNTER'S EYES - DAY 158
The fierce yellow orbs look downward.
159 EXT. HUNTER'S P.O.V. - DAY 159
He's looking directly at Schaefer, EXCEPT HE CAN'T
SEE HIM.
He can clearly see the EXPOSED ROOT-SYSTEM, but because
of the heavy mud blocking Schaefer's body heat, Schaefer
registers in the Hunter's vision as merely an indistinct
lump of clay, unrecognizable to the Hunter as a human
being.
He scans the bank, searching, looking for heat sources.
Detecting none he moves on sounding a questioning TRILL
several times.
160 BACK TO SCENE/SCHAEFER 160
disbelieving that he's still alive, opens one eye,
SEEING the Hunter's feet move away, his prehensile
spurs dragging in the mud. He rounds a bend and
disappears, heading for the undergrowth.
Astonished, he tries to raise up on his hands but a
sudden jabbing pain in his shoulder causes him to
coll
190
apse, falling onto his side, unconscious in the
mud.
161 EXT. RIVER - DAY 161
As a HUEY ATTACK HELICOPTER breaks over the top of the
ridge, diving forward, moving down the canyon. The
chopper flares up into a holding pattern.
In the open doorway, a SOLDIER searches the top of
the canyon wit
fa0
h binoculars. Seeing no sign of life,
the chopper flies on, disappearing down the canyon
rim.
162 BACK TO SCENE/SCHAEFER 162
lies unconscious in the mud, the distant SOUND of the
helicopter THRUMPING into the distance.
86
163 EXT. ANNA - DAY 163
She runs into a clearing, stopping momentarily, gasping
for breath. She is startled by a sudden movement
behind her. She spins, looking. There is nothing
there. She runs on.
164 EXT. THE CANYON - DAY (DUSK) 164
Schaefer GASPS as his eyes bolt open in fear. As if
the Hunter were still attacking, Schaefer rolls to his
feet and runs, slogging through the THICK MUD, stumbling,
lunging forward, gasping for breath.
Schaefer spins and staggers backwards into a shallow
POOL, scuttling, crablike into the chest deep water.
Schaefer backs into the moss-covered wall by the
waterfall, looking for movement, regaining his senses.
As the water settles, he looks down, SEEING the image
of himself, reflected in the pool; his hair and face
covered in THICK CLAY. He stares, mesmerized at the
image.
He lifts his arm from the water, his fingers wiping the
MUD from his face, exposing a PATCH of SKIN. He studies
the mud in his hand and then looks at the image of
himself in the water, SEEING the exposed skin. HE
stares at it, a wave of realization rushing through
his mind. He places the mud back on his face, again
looking at his image.
SCHAEFER
You couldn't see me.
He looks up, out into the failing light, at the treeline
of the deepening forest, realizing that fate has given
him a fighting chance. Slowly a look of vengeance and
hatred crosses over his face.
165 EXT. CLAY BANK - NIGHT 165
Using his MACHETE he carves MAGNESIUM SHAVINGS from a
fire block into a pile of KINDLING. He removes a match
from the hollow handle of the machete, also containing
a coil of PIANO WIRE, GREEN TAPE and MEDICAL SUPPLIES.
He lights the shavings which burn with a brilliant white
light. Schaefer shelters the fire with a banana leaf
until the flame dies down. He feeds the fire with more
kindling, fanning it with a leaf.
165-A SCHAEFER - BOW AND ARROW MONTAGE - NIGHT (LATER) 166
Holding a three foot section of FIRE-HARDENED sapling
between his feet and shoulder, he scrapes the char
from the seasoned wood with his machete.
87
165-A CONTINUED: 165-A
He bends the bow and attaches a long piece of PIANO
WIRE to one end, carefully wrapping it for strength,
using strips of green tape to cover the sides of the
wire where the nock of the arrow will fit.
He attaches split quilled FEATHERS with fishing line to
an ARROW, its tip fashioned into a series of barbs,
rubbing them to a polished hardness against a smooth
stone. When finished he places the arrow on the ground
next to three other identical arrows.
SCHAEFER
One chance, that's all.
166 EXT. CLAY BANK - NIGHT
190
166
Schaefer is pounding a peeled root between two stones.
He pauses to drool saliva into the pulpy mass. He
scrapes the milky substance onto a BANANA LEAF, mixing
it with a sticky SAP, holding it over the coals until
the mixture steams.
Schaefer coats the arrow tips with the sticky poison,
holding the
fa0
m over the coals until the sap bubbles and
smokes. He spins the arrows in his hands, blowing on
the tips to cool and harden the mixture.
Using the tip of his machete, he pries open the casing
of one of the 40MM grenades, discarding the warhead. He
dumps the PROPELLANT POWDER from the shell onto a leaf,
mixing that with a mound of MAGNESIUM SHAVINGS.
He opens the narrow, tight roll of GAUZE taken from the
first aid kit of the machete handle, fluffing it into a
large, loose BUNDLE, the size of a baseball. He pours
the powder-mixture into the gauze, mixing it into the
fabric.
He transfers the ball of explosive ladened gauze to a
pliable DRY LEAF, closing it into a bundle, binding it
at the top with a long strand of jungle-grass.
He twists the remaining gauze around a MATCH, leaving
the head exposed, forming a self-striking FUSE.
He coats the fuse with SAP and then thickly covers it
with more powder from the 40MM grenade. He pokes the
fuse down into the leaf. Taking a long strand of JUNGLE
GRASS he makes a large loop, tying it onto the grenade,
slipping the loop and grenade over his head.
88
166 CONTINUED: 166
Finally, using several sections of BAMBOO of differing
diameters, he fashions a crude, anti-personnel
SPEAR-BOMB, a BANG-STICK like weapon, using the
sharpened TONGUE from his belt buckle for a FIRING PIN
and a 40MM GRENADE from his belt pouch as an explosive
charge.
167 EXT. RIVER'S EDGE - NIGHT 167
Schaefer appears, he has covered him entire body with a
variety of CLAYS and OCHERS, creating a mottled, EARTHEN
CAMOUFLAGE pattern.
Holding his weapons in one hand, he moves up the canyon,
ascending into a rising boulder field.
167-A EXT. BOULDER FIELD - NIGHT 167-A
Where the river flows into a series of falls and pools,
surrounded by massive boulders and table top rocks,
their crevices jammed with large amounts of DRIFTWOOD
swept down at high water from the forests above.
On a flattened section of rock, Schaefer drags a large
section of BRANCHES INTO VIEW, adding it to a growing
mound of FIREWOOD. He kneels, tending to a pile of
DRIES GRASS, LEAVES and other tinder. Using the last of
his precious matches, he sets fire to the tinder, gently
coaxing the tiny blaze into a slowly consumming FIRE,
flames starting to lick upward through the dry wood.
He stands, staring into the rapidly growing blaze. He
turns, facing the canyon rim, raising his weapons in one
hand. From the depths of his soul, a SOUND emerges;
primitive and visceral, as if from an animal in pain.
He throws back his head and SHOUTS.
168 EXT. CANYON RIM - NIGHT 168
A hundred feet below, Schaefer stands in the boulder
field, his mud coated body bathed in RED FIRELIGHT,
looking like a fierce, primitive warrior; a timeless,
prehistoric sight, his long and WAILING CRY, ECHOING
endlessly through the canyon.
169 EXT. HUNTER'S SHIP - NIGHT 169
Backlit by the LIGHT of the open door, the Hunter's
head, in three-quarter profile, his eyes gleaming, rears
INTO VIEW, looking up at the sky, HEARING Schaefer's cry.
190
89
169 CONTINUED: 169
Responding with a low HISS, he turns back, raising in
one hand his weapon, in the other a U-shaped SHARPENING
DEVICE. As he passes the weapon through the device, it
FLASHES into life, a deep, HARMONIC HUM emitted as the
fa0
blade grows with energy, growing hotter, hotter and
HOTTER with each stroke. He draws the blade now WHITE-HOT
through the device for the last stroke. He lifts
it, testing its balance, the WHITE-HOT blade
illuminating his alien face.
170- OUT 170-
177 177
178 EXT. HUNTER'S P.O.V. - JUNGLE - NIGHT 178
Emerging from his camp, the Hunter swings into the
nearby tree line, moving to the uppermost branches.
The Hunter travels silently from tree to tree, arriving
at the canyon rim where far below he SEES in the
canyon, the BONFIRE, a leaping, shifting, multi-colored
collage of HEAT WAVES and FLARES, luring him onward.
179 SCHAEFER 179
hidden back within the deep notch of several large
LOGS and broken trees, in the river canyon. Below
him, on the rock plateau, is the bonfire, illuminating
in SHIFTING PATTERNS of LIGHT, the awaiting arena of
destiny.
His eyes shift, trancelike, moving from side to side,
watching the approaches to the fire below. His senses
are alert; his nerves on a wire edge.
180 EXT. HUNTER - NIGHT 180
His SHADOW-FORM descending through the canyon, a
rippling movement of grays and blacks, passing through
the shifting light patterns on the rocks, cast by the
growing bonfire below.
181 EXT. HUNTER'S P.O.V. - NIGHT 181
His eyes probe the canyon, drawn to the swirling
patterns of HEAT given off by the gaseous COMBUSTION
of the bonfire.
182 EXT. HUNTER - NIGHT 182
Continues on, moving silently down through the canyon.
90
183 SCHAEFER 183
sits motionless, nearly invisible in his mud camouflage
amid the darkness of the logs.
Suddenly, over the CRACKLING of the FIRE, the BUZZING,
CLICKING of INSECTS, and the CROAKING of FROGS, suddenly
CEASES.
Slowly, painfully he draws the bow to full arch, his
wounded shoulder trembling, the BLOOD beginning to seep
through the bandage.
The bow straining at full draw, Schaefer stares intently,
concentrating, searching for the Hunter's form in the
dancing light below.
183-A EXT. THE HUNTER - NIGHT 183-A
Like a giant insect, drops from above, fifteen feet
above Schaefer, his steel-like spurs digging deep into
the log.
183-B EXT. SCHAEFER - NIGHT 183-B
He freezes at the sound of the Hunter dropping, his
eyes wide with fear. The slightest movement will bring
an instant attack from the Hunter behind him. But to
wait, his back exposed.
183-C EXT. THE HUNTER - NIGHT 183-C
Jumps from the log above and to Schaefer's left, onto
a boulder, gaining a better vantage point of the arena
and fire below. He raises his weapon, his EYES
glistening in the dim light, searching. A quiet HISS
emerges from his mouth.
183-D EXT. SCHAEFER - NIGHT 183-D
Spins and fires at the movement of the Hunter.
184 EXT. ARROW - NIGHT 184
Flies into the night, lodging into a BRANCH of an
exposed tree, just missing the Hunter's head.
In a blur,
190
the Hunter's arm streaks downward, a dull
flash of light leaving his fingers as he fires the
weapon, the projectile STREAKING downward, EXPLODING
into the log, inches from Schaefer, sending a SHOWER
of wood chips and bark, flying in every direction.
91
185 SCHAEFER
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185
in a flash, is up and running, clutching his weapons,
leaping from boulder to boulder. He jumps down into the
lighted area below, landing hard, rolling into the
protective shadows of the rocks, putting the loping fire
between he and the Hunter's position on the rocks above.
He moves forward, darting to look backwards before
leaping off the lip of the table rock into the boulder
field below, a flat plane littered by weirdly shaped,
water-erroded rocks, forming a giant stone AMPITHEATER.
Shadows leap and dance across the boulders, cast by the
bonfire from the plateau above.
Schaefer crouches between two large boulders, quietly
breathing through clenched teeth, feeling the pain of
his now freely bleeding shoulder wound.
185-A EXT. HUNTER - NIGHT 185-A
A nightmarish silhouette appearing for an instant on the
rim of the plateau above.
185-B EXT. SCHAEFER - NIGHT 185-B
Over the SOUNDS of the FIRE and the softly flowing
RIVER, distinguishes a NEW SOUND, one that brings fear
and a savage determination to his heart: the rhythmical
CLICK-SCRAPE, CLICK-SCRAPE of the Hunter's feet, moving
over the rocks, somewhere above him.
Drawing back on the bow, Schaefer moves around the
boulder to his left, heading towards the sound of the
Hunter.
186- OUT 186-
197 197
198 INT. HUNTER. SOMEWHERE IN THE BOULDERS - NIGHT 198
REVEALED in flashes of strobing light, pauses at the
juncture of several towering rocks.
He stands, erect, tilting his head slowly, turning it
from side to side, his ears trying to orientate to the
diversity of SOUNDS reflecting off the circular walls,
enclosing the boulder field.
199 INT. HUNTER'S P.O.V. - NIGHT 199
His vision, accustomed to another spectrum, has little
available heat to register vivid images of the inert,
lifeless forms of the stones. He SEES instead, a world
of soft, ill-defined shapes in a pale MAGENTA field of
flickering heat.
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200 INT. SCHAEFER - NIGHT 200
Creeping forward, carefully placing one foot in front
of the other, suddenly stops, hearing the CLICK-SCRAPE,
CLICK-SCRAPE, now on his right.
Starting to move in this new direction, he stops again,
HEARING the sound now directly across from him.
Listening, he hears the sound again from yet another
direction, the sound ECHOING in the natural ampitheater
of rock.
Schaefer, uncertain of where to turn, waits. Suddenly
he crouches and freezes, HEARING the unbelievable SOUND
of a HUMAN VOICE, softly echoing through the
ampitheater.
ANNA'S VOICE
(o.s.; filtered;
in Spanish)
Look out, behind you!!!
Schaefer spins, his breath catching at the sound of
Anna's voice. Wide-eyed, straining, he waits, hearing
only the muted FLOWING of water, the HISSING and POPPING
of the dying fire above, the shadows growing longer,
darker with each minute.
And then again, Anna's VOICE.
ANNA'S VOICE
(o.s.; in
Spanish)
...Look out, behind you!
190
SCHAEFER
(to himself)
Anna...?
Tracelike he moves towards the sound.
201 THE HUNTER 201
his head canted, throat distended, utters another
mimicry.
202 SCHAEFER 202
moving towa
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rds the space between two boulders from which
the VOICE seems to emanate.
93
202 CONTINUED: 202
SCHAEFER
(louder)
Anna...?
203 THE HUNTER 203
his ears now directed towards the SOUND of Schaefer's
voice, his slowly approaching FOOTSTEPS, raises his
weapon.
204 SCHAEFER 204
pauses before the opening of the passageway. All is
silent. He hesitates to enter. Listeneing. He starts
to move and then hears a NEW VOICE:
HUNTER
(o.s.; Mac's
voice)
Dillon, over here...
Schaefer, horrified at the sound of the dead man's
voice, backs quickly into the space between a boulder
and the high rock wall of the ampitheater.
205 INT. HUNTER - SOMEWHERE IN THE BOULDERS - NIGHT 205
His feet moving quietly over the rock, the shadow-light
deepening with the dying fire above, closing in.
205-A EXT. SCHAEFER - NIGHT 205-A
Bow drawn, trapped against the rock, HEARING the sound
of the Hunter approaching from the left, now the
right, is helpless, not knowing where to fire, the
Hunter's deadly strike only an instant away.
Still holding the bang-stick in his bow hand, he
carefully releases the draw on the string, reaching
to his neck for the FLASH-GRENADE. With painstaking
care he removes the grenade from his neck.
Focusing on the rocks before him and the still
approaching SOUND, he reaches down with the grenade,
gripping with his fingertips the matchhead fuse,
placing it against the rocks at his side.
With a sudden jerk of his hand he strikes and throws
the grenade, snatching up the bang-stick with his
good hand.
94
205-A CONTINUED: 205-A
The matchhead SPUTTERS as the grenade flies through the
air, an instant later a blinding, WHITE FLASH of light
illuminates the ampitheater...
In that instant Schaefer SEES above him and to his left,
the HUNTER, poised on top of a rock, his weapon raised,
about to strike! Momentarily blinded by the flash of
light, the Hunter's head recoils to the side.
Darkness swallows the image of the Hunter, but in that
second, Schaefer seizes his advantage, hurling the
bang-stick spear.
206- OUT 206-
213 213
214 INT. THE SPEAR - NIGHT 214
It smashes into the boulder at the Hunter's feet. The
Hunter leaps as the grenade DETONATES, shrapnel tearing
into his body.
With a terrifying SCREAM of pain and anger, the Hunter
clutches frantically at the WOUNDS in his neck and
chest. Another bloodcurdling SCREAM OF RAGE and the
Hunter is gone.
215 INT. WATERFALL - NIGHT 215
Cascades over the rocks, fed by a small stream running
through the ravine. A pile of BOULDERS breaks the
falls, filling the area with an everconstant MIST.
Schaefer appears, holding the bow and a
190
rrow, following
the LUMINOUS BLOOD TRAIL of the Hunter over the rock.
Moving behind the falls, Schaefer's body is briefly
soaked by the water, the hardened and CAMOUFLAGE
beginning to dissolve, running off his body. He
continues on, slowly, cautiously following the blood
trail.
216 INT. TABLE TOP BOULDER - NIGHT
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216
Next to the flowing stream, surrounded by an open area
of rock.
Schaefer, smeared with blood and sweat, his clay and
ochre camouflage partially washed away, climbs up a log
onto the boulder. Oblivious to the searing pain in his
95
216 CONTINUED: 216
shoulder, he breathes in hot, powerful exchanges, his
eyes wide and glowing with vengeance.
SCHAEFER
Bleed, you bastard.
His bow down, Schaefer follows the blood trail across
the rock, edging alongside a huge vertical boulder.
The blood trail stops.
He takes another step forward, past a darkened ALCOVE...
Schaefer spins, SEEING in the alcove the SURPRISED
Hunter whirl and spring towards him...
Schaefer in a bound closes the distance, savagely
kicking the Hunter's arm. The WEAPON flies from the
Hunter's hand CLATTERING to the rock.
Before he can recover, Schaefer follows with a karate
kick to the chest, hurling the Hunter to the ground,
his back exposed.
In a flash, Schaefer is standing over the Hunter, the
bow drawn, poised, the blood from his open wound
dripping onto the Hunter's back.
The Hunter slowly rolls onto his back, REVEALING his
face, his eyes bleached white in shock from the loss of
blood. The Hunter's body, rippled out of control,
trying desperately to orientate itself to the
environment.
SCHAEFER
(incredulous)
Who the hell are you...?
217 EXT. HUNTER'S P.O.V. OF SCHAEFER - NIGHT 217
Schaefer's body, looms over him, MOTTLED and STREAKED
from his exposed skin, blood oozing from the shoulder
wound, his eyes like black sockets in his almost
skull-like face. Seen from this perspective, Schaefer
is a frightening, horrible visage.
218 THE HUNTER 218
shudders, GASPING hungrily for air, strugging to speak.
From his throat, Schaefer HEARS the feeble, distorted
efforts of the Hunter, at first garbled,
incomprehensible and then, slowly, chillingly, taking
on the timbre and quality of his OWN VOICE.
96
218 CONTINUED: 218
HUNTER
(electronic;
filtered)
Who...
(improving)
...the hell...
(nearly perfect)
...are...
(perfect)
...You?
The Hunter's strength seems to fade even more...
Then, suddenly, with the last of his diminishing
strength, he lashes out with one arm, activating the
lethal, razor sharp SPURS on his wrists.
The Hunter's coiled leg kicks upward with incredible
force, his terrible spur ripping into Schaefer's thigh,
hurling Schaefer into the air, flipping him over,
sending him crashing to his back into the shallow pool
of water, momentarily losing his bow. He flounders
desperately in the water, searching for the bow. He
finds it just as...
The Hunter rises slowly to his feet, GASPING desperately
for breath. He inhales deeply, hungrily, gain
190
ing
strength with each breath.
Schaefer looks from the pool to SEE the Hunter, raising
his weapon to throw.
In one totally instinctual movement, Schaefer draws
back on the arrow to its very tip and fires.
The arrow, with a deadly THUD, penetrates deeply into
the Hunter's neck. Another bloodcurdling SCREAM of RAGE
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as the Hunter clutches his throat, dropping his weapon.
An instant later and the Hunter is gone.
219 EXT. LOG BRIDGE - NIGHT (PRE-DAWN) 219
Emerging onto a huge log leading to the rim of the
canyon, Schaefer holding the Hunter's weapon, pauses
several times, finding more traces of the Hunter's
blood, the deep WOUND in his thigh flowing heavily.
He continues across the log and climbs the bank,
following the traces into the jungle.
97
220 EXT. JUNGLE - PRE-DAWN 220
Moving along the rim of the coulee, Schaefer follows
the thick, orange blobs hanging on leaves and spent on
the forest floor.
Too weak to move through the trees, the Hunter has
left a SWATH of trampled grasses, broken twigs and
branches in his headlong retreat from Schaefer: the
Hunter turned Hunted.
221 EXT. TWO ATTACK HELICOPTERS - DAY (PRE-DAWN) 221
Powering upward from the canyon, the WATERFALL in the
b.g., clear the rim, racing along at treetop height,
heading towards the island promontory.
222 EXT. HUNTER'S P.O.V. - CAMP -PRE-DAWN 222
Staggering into the clearing, bleeding severely. The
Hunter is rapidly losing his camouflage ability, his
skin turning a PALE GREEN, flexing and pulsing in
shock. The glow of light from the ENERGY FIELD
reflecting off the spreading apron of BLOOD flowing
from his wound.
With trembling hands he grasps the arrow and breaks
it, pulling the shaft from his neck. He screams in
pain.
223 EXT. GLEN - PRE-DAWN 223
Schaefer follows the blood trail, deeper into the
incredibly dense vegetation, ripping aside the heavy
growth, plunging onward.
Before him, covering a narrow passageway, is a huge
SPIDER WEB, intricate, four feet across. Schaefer
starts to sweep aside the web. With a sharp intake
of breath, he halts, inches from the wed. Something
is wrong.
Examining the web closer he sees not silken threads
but a hard and shiny network of HAIR-FINE WIRE: A TRAP.
He backs up, picking up a hefty branch from the ground.
He swings the branch with a mighty heave, clenching
his teeth in pain. The branch sails end over end
into the web impacting the strands. A metallic SNAP
is HEARD; a high-pitches WHINE and the log is violently
severed, the pieces flying in opposite directions with
great speed.
98
223 CONTINUED: 223
Schaefer runs on, again picking up the blood traces of
the fleeing Hunter.
224 EXT. HUNTER'S CAMP 224
At the edge of the site. He SEES the Hunter staggering
through the foliage.
Schaefer starts after him but then stops, dumbfounded
by the incredible images that crash in on him:
TRANSLUCENT HUMAN SKINS stretched over frames, the hair
of the attached scalps moving lightly in the wind;
SKINNED BODIES, some lying on the ground, others hung
from the trees, like Hopper and his men were.
He turns back, SEEING the Hunter as he passes through
the shimmering distortion of a FORCEFIELD enveloping
the forest. Within the force field he SEES the vague,
nearly transparent O
190
UTLINE of the Hunter's ship.
He approaches it, wide-eyed, his senses reeling with
astonishment and rage.
From within the force field, a PASSAGE WAY of BLUE LIGHT
appears, the Hunter's form backlit as he ascends the
RAMP to his spacecraft.
225- OUT 225-
226
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226
227 THE HUNTER 227
as he passes his hand through a light BEAM, the ship
instantly responds, as a low, TURBINELIKE HOWL is
HEARD, building slowly in volume and pitch.
228 SCHAEFER 228
in his weakened condition staggers forward, looking
up, SEEING the passage way of light diminish as the
door begins to close.
As rising HEAT WAVES begin to envelope the ship, the
Hunter stares out at Schaefer, the heat waves
increasing as the KEENING WHINE of the ship's drive
builds. He enters the force field, the door now
inches from closing.
On the ground, nearly obscured by the grass and leaves,
Schaefer SEES the Hunter's WEAPON, lying where he
dropped it in his desperate flight to escape.
99
228 CONTINUED: 228
Schaefer grabs up the weapon and holds it. How the
hell does it work?...He squeezes the handle of the
weapon feeling it resist. Nothing happens.
With the last ounce of his strength, and with a BELLOW
of RAGE, his arm muscles bulging, he crushes down on
the handle...
In a FLASH of blue-white light, the weapon becomes
ACTIVATED.
Schaefer raises the weapon, sensing its power and
function.
In the final seconds before the door closes, Schaefer,
with a triumphant SCREAM, fires the weapon...
The weapon, flaring with deadly energy, drops and turns
sideways, accelerating through the door and into the
spacecraft.
229 INT. SPACECRAFT - DAY 229
The weapon impacts the Hunter, his head EXPLODING in
a fountain of orange blood and pale green tissue.
The weapon continues on, burying itself into the energy
field, bolts of plasma-energy begin arcing from the
force field.
Schaefer falls forward onto his hands and knees,
staring at the Hunter's ship. The SOUND of the
hyper-drive continues to increase, as the ship begins
to tremble.
230 EXT. HELICOPTER COCKPIT - DAY 230
As suddenly the instrument panel goes wild, gauges
spinning, digital readouts racing out of control.
The SOUND of the turbine faltering, changing pitch.
The pilot lurches forward with the stick, fighting
for control.
231 EXT. HUNTER'S CAMP - DAY 231
The multi harmonic whine of the Hunter's ship is
still building as the ground begins to shake.
Schaefer, realizing that the ship is going to explode,
and ignoring the pain of his shoulder and leg, runs
desperately, searching for cover. He sprints for
100
231 CONTINUED: 231
the edge of the clearing, diving over the embankment
just as:
A blinding purple FLASH blows the ship to pieces.
232 EXT. HELICOPTER - COCKPIT - DAY 232
Enveloped in the flash of intense light. CRIES of
surprise fill the ship as the SHOCK-WAVE hits the
chopper, heeling it hard over to one side.
Below, the concentric waves of energy race outward
from the center of the blast, an unearthly sight, like
the miniature birth of a star.
The helicopter su
190
ddenly regains control, its power
restored.
PILOT
Holy, fuck, what was
that...?!!!
PHILIPS
Orbit right...check it out!
The helicopter levels out and heads toward the smoking,
devastated site of the blast.
233 EXT. HUNTER'S CAMP - D
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AY 133
The jungle has been completely transformed. No longer
lush and verdant, the area is clear-cut, two feet
above the ground, covered in FINE WHITE, smoldering
ASH. Amongst the shattered stumps, debris from the
ship, bright as magnesium flares, burns with exotic
colors.
If the f.g., Schaefer, a living dead-man, streaked
with the alien ash, rises up from a shallow depression,
staring dumbstruck at the site.
Breaking in low over the treetops, the HELICOPTERS
flare up into position, one preparing to land.
As the chopper descends, the crew, standing in the
door way, stare transfixed at the devastation, their
eyes trying to penetrate the dense white smoke.
As the helicopter slowly descends, its propwash creating
a raging storm, Schaefer materializes from the SWIRLING
SMOKE AND ASH, his features taking form as he
approaches, his naked body covered in mud, blood and
ash.
101
234 EXT. SCHAEFER'S P.O.V. - LANDING HELICOPTER - DAY 234
As the chopper, emerging from the vortex, settles
towards the ground where the spacecraft once stood.
Through the distorted veil, the helicopter, bristling
with WEAPONS, VISORED and HELMETED MEN, now covered
with WHITE ASH, looks like a landing spacecraft.
235 EXT. HELICOPTER - DAY 235
The door gunner swings the M-60 into firing position,
pointing it at Schaefer. He racks the bolt, loading
a round.
The crewmen look tense, frightened.
Anna, standing next to the door gunner, stares at the
strange creature before her, narrowing her eyes,
uncertain. Is there something familiar about the
figure?
236 SCHAEFER 236
stands in the clearing, staring at the helicopter and
the array of weapons pointed at him. He looks dazed,
like a man making contact with members of an alien
race, for the first time.
237 THE HELICOPTER 237
hovers low to the ground, the tension inside building
as Schaefer approaches.
More weapons swing into position. Fingers tighten on
triggers. Suddenly Anna recognizes the figure.
Realizing the danger she holds up her hands, shouting
ANNA
NOOOOOO!!!!!!
238 EXT. HELICOPTERS - JUNGLE - DAY 238
Flash overhead, heading across the trackless jungle,
their rotors THUMPING like heavy machine gun fire.
239 INT. HELICOPTER - DAY 239
Schaefer, a blanket over his shoulders, still in the
remains of his mud camouflage, his body laced with
deep cuts; his chest and shoulder caked with dried
blood, is seated on a bench in the cargo hold.
REVISED - "HUNTER" - 4/17/86 102
*
239 CONTINUED: 239
Near the cockpit are General Philips, an ARMY MEDIC,
two MACHINE GUNNERS. They look at Schaefer in awe.
The Medic, holding an open FIELD KIT, a syringe and
bandages, turns to Philips.
MEDIC
(shaking his head)
Looks like he's been through
hell...can't be
190
lieve he's
still alive. What the hell
went on down there?
PHILIPS
If it hadn't been for her, he'd
be dead now. That story she
told us...I still can't believe
it.
He looks at Anna, her eyes meeting his, as if asking
for an expl
455
anation. She looks at him a moment before
turning back to Schaefer, staring at him as if he were
risen from the dead.
She looks into Schaefer's face, Schaefer returning her
look, recognition passing between them. Anna extends
her hand. Schaefer slowly reaches out, touching her
fingers, then clasping her hand.
Schaefer turns his eyes to stare out the open door,
beyond the passing jungle below, out to the heavens.
He turns back, looking at Anna, a faint smile crossing
his face...they made it.
240 EXT. TWO HELICOPTERS - JUNGLE - DAY 240
Pull away and head towards the distant, green horizon.
FADE OUT
THE END
This script was found in INFlow. It was
shameless taken off from somewhere else, may god, copyright owners and
people who worked hard and were not credited forgive us.
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