e18
Scream
SCREAM
(SCARY MOVIE)
by Kevin Williamson
Rewrite
July 31, 1995
FADE IN
ON A RINGING TELEPHONE.
A hand reaches for it, bringing the receiver up to the face of CASEY BECKER, a
young girl, no more than sixteen. A friendly face with innocent eyes.
CASEY
Hello.
MAN'S VOICE
(from phone)
Hello.
Silence.
CASEY
Yes.
MAN
Who is this?
CASEY
Who are you trying to reach?
MAN
What number is this?
CASEY
What number are you trying to reach?
MAN
I don't know.
CASEY
I think you have the wrong number.
MAN
Do I?
CASEY
It happens. Take it easy.
CLICK! She hangs up the phone. The CAMERA PULLS BACK to reveal Casey in a living
room, alone. She moves from the living room to the kitchen. It's a nice house.
Affluent.
The phone RINGS again.
INT. KITCHEN
Casey grabs the portable.
CASEY
Hello.
MAN
I'm sorry. I guess I dialed the wrong number.
CASEY
So why did you dial it again?
MAN
To apologize.
CASEY
You're forgiven. Bye now.
MAN
Wait, wait, don't hang up.
Casey stands in front of a sliding glass door. It's pitch black outside.
CASEY
What?
MAN
I want to talk to you for a second.
CASEY
They've got 900 numbers for that. Seeya.
CLICK! Casey hangs up. A grin on her face.
EXT. CASEY'S HOUSE - NIGHT - ESTABLISHING
A big country home with a huge sprawling lawn full of big oak trees. It sits alone
with no neighbors in sight.
The phone RINGS again.
INT. KITCHEN
Popcorn sizzles in a pot on the stove. Casey covers it with a lid, reaching for
the portable phone.
CASEY
Hello.
MAN
Why don't you want to talk to me?
CASEY
Who is this?
MAN
You tell me your name, I'll tell you mine.
CASEY
(shaking the popcorn)
I don't think so.
MAN
What's that noise?
Casey smiles, playing along, innocently.
CASEY
Popcorn.
MAN
You're making popcorn?
CASEY
Uh-huh.
MAN
I only eat popcorn at the movies.
CASEY
I'm getting ready to watch a video.
MAN
Really? What?
CASEY
Just some scary movie.
MAN
Do you like scary movies?
CASEY
Uh-huh.
MAN
What's your favorite scary movie?
He's flirting with her. Casey moves away from the stove and takes a seat at the
kitchen counter, directly in front of the glass door.
CASEY
I don't know.
MAN
You have to have a favorite.
Casey thinks for second.
CASEY
Uh...HALLOWEEN. You know, the one with the
guy with the white mask who just sorta walks around
and stalks the baby sitters. What's yours?
MAN
Guess.
CASEY
Uh...NIGHTMARE ON ELM STREET.
MAN
Is that the one where the guy had knives
for fingers?
CASEY
Yeah...Freddy Krueger.
MAN
Freddy-that's right. I liked that movie.
It was scary.
CASEY
The first one was, but the rest sucked.
MAN
So, you gotta boyfriend?
CASEY
(giggling)
Why? You wanna ask me out?
MAN
Maybe. Do you have a boyfriend?
CASEY
No.
MAN
You never told me your name.
Casey smiles, twirling her hair.
CASEY
Why do you want to know my name?
MAN
Because I want to know who I'm looking
at.
Casey spins around like lightning facing the glass door.
CASEY
What did you say?
MAN
I want to now who I'm talking to.
CASEY
That's not what you said.
MAN
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What do you think I said?
Casey CLICKS on the outside light. A flood light illuminates the backyard. Her
eyes survey the grounds. But it's empty. No one's there. She turns the light out.
On the stove, the popcorn POPS.
CASEY
I have to go now.
MAN
Wait...I thought we were gonna go out.
CASEY
Nah, I don't think so...
MAN
Don't hang up on me.
CASEY
Gotta go.
fa0
MAN
Don't...
CLICK! Casey hangs up. She checks the glass door making sure it's locked and then
moves to the stove as...
THE PHONE RINGS.
She slides the popcorn from the stove, reaching for the phone.
CASEY
Yes?
MAN
I told you not to hang up on me.
CASEY
What do you want?
MAN
To talk.
CASEY
Dial someone else, okay?
MAN
You getting scared?
CASEY
No-bored.
CLICK. She hangs up. The phone RINGS again. She grabs it.
CASEY
Listen, asshole...
MAN
(deadly serious)
NO, YOU LISTEN, YOU LITTLE BITCH. IF YOU
HANG UP ON ME AGAIN I'LL GUT YOU LIKE
A FISH. UNDERSTAND?
Total silence. He has gotten her full attention.
CASEY
Is this some kind of a joke?
MAN
More of a game, really.
Casey eyes the glass doors, then looks up the hallway to the front doors...moving
to it. It's unlocked. She bolts it.
CASEY
I'm two seconds from calling the police.
MAN
They'd never make it in time.
Casey moves her face flush against the door, her eye looking through the peephole.
ANGLE THROUGH PEEPHOLE.
A distorted view of the front porch. It is empty. She relaxes a bit, relieved.
CASEY
What do you want?
MAN
(pure evil)
TO SEE WHAT YOUR INSIDES LOOK LIKE.
Casey's jaw drops as total fear storms her face. She hangs up the phone, throwing
it down on a side table when...
THE DOORBELL CHIMES.
Casey leaps out of her skin. She turns to the door as it chimes again.
CASEY
(calling out)
Who's there?
Another CHIME. She moves to it.
CASEY
(louder)
Who's there?
No answer. Fuck this. It's time for the police. She goes for the portable phone.
Just as she picks it up...
IT RINGS.
Casey almost drops it, losing her breath...
She brings it to her ear with trembling hands, saying nothing...listening, waiting..
.
A long silence. And then.
MAN
You should never say "Who's there?".
Don't you watch scary movies? It's a
death wish.
Casey clutches the wall, nearly collapsing. She tries her damndest to hang tough.
CASEY
Look, enough is enough. You had your fun
now you better leave me alone or else.
MAN
Or else what?
CLOSE ON her face, her mind thinking, calculating...
CASEY
My boyfriend will be here any second and
he'll be pissed when I tell him...
MAN
I thought you didn't have a boyfriend.
Busted. She holds steady.
CASEY
I lied. I do have a boyfriend and he'll
be here any second and your ass better
be gone.
MAN
Sure...
CASEY
I swear it. And he's big and plays
football and will beat the shit out
of you.
MAN
I'm getting scared.
CASEY
I'm telling you the truth.
I lied before...
MAN
I believe you...
CASEY
So you better leave.
MAN
His name wouldn't be Steve, would it?
Silence. Casey buckles at the knees, losing it.
CASEY
How do you know his name?
MAN
Go to the back door and turn on the porch
light--again.
Casey, terrified, forces herself to move.. staggering to the kitchen...to the glass
doors. Her shaky hand finds the light switch...she hits it. The back yard is lit.
Sitting in a lawn chair in the middle of the backyard is a big, line backer of a
guy, her boyfriend...
STEVE
tied and gagged. He's been roughed up, but he's alive.
CLOSE ON his eyes..wide in fear..staring at his girlfriend, pleading with her.
CASEY
Oh Goddddd...
Casey SCREAMS. Her hand moves to the lock on the door.
MAN
I wouldn't do that if I were you.
Terror rides Casey's face. She's petrified.
CASEY
Where are you?
MAN
Guess.
Her eyes search the yard, combing bushes, trees. He could be anywhere-anywhere.
CASEY
(begging)
Please don't hurt him.
MAN
That all depends on you.
CASEY
Why are you doing this?
Tears find their way, streaming down Casey's face.
MAN
I wanna play a game.
CASEY
No...
MAN
Then he dies. Right now.
CASEY
NOOO!
MAN
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Which is it?
A long silence. Casey touches the glass...staring at STEVE...this big jock of a
guy is crying too.
CASEY
What kind of game?
MAN
Turn off the light.
Her hand goes to the switch...Steve tugs and pulls at his straps...as if begging
her...his face sweat and tears...
CLICK
He disappears in the darkness. Casey moves away from the glass, back toward the
living room, un
fa0
believing, horrified.
MAN
Here's how we play. I ask a question. If
you get it right-Steve lives.
Three curtainless windows line one wall. Casey crouches down behind the couch,
tipping a lamp cord from it's socket, darkening the room. Her body quivers.
CASEY
Please don't do this...
MAN
Come on. It'll be fun.
CASEY
No...please.
MAN
It's an easy category. Movie trivia.
CASEY
(begging)
..please...
MAN
I'll even give you a warm up question.
CASEY
Don't do this. I can't..
MAN
Name the killer in HALLOWEEN.
CASEY
No...
MAN
Come on. It's you favorite scary movie,
remember? He had a white mask, he
stalked the baby-sitters.
Casey goes silent...a nervous wreck...she can barely speak much less think.
CASEY
I don't know...
MAN
Come on, yes you do.
CASEY
Please..stop...
Casey is SOBBING.
MAN
What's his name?
CASEY
I can't think.
Casey has officially reached hysteria, petrified beyond all reality.
MAN
Steve's counting on you.
Suddenly...through tears...Godsent...
CASEY
(a whisper)
Michael...Michael Myers.
MAN
YES!
Casey SIGHS...relieved.
MAN
Now for the real question.
CASEY
NOOOO....
MAN
But you're doing so well.
CASEY
Please go away! Leave us alone!
MAN
Then answer the question. Same category.
Casey is a blubbering, wet mass on the floor.
CASEY
..please..no...
MAN
Name the killer in FRIDAY THE 13TH.
A mad smile purses Casey's lips. She knows this. She leaps up, through tears,
screaming...
CASEY
Jason! Jason!...JASON!
A slight PAUSE.
MAN
I'm sorry. That's the wrong answer.
CASEY
No it's not. It was Jason.
MAN
Afraid not.
CASEY
It was Jason. I saw that godamned movie
twenty times. It was Jason.
MAN
Then you should know Jason's MOTHER
-Mrs.Vorhees was the original killer. Jason
didn't show up until the sequel.
Casey is stupefied.
CASEY
You tricked me...
MAN
Lucky, for you there's a bonus round.
But poor Steve...I'm afraid...he's out.
This implication sends Casey running to the kitchen...to the glass doors. She
flips on the porch lights to see...
STEVE
eyes wide, sitting in the lawn chair...his belly gaping open...a mass of blood and
ripped flesh...his insides lay on the ground between his feet...steam rising.
A SCREAM erupts from the bottom of her soul as Casey collapse on the floor...nearly
passing out. CLOSE ON her face...pale and ghostly white. She SOBS.
MAN
Final question. Are you ready?
She doesn't answer. A long, maddening silence. Casey reaches up and CLICKS off
the light, making Steve go away...wishing, hoping...
CASEY
..leave me alone..please...
MAN
Answer the question and I will.
Casey is curled up on the floor like an infant, rocking slowly back and forth.
MAN
What door am I at?
CASEY
What?
MAN
There are two doors to your house. A
front door and a back one. If you answer
correctly-you live.
From where Casey sits she can see both front and back doors. She deliberates...
with her last bit of strength she tries to strategize. Eyeing both, the front door.
..the back door trying to decide between the two.
CASEY
Don't make me...I can't...I won't.
MAN
Your call.
In the darkness, Casey crawls to the kitchen counter-she leans up and grabs a long,
sharp knife.
Casey looks around her...she looks down the hall to the front door...then turns
back to the kitchen glass door as it suddenly...
SHATTERS TO BITS...
as a lawn chair come flying through it. Exploding glass sprays everywhere.
This incites Casey like fire. She springs to her feet...bolting out of the kitchen
as a SHADOW moves quickly through the shattered doorframe.
ANGLE ON CASEY
Somewhere in the house, back flat against a window, listening to FEET ON CRACKING
GLASS. She turns and unlocks the latch, quietly sliding it up. She can hear him
m
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ove through the foyer...to the front door.
Casey lifts herself up and puts her legs through the window. She holds the knife
in one hand, the phone in the other.
Casey eases out the window, fumbling, dropping the knife back in the house. She
starts to reach for it. Fuck it, she takes off...
EXT. SIDE OF HOUSE
Casey it at the back corner of the house.
MAN
I can hear you. I know you're
fa0
here.
Casey eases along a narrow path between a tall fence and the side of the house...
going for the front yard. She must pass the three curtainless windows. She gets
to the first one and peeks in...
The FIGURE has pulled open the foyer closet, searching for her.
Casey creeps along, to the next window, she looks in...the FIGURE is completely on
the other side of the room moving toward the hall that leads to other parts of the
house.
She moves further along the house...squeezing by hedges...to the third window...she
peeks in to the FIGURE...
STARING BACK AT HER...
His face covered with a ghostly white mask, inches from her...his eyes piercing
through...soulless...Casey SCREAMS BLOODY MURDER as a hand...
CRASHES through the glass window grabbing hold of her neck...she beats at him
trying to free herself...her nails dig into his arm...she wrenches from side to
side...finally breaking free as the hands disappear inside the house...
EXT. CORNER OF HOUSE
Casey sails around the corner of the house, eyeing the front door. It remains
closed. Her eyes cover the sprawling country yard when suddenly....
HEADLIGHTS APPEAR
in the distance, coming down the road towards the house...she recognizes them
instantly. Mom...Dad...she tears off across the yard toward them...moving like
lightning...
The car turns into the driveway...Casey SCREAMS, waving madly, rushing by a tree as.
..
THE GHOST MASKED FIGURE APPEARS
Casey stumbles back, catching her balance...the FIGURE moves on her, arm poised
high...a flash of silver...and Casey is struck, across the chest. She looks down
to see her shirt blossoming red...a look of bewilderment as she drops to one knee.
The knife rises again...Casey throws her hand forward...the blade comes down...but
it's blocked by the portable phone still in her hand. She turns staggering to...
EXT. DRIVEWAY
A MIDDLE-AGED COUPLE emerge from the parked car. They move to the front door
completely unaware of what's happening to their daughter, only feet from them.
EXT. FRONT YARD
Casey stumbles forward...her parents ten feet away...she opens her mouth to scream
but no sound resonates...she is beyond words...staggering, swaying...the FIGURE
moving behind her.
EXT. FRONT DOOR
Her parents approach the door
FATHER
That fish smelled strong.
MOTHER
I told you to send it back.
The father discovers the front door ajar. A puzzled look. Casey is right behind
them with one arm outstretched. If they'd only turn around...
They enter the house and close the door as....
Casey collapses on the ground, clutching her bloody chest...the FIGURE upon her.
INT. FOYER
The father sees straight back into the kitchen...the shattered patio door.
FATHER
Jesus...
MOTHER
What is it? Where's Casey?
FATHER
(calling out)
Casey? Casey?
In a split second they're both panic stricken. The father begins searching the
house frantically. The mother is hysterical.
EXT. FRONT YARD
CLOSE ON Casey...she's dragged by her feet through damp soil...the life going fast
from her body...her hand still clutching the phone.
INT. FOYER
Back in the house.
MOTHER
Where is she?
FATHER
Call the police.
The mother moves to the phone in the foyer, picks it up...There is no dial tone.
She jiggles the base.
FATHER
(searching)
Casey? Where are you honey? Call the
police, goddammit.
MOTHER
The phone's dead.
The...the softest...faintest voice is heard...
CASEY
(from phone)
..help me...
MOTHER
She's here, God, I can hear her.
Where's my baby?
The husband returns to the foyer finding his wife clinging to the phone.
FATHER
Where is she?
MOTHER
I can hear her. Oh Mother of God,
I can hear her.
The father upturns the living room.
FATHER
Casey! Casey!
MOTHER
Not my daughter...not my...
The husband grabs hold of his wife.
FATHER
Get in the car and drive down to
the Mackenzie's.
The other throws the front door open
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and rushes out...the father moves through the
house when a SCREAM echoes out. That of his wife. He tears off for the front door.
EXT. FRONT DOOR
The father rushes out the door to find his wife, on her knees, bent over, retching.
His eyes move beyond to a tree in the front yard...his stomach fails him...his
dinner rises...as he bares witness to the single, most horrifying sight he'll ever
see.
fa0
That of his only daughter as she hangs from a big oak tree...strung up...very much
dead...her stomach ripped open.
BLACKOUT!
BEGIN MAIN TITLES
FADE IN:
INT. BEDROOM - SAME NIGHT
A teenage girl's room. Neat and pinkish. On the bed, amongst age-old stuffed
animals lie opened school books. The CAMERA PANS to a desk against the wall where...
SIDNEY PRESCOTT
a young girl of 17, sits, her face glued to the computer monitor in front of her.
CLOSE ON her face. Sharp and clever with deep, lonely eyes. She's comfortable in
a plain, flannel nightgown.
Her hands are at work, typing feverishly, when suddenly...
CRASH-BOOM
A noise behind her. She turns abruptly, eyeing an open window across the room. A
SCRATCHING sound. She stands and moves toward it.
EXT. WINDOW
Sidney sticks her head out the window. The late night wind hits her face as a
SHADOW appears just to the left of her, a hand reaches out, grabs her and suddenly
a FIGURE is on top of her...
INT. BEDROOM
Sid SCREAMS...pulling away from the figure...breaking free, falling back onto the
floor.
VOICE
(o.c.)
Hey...it's just me.
Sid looks up to see...
BILLY LOOMIS
A young, strapping boy of seventeen. Handsome and alluring. A star quarterback/
class president type of guy. He sports a smile that could last for days.
SIDNEY
Billy? What the...
BILLY
I'm sorry. Don't hate me.
SIDNEY
What are you doing here?
BILLY
You sleep in THAT?
Billy pulls himself through the window.
SIDNEY
(whispering)
My dad's in the other room.
BILLY
I'll only stay a sec.
Suddenly...
The bedroom door BURSTS open. The doorknob catches on the open closet door behind
it jamming it, holding it in place.
VOICE
(from behind door)
What's going on in there?
Billy quickly rolls out of sight behind the bed. Sidney unjams the door to reveal..
.
MR. PRESCOTT, late 40's, a severe presence. A distracted man, nervous and pre-
occupied.
MR. PRESCOTT
Are you okay?
SIDNEY
Can you knock?
MR. PRESCOTT
I heard screaming.
SIDNEY
No you didn't.
MR. PRESCOTT
No? Oh, well...I'm hitting the sack. My
flight leaves first thing in the morning.
Now the expo runs all weekend so I
won't be back til Sunday. There's cash
on the table and I'll be staying at the
Raleigh Hilton...
SIDNEY
..out at the airport...
MR. PRESCOTT
..so call if you need me.
SIDNEY
Got it.
He gives the bedroom a quick once over.
MR. PRESCOTT
I coulda swore I heard screaming.
Sidney distracts him, giving him a peck on the cheek.
SIDNEY
Have a good trip.
MR. PRESCOTT
Sleep tight, sweetie.
He gives her a wink and pulls the door closed. Billy reappears.
BILLY
Close call.
SIDNEY
What are you doing here?
Billy takes a flying leap and lands on the bed.
BILLY
It just occurred to me that I've never
snuck through your bedroom window.
SIDNEY
Now that it's out of your system.
BILLY
And I was home, bored, watching
television, THE EXORCIST was on
and it got me thinking of you.
SIDNEY
Oh it did?
BILLY
Yeah, it was edited for TV. All the good
stuff was cut out and I started thinking
about us and how two years ago, we started
off kinda hot and heavy, a nice solid "R"
rating on our way to an NC17. And how
things have changed and, lately, we're just
sot of...edited for television.
SIDNEY
So you thought you could sneak in my
window and we would have little bump-
bump.
BILLY
No, no. I wouldn't dream of breaking your
underwear rule. I just thought we might do
some on top of the clothes stuff.
She snuggles up next to him, planting a kiss on his lips. Passionate and gentle.
He, however, reacts like a shark, moving on top of her, his hands everywhere as he
presses into her...Sidney breaks away.
SIDNEY
Time to go, stud bucket.
Billy sits up. His heart isn't racing...it's POUNDING.
BILLY
See what you do t
190
o me.
Sweat has popped out all over his forehead, his breathing heavy.
SIDNEY
You know what my dad will do to you?
BILLY
I'm going...I'm going.
He moves to the window. She follows, motioning to his wound.
SIDNEY
I appreciate the romantic gesture.
She gives him a kiss goodnight. Sweet and simple.
BILLY
(whisper)
Hey..about the sex stuff. I'm not trying
to rush
fa0
you. I was only half serious.
She kisses him again as he eases through the window.
SIDNEY
Would you settle for a PG-13
relationship?
BILLY
What's that?
She pulls her flannel gown open for a split second...flashing her left breast. His
mouth drops open...surprise, shock. Their eyes meet. They share a smile.
SIDNEY
Get outa here.
INT. SIDNEY'S BEDROOM - EARLY MORNING
CLOSE on Sidney snuggling her pillow, sleeping peacefully when...
THE RADIO ALARM BLASTS from the night table loud enough to wake the dead. Sidney
bolts up.
DISC JOCKEY
(from radio)
..found brutally murdered...
CLICK. Sidney, quick with the reflexes, shuts it off instantly. A car trunk SLAMS
shut outside.
Sidney pulls herself out of bed and leans to the window just in time to see her Dad
jumping in his car. She half waves down at him but he doesn't see her. He's as
good as gone, pulling out of the driveway and disappearing down the road.
A moment as Sidney stands at the window, staring out after him.
EXT. SCHOOL - MORNING
CLOSE ON A SIGN
"BAYBORO HIGH SCHOOL. HOME OF THE FIGHTING BULLDOGS"
THE CAMERA PULLS BACK TO REVEAL a picture perfect small town school. Old and
charming. Students come and go, moving about. Nothing unusual, except for the...
six police cars, four news vans, flashing cameras, and crowds and crowds of lookie-
loo's gathered just off campus.
EXT. SIDEWALK
Sidney approaches the school seeing the commotion. Four different REPORTERS stand
in front of four different cameras giving four different news reports.
She moves passed a policeman standing guard. Her interest peaked, she stops at the
first reporter who is...
GALE WEATHERS
Thirties. He smart face is overshadowed by a flashy smile and a massive mane of
chemically enhanced hair.
GALE
(for the camera)
The small town of Bayboro, North Carolina
was devastated last night when two young
teenagers were found brutally butchered.
Authorities have yet to issue a statement
but our sources tell us that no arrest
has been made and the murderer could
strike again...
ON SIDNEY. Moved, disturbed. From behind, a finger taps her shoulder. She spins
around to see...
Tatum Riley, same age, feisty, carefree.
TATUM
Do you believe this shit?
SIDNEY
What happened?
They break away from the crowd and head for school.
TATUM
Oh God! You don't know? Casey Becker
and Steve Forrest were killed last night.
SIDNEY
No way.
TATUM
And not just killed, Sid. We're talking
splatter movie killed-split open end to
end.
SIDNEY
Casey Becker? She sits next to me in
English.
TATUM
Not anymore. Her parents found her
hanging from a tree. Her insides on the
outside.
SIDNEY
Do they know who did it?
TATUM
Fucking clueless-they're interrogating
the entire school. Teachers, students,
staff, janitors...
SIDNEY
They think it's school-related?
TATUM
They don't know. Dewey said this is
the worst crime they've ever seen.
Even worse than...
(stopping herself)
Well it's bad. They're bringing in the
feds. This is big.
Sidney looks back at Gale, her face deeply pained.
INT. CLASSROOM - LATER
A frumpy old woman, MRS. TATE, faces her class. Her hands clasped together. A
tragic look upon her face.
MRS. TATE
..a terrible tragedy. An unbearable
loss. It's days like today we need
prayer in school...
Sidney sits near the rear of the room. The desk in front of her sits vacant.
Sidney can't take her eyes of it.
The door opens and a student opens with a slip of paper. He hand s it to Mrs. Tate.
MRS. TATE
Sidney. It appears to be your turn.
INT. PRINCIPAL'S OFFICE
The room is at capacity...wall to wall with police, and the likes. Some sit, stand,
lean...
SHERIFF BURKE, a round man in his fifties, wipes the stress from his face.
SHERIFF BURKE
Who's up next?
A young officer looks at the clipboard. This is DEPUTY RILEY, better kn
190
own as
DEWEY. He's a big guy, 20's, handsome in a scrubbed-clean boyish way.
DEWEY
Sidney Prescott.
Sheriff Burke gestures to bring her in. PRINCIPAL HIMBRY, 50's, an old codger of a
man wearing a sour face speaks up.
MR. HIMBRY
Sidney Prescott. She was daughter of...
DEWEY
We all know Sidney, Mr. Himbry.
SHERIFF BURKE
How she doin'?
MR. HIMBRY
She's adjusted
fa0
well. Maintains an "A"
average. You never know she...
Himbry stops short, seeing Sidney in the doorway. He rises and seats her.
SHERIFF BURKE
Hi Sidney.
SIDNEY
Sheriff Burke. Dewey.
Dewey shakes his head seriously.
DEWEY
It's Deputy Riley today, Sid.
SHERIFF BURKE
How is everything?
SIDNEY
Good.
SHERIFF BURKE
And your Dad? How's he doing?
SIDNEY
We're fine. Thanks.
MR. HIMBRY
We'll be brief, Sidney. The police have a
few questions they'd like to ask you...
Sidney eyes them all nervously.
EXT. SCHOOL COURTYARD - LATER
Students sit at outdoor tables eating lunch. Crowded at one table is the "gang".
This consists of Sidney, Billy and Tatum.
Next to Tatum, sits her boyfriend STUART, with his arm draped across her back.
He's a Billy wannabe. Almost the jock, almost handsome, almost cool. He tries way
to hard.
Across the table is the fifth wheel, RANDY. A tall and gangly kid with no such
Billy-like aspirations. A witty jokester who elevates geek to coolness.
TATUM
Hunt? Why would they ask if you like
to hunt?
STU
I don't know, they just did.
RANDY
Because their bodies were gutted.
Sidney flinches.
BILLY
Thanks Randy.
TATUM
They didn't ask me if I like to hunt.
STU
Because there's no way a girl could have
killed them.
TATUM
That is so sexist. The killer could
easily be female-BASIC INSTINCT.
RANDY
That was an ice pick-not exactly the
same.
STU
Yeah, Casey and Steve were completely
hollowed out. Takes a man to do
something like that.
TATUM
Or a man's mentality.
SIDNEY
(quiet, almost to herself)
How do you gut someone?
All eyes turn to Sidney. A serious silence. And then:
STU
You take a knife and slit from the groin
to the sternum.
Sidney shivers down to her soul. The whole table rolls their eyes at Stu.
STU
What? She asked.
BILLY
It's called tact, you fuckrag.
STU
Sorry.
RANDY
Remember in JAWS when they caught the
wrong shark at first and Richard Dreyfuss
cut it open to look foe body parts and all
they found was a licence plate and all this
white milky goo.
Stu leans over and socks Randy in the arm.
STU
You heard Billy-shut the fuck up.
SIDNEY
Hey, Stu? Didn't you use to date Casey?
Stu's taken back, a little off guard.
STU
For about two seconds.
RANDY
Before she dumped him foe Steve.
Tatum turns to Stu, surprised.
TATUM
I thought you dumped her for me.
STU
I did. He's full of shit.
RANDY
And are the police aware you dated the
victim?
STU
(offended)
What are you saying? That I killed
her or something?
RANDY
It would certainly improve your high
school Q.
TATUM
Stu was with me last night.
RANDY
Oooooh...before or after he sliced and
diced.
TATUM
Fuck you, nut case. Where were you last
night?
RANDY
Working, thank you.
TATUM
I thought Blockbuster fired you.
RANDY
Twice.
STU
I didn't kill anybody.
BILLY
No one's saying you did.
RANDY
Besides-
(perfect Stu mimic)
"Takes a man to do something like that."
STU
I'm gonna gut your ass in a second.
RANDY
(to Stu)
Did you really put her liver in the
mailbox? I hear they found her liver
in the mailbox.
TATUM
(eyeing Sidney)
Randy, you goon-fuck, I'm eating here.
Stu nibbles at Tatum's neck.
STU
Yeah, Randy, she's getting mad. I think
you better liver alone.
Stu cracks up at his own joke. The others just MOAN. Sidney is about to crawl out
of her skin, trying hard to ignore it all.
EXT. SIDNEY'S HOUSE - LATER
A huge two story country home with a spacious lawn.
A yellow school bus stops in front of the house and Sidney steps off.
The house looks big and lonely as Sidney moves up the walk to the front door.
INT. BEDROOM - LATER
Sidney is on the telephone.
SIDNEY
(into phone)
You su
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re I can stay over? My dad won't
be back til Sunday.
TATUM
(through phone)
No prob. I'll pick you up after
practice.
SIDNEY
Tell your mom I said thanks.
TATUM
Yeah, yeah...are you okay?
SIDNEY
Uh-huh, it's just...you know, the police
and reporters...it brings it all back.
TATUM
I'll be there by seven. I promise
SIDNEY
Thanks, Tatum.
TATUM
fa0
Later.
Sidney hangs up. She takes a seat at her computer and boots it up. She sits in
front of it staring at the blue screen...her own reflection staring back.
INT. LIVING ROOM - LATER
Sidney comes down the stairs, her arms carrying a change of clothes, toothbrush,
make-up...
She opens the hall closet and pulls a small overnight bag from the top shelf.
Moving into the living room she loads it up, plopping down on the sofa, hitting the
TV remote.
CLOSE ON THE SCREEN
A news reporter fades in.
REPORTER #1
(on TV)
The entire nation was shocked today by
the teen murders in North Carolina...
Sidney switches channels.
REPORTER #2
The State Bureau of Investigation has
joined forces with local authorities to
help catch what the Governor has called
the most heinous...
The channel switches again. Gale weathers appears, standing in front of the school.
Her white teeth gleaming.
GALE
This is not the first time the small town
of Bayboro has endured such tragedy. Only
a year ago, Maureen Prescott, wife and
mother, was found raped and murdered...
An old black and white snapshot fills the screen-a woman, beautiful and familiar.
CLOSE ON SIDNEY
eyes frozen, mesmerized by the image. Suddenly she CLICKS the TV off. Her eyes go
to the clock on the end table. 5:45 PM. Her eyes then move to the framed photo
next to it...the same black and white photo stares at her...a healthy, vibrant
woman. An older version of Sidney.
Sidney curls up on the sofa closing her eyes tight...
INT. LIVING ROOM - LATER
The clock on the end table reads 7:15 PM. Sidney is fast asleep on the couch. The
phone RINGS. Sidney leaps up grabbing the portable phone.
TATUM
(from phone)
Practice ran late. I'm on my way.
SIDNEY
(eyes clock)
It's past seven.
TATUM
Don't worry. Casey and Steve didn't bite
it til way after ten.
SIDNEY
I'm not worried.
TATUM
Good, 'cause I wanna swing by BLOCKBUSTER
and get us a video. I was thinkin' Tom Cruise in
ALL THE RIGHT MOVES. You know, if you
pause it just right you can see his penis.
SIDNEY
Whatever. Just hurry.
TATUM
Bye.
She hangs up the phone. It immediately RINGS again.
SIDNEY
(into phone)
Tatum?
MAN'S VOICE
(from phone)
Hello, Sidney.
IT'S HIM. THE VOICE FROM BEFORE.
SIDNEY
Hi. Who is this?
MAN
You tell me.
Sidney thinks, trying to place his voice. It sounds a little distorted.
SIDNEY
I have no idea.
MAN
Scary night, isn't it? With the murders
and all, it's like right out of a horror
movie or something.
SIDNEY
Aha, Randy, you gave yourself away. Are
you calling from work? Tatum's on her
way over.
MAN
Do you like scary movies, Sidney?
SIDNEY
I like that thing you're doing with your
voice, Randy. It's sexy.
MAN
What's your favorite scary movie?
SIDNEY
Don't start. You know I don't watch that
shit.
MAN
And why is that?
SIDNEY
(playing along)
Because they're all the same. It's
always some stupid killer stalking some
big breasted girl-who can't act-who
always runs up the stairs when she should
be going out the front door. They're
ridiculous.
A brief silence.
MAN
Are you alone in the house?
SIDNEY
That is so unoriginal. You disappoint me,
Randy.
MAN
Maybe that's because I'm not Randy.
SIDNEY
So who are you?
MAN
The question is not who am I. The
question is where am I?
SIDNEY
So where are you?
MAN
Your front porch.
This gives her pause. She moves to the window and pulls aside the drapes.
SIDNEY
Why would you call me from my
front porch?
MAN
That's the original part.
ANGLE THROUGH WINDOW. She can't quite see all of the porch.
SIDNEY
Oh yeah? Well I call your bluff.
Sidney goes to the front door. She unlocks the bolt, unsnags the chain, and pulls
the door open...revealing the front porch...
COMPLETELY EMPTY.
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She steps out onto it, phone still in hand. A single light shines overhead
illuminating the porch, but little beyond. Darkness is all around.
SIDNEY
So where are you?
MAN
Right here.
Sidney peers out into the darkness past thick shrubs that grow on either side of
the porch.
SIDNEY
Can you see me right now?
MAN
Uh-huh.
SIDNEY
What am I doing?
She sticks her
fa0
finger up her nose, pretending to pick. Silence. No answer.
SIDNEY
Good try, Randy. Tell Tatum to hurry.
Bye now.
MAN
If you hang up, you'll die just like your
mother.
Sidney stops dead in her tracks, speechless.
MAN
(deadly)
Do you want to die, Sidney? Your mother
didn't.
His seriousness unnerves her. Sid flies off the handle.
SIDNEY
FUCK YOU! YOU CRETIN!
She hangs up on him. Moves back inside the house. Locks, chains, and bolts the
door when...
A FIGURE COMES LEAPING OUT OF THE HALL CLOSET
rushing her, ramming into her side..the phone flies..the FIGURE is on top of her as
she goes down...SCREAMING...
She looks up to see the FIGURE, darkly dressed with a pale, distorted face, white
and ghostly...a mask.
Her instincts surface and she kicks up with her foot making the contact with his
leg...he topples over...coming right at her, his hand finding her neck. Suddenly,
along, silver blade appears above her.
Sidney pulls, jerks, twists...finally she lifts her torso forward knocking the
FIGURE off her...sending him reeling into the living room. Wasting no time, Sidney
leaps to her feet.
She moves to the front door, unlocks it...pulls it open...it catches on the chain.
Shit! She pushes it closed again looking behind her..the FIGURE has risen, knife
in hand.
Sidney pulls on the chain and then-inexplicably turns and...
RUNS UP THE STAIRS. The FIGURE right behind her.
INT. UPSTAIRS LANDING
The FIGURE leaps at Sidney taking hold of her foot, she grabs madly at the wall...
her hands grasp a framed painting-a quiet country home, subdued colors, done in
oils-she rips it from the wall swinging it behind her...
It catches the FIGURE head on, smashing against his skull, sending him backwards,
tumbling down the stairs. Sidney races to her bedroom...
INT. BEDROOM
She locks the door shut, the pulls her closet door open, placing the edge right at
the door knob just as...
THE FIGURE POUNDS AGAINST THE BEDROOM DOOR...
ramming it, it rips open, but the closet door catches it in a crazy vice-like hold.
Sidney grabs the desk phone. It's dead...off the hook downstairs.
The figure rushes the door several times..the frame splinters..but won't give.
Sidney is at her computer, she punches at the keypad madly.
CLOSE ON SCREEN AS WORDS APPEAR.
FAX MODEM
9-1-1 SEND
The knife slashes through the crack in the door wildly.
ON SCREEN AGAIN
HELP KILLER
34 ELM ST
Sidney presses SEND when it occurs to her-all is quiet. The FIGURE is gone. A
fearful silence. She looks around...the only sound her own rapid, terrified
BREATHING.
ON THE SCREEN
"Stay calm. Police enroute."
Suddenly a NOISE at the window...Sidney looks up to see...
BILLY
her boyfriend, staring at her, surprised.
SIDNEY
Oh Billy...Please...God...
BILLY
I heard screaming. The door was locked.
Are you okay...
SIDNEY
He's here. He's trying to kill me...
Billy pulls himself through the window. As he does, a small black object falls
from his dark jeans. It hits the floor as Sidney eyes it...a sleek, compact
cellular phone.
Sidney stops in her tracks. Their eyes meet...an eternity. A SIREN is heard in
the distance. Sidney bolts...
BILLY
Hey...wait...what's goin..
Billy reaches for her. Sidney unblocks the bedroom door and tears out of the room.
INT. LANDING
Sidney nearly falls down the stairs...
INT. FOYER
She rips the chain off the door, pulls it open, coming face to face with a white,
ghostly mask.
A massive SCREAM erupts from her gut as...
THE CAMERA PULLS BACK
to find Dewey-Deputy Riley, holding it. Red lights flash, sirens BLAST vas car
after car surrounds the house.
Sidney falls into the safety of Dewey's arms.
EXT. FRONT YARD - MINUTES LATER
The yard is a whirlwind of activity. An ambulance, squad cars, cops everywhere...
CLOSE ON BILLY'S FACE
as it SMASHES against the hood of a police car. His hands are being cuffed, his
rights being read.
BILLY
(
190
screaming)
I didn't do anything! Sid...where's Sid?
Ask her, she'll tell ya...
Dewey holds a car door open as Sheriff Burke steps out.
DEWEY
We got him, Sheriff. Billy Loomis.
SHERIFF BURKE
Hank Loomis' kid? Aw..Jesus...
DEWEY
He's her boyfriend.
They approach Billy as he's being placed in a squad car.
BILLY
Sheriff...I didn't do it...please, call
my Dad..please
fa0
...
The squad car disappears with Billy as another car comes to a stop in front of the
house. Tatum gets out, freaked beyond belief.
Back to the Sheriff and Dewey as they storm across the yard.
DEWEY
I was first to respond.
SHERIFF BURKE
What were you doing out here?
DEWEY
Drive by patrol.
SHERIFF BURKE
How is she?
DEWEY
She's tough.
SHERIFF BURKE
Have to be. The shit she's gone through.
Across the yard sits Sidney, in the back of an ambulance as PARAMEDICS check her
out.
Sheriff Burke and Riley approach.
SHERIFF BURKE
We're seeing a lot of you today.
She tries to smile but fails.
DEWEY
You gonna be able to come down to the
station and talk to us a bit?
SIDNEY
..yeah...
TATUM appears, barreling past an OFFICER.
TATUM
What happened? Oh God...
Tatum rushes to her, grabbing hold of her.
DEWEY
(to Tatum)
What are you doing here?
TATUM
Oh, God, Sid, I'm sorry I was late.
DEWEY
You can't be here, Tatum. This is an
official crime scene.
SIDNEY
It's okay. She was supposed to pick me
up.
TATUM
Her dad's out of town. She's staying
with us.
DEWEY
Does mom know?
TATUM
Yes, you doofus.
Two news vans come driving up the street.
SHERIFF BURKE
The vultures are coming. Let's get you
out of here.
EXT. STREET
A big, white news van comes to a stop in front of the house. The side door slides
open and Gale Weathers hops out just in time to see Sidney being escorted to a
squad car.
GALE
I'll be damned.
Jumping from the driver's seat is KENNY, Gale's cameraman and flunky. An earnest
young chap on the chubby side.
KENNY
What? What?
GALE
Jesus! The camera-hurry!
But it's too late. Sidney is as good as gone. Gale sees Tatum moving quickly to
her car.
GALE
Excuse me?
Tatum looks up to see Gale Weathers rushing her.
GALE
Was that Sidney Prescott they took away?
TATUM
I don't know.
Tatum hops in her car, ignoring her.
GALE
What happened to her?
TATUM
I'm not talking to you.
Tatum's car peels out as Kenny comes running up with his camera.
KENNY
Where'd she go?
Gale spins around, flashing her pearly whites.
GALE
Look, Kenny, I know you're about fifty
pounds overweight but when I say hurry
please interpret that as...MOVE YOUR
FAT TUB OF LARD ASS NOW!
Gale moves back to the van leaving Kenny miffed.
INT. POLICE STATION
A small town station. The bull pen is a little square room with four desks and
tonight--it's hopping. Cops everywhere.
INT. SHERIFF'S OFFICE
Sidney sits at a desk drinking a cup of water. She wears the Sheriff's jacket over
her shoulders. Dewey approaches.
SIDNEY
Did you reach my Dad?
DEWEY
You're sure it was the Hilton?
SIDNEY
At the airport.
DEWEY
He's not registered. Could he have gone
to another hotel?
SIDNEY
I don't know. I guess.
DEWEY
We'll find him, Sid. Don't worry.
Sidney stares blankly, numb.
INT. SHERIFF'S OFFICE
Billy sits opposite Sheriff Burke. Next to Billy, sits his father, HANK LOOMIS, an
older version of Billy.
SHERIFF BURKE
What are you doing with a cellular
telephone, son?
MR. LOOMIS
It's my phone. He was just playing
around with it.
SHERIFF BURKE
You got some ideas of playing around, boy.
BILLY
I didn't call anyone with it. I just
took it for fun.
MR. LOOMIS
Everybody's got one now. Why don't you
check the phone bill for chrissakes.
Call my carrier--AirFone Comp. They'll
have records of every number dialed.
SHERIFF BURKE
Thank you, Hank. We're on it. What were
you doing out at Sidney's tonight?
BILLY
I just wanted to see her, that's all.
SHERIFF BURKE
You rode your bike out there?
BILLY
Yes, sir.
SHERIFF BURKE
And last night? Sidney said you crawled
through her window last night too?
MR. LOOMIS
(surprised)
You were out last night?
190
BILLY
I watched TV for awhile but the I felt
like going for a bike ride.
SHERIFF BURKE
Did you ride past Casey Becker's house?
BILLY
No, I didn't. I didn't kill anyone,
Sheriff.
SHERIFF BURKE
We're gonna have to keep you, Billy. The
governor's got SBI, FBI, and god knows
who else on their way down here.
Billy fights tears.
BILLY
This is crazy. I didn't do i
fa0
t.
Sheriff Burke eyes him up and down, very carefully.
INT. POLICE BULL PEN - MINUTES LATER
Tatum has joined Sidney. The sheriff's door opens and Billy is led out by a coupla
UNIFORMS. Burke and Dewey appear in the door watching Tatum comfort Sidney.
OUT OF EAR SHOT
DEWEY
That ghost mask is sold at both Kroger's
and WalMart. Neither of which keep
purchase records.
SHERIFF BURKE
What about the cellular phone bill?
DEWEY
They're pulling Loomis' account. But
it'll be morning before we see something.
You think he did it?
SHERIFF BURKE
Twenty years ago I woulda said not a
chance. But these kids today...damn if I
know.
TATUM
(o.s.)
Hey...Dewey. Can we go now?
DEWEY
Hold up a sec...
SHERIFF BURKE
She staying with you?
DEWEY
We haven't located her Dad yet.
TATUM
(o.s.)
Goddammit, Dewey!
Dewey turns to her, his face red.
DEWEY
What did Mama tell you? When I wear this
badge you treat me like a man of the law.
TATUM
I'm sorry, Deputy Dewey-boy but we're
ready to go.
SHERIFF BURKE
Use the back way. Avoid the circus.
EXT. POLICE STATION - SIDE DOOR
The door opens and Sidney, Tatum, Dewey, and a coupla OFFICERS exit avoiding the
horde of REPORTERS that can be seen around the corner waiting anxiously at the
front entrance.
DEWEY
I'll get the car. Wait here.
Dewey takes off. From the darkness of the alley, Gale Weathers appears with Kenny
and his camera. They've been waiting.
GALE
Hello Sidney.
Sidney spins around to see Gale, standing, smiling at her. Sidney's body tightens
and her face goes taut.
GALE
Some night. Are you alright?
Their eyes meet in cold familiar stare. Sidney says nothing. She's visibly
shaking.
GALE
What happened?
TATUM
She's not answering any questions. Just
leave us alone, okay?
SIDNEY
It's okay, Tatum. She's just doing her
job. Right, GALE?
GALE
Yes, that's right.
Dewey, in a squad car, turns into the alley and pulls up. The other news people
have wisened up. They begin to flock the alley.
SIDNEY
How's the book?
GALE
It'll be out later this year.
Sidney tries to contain herself..squeezing a clenched fist.
SIDNEY
I'll look for it.
GALE
I'll send you a copy.
In a blurred, unexpected instant, Sidney brings her fist forward, SMASHING it hard
into Gale Weathers's face. The impact sends Gale reeling backwards, knocking into
Kenny as they both tumble to the pavement.
ON SIDNEY...breathing deep, a sense of satisfaction on her face.
INT. TATUM'S BEDROOM - LATER
A spacious bedroom. Typical. Tatum and Sidney lay on the bed. They both wear
night shirts.
TATUM
God, I loved it. "I'll send you a copy."
BAM! Bitch went down. "I'll send you a
copy." BAM! Sid--SuperBitch!
Dewey appears in the doorway holding a bag of ice.
DEWEY
I thought you might want some ice for
that right hook.
Sidney sits up, takes the ice, and puts it on her hand.
DEWEY
I'll be right next door. Try to get some
sleep.
Dewey moves back out the door.
SIDNEY
Any word on my Dad?
DEWEY
(turning to her)
Not yet, but we're looking. If you need
anything...
TATUM
Yeah, yeah, yeah...
Dewey smiles, pulling the door closed on his way out. Sidney lies back down.
SIDNEY
Just another sleepover at the Riley's.
TATUM
Just like old times, ain't it?
SIDNEY
No, nothing's like it used to be.
Sidney rolls over at her side, away from Tatum.
A telephone RINGS somewhere in the house.
TATUM
Do you really think Billy did it?
SIDNEY
He was there, Tatum.
TATUM
I knew this guy was too perfect. He was
destined to have a flaw.
A KNOCK at the door. It opens and a friendly, graying woman pops in. This is MAMA
RILEY. She wears a comforting smile.
MAMA RILEY
Telephone, dear.
TATUM
Who is it?
MAMA RILEY
It's for Sid
SIDNEY
My Dad?
Mama Riley shakes h
190
er head sadly.
TATUM
Take a message.
SIDNEY
It's alright. I'll get it.
Sidney takes off out the door. Mama Riley motions to Tatum.
MAMA RILEY
(whispers)
How is she?
Tatum shrugs.
INT. HALLWAY
Sidney grabs the phone at the end of the hall.
SIDNEY
Hello?
MAN
(from phone)
Hello Sidney.
IT'S HIM. The CAMERA does a Hitchcock as Sidney's entire body goes
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weak..his VOICE
moving through her..invading her. She CRIES OUT.
SIDNEY
NOOOOOO...
Mama Riley turns in the doorway. Tatum comes bolting out of the bedroom.
MAN
(from phone)
Poor Billy-boyfriend. An innocent guy
doesn't stand a chance with you.
SIDNEY
LEAVEMEALONE!
MAN
Looks like you fingered the wrong
guy...again.
SIDNEY
Who are you?
TATUM
Hang up, Sid.
MAN
Don't worry. You'll find out soon
enough. I promise.
Mama Riley BEATS on a closed bedroom door.
MAMA RILEY
Dewey! Dewey!
MAN
This is gonna be fun, Sidney. Just like
old times.
CLICK.
Dewey flies out of his room wearing only his boxers...holding his gun.
DEWEY
What? What?
The phone goes dead. Sidney stands frozen.
EXT. BAYBORO MAIN STREET - DAWN - ESTABLISHING
The morning sun shines high over Bayboro Townsquare. Cars come to life, townsfolk
stir as the picture postcard community awakens from a restless sleep.
INT. KITCHEN - MORNING
Sidney and Tatum sit at the kitchen table, dressed and ready for school as Mama
Riley serves up breakfast. A small television sits on the counter BLARING.
Dewey, in uniform, stands near the door, talking on the phone.
MAMA RILEY
I think you girls really should stay home
today.
TATUM
Your objection is duly noted.
SIDNEY
I'd rather be around a lot of people,
Mama Riley.
From the TV, Sidney hears her name, "SIDNEY PRESCOTT..." All eyes go to the
television.
REPORTER
(on TV)
..who escaped a vicious attack last night
was the daughter of Maureen Prescott who
was brutally killed last year when
convicted murderer Cotton Weary...
INSERT of COTTON WEARY, in prison fatigues. A once handsome man, now haggard and
worn.
REPORTER
(cont'd)
..broke into their home and savagely
raped and tortured the deceased. Cotton
Weary is currently awaiting appeal for
the death sentence handed down after the
young Sidney testified against him. She
was the key witness in the state's
prosecution...
SIDNEY
It's never gonna stop. Is it?
Dewey is off the phone.
DEWEY
Billy was released. His cellular bill
was clean. He didn't make those calls.
SIDNEY
Somebody called me, Dewey. I'm not
making it up.
DEWEY
I know. We're checking every cellular
account in the county. Any calls made to
you or Casey Becker are being cross-
referenced. It's gonna take time but
we'll find him.
SIDNEY
And my Dad? Any word on him?
Riley shakes his head "no".
EXT. SCHOOL STREET - LATER
Once again, REPORTERS line the street attacking students as they make their way to
school, asking questions, hungry for that teenage insight.
Dewey's patrol jeep cruises by. Sidney watches from the passenger's window.
INT. PATROL CAR
Dewey pulls up in front of the school. Tatum hops out while Sid lingers, suddenly
unsure. Dewey takes notice.
DEWEY
Hey, it's school. You'll be safe here.
Sidney forces herself out of the jeep as a microphone is shoved in her face...
REPORTER
How does it feel to almost be brutally
murdered?
Dewey leaps from the car, intercepting the reporter.
DEWEY
Leave the girl alone, will ya? She wants
to go to school.
Sidney eyes the newsvan that's pulled up behind her. The side door slides open and
Gale Weathers steps out.
TATUM
Come on, Sid.
SIDNEY
Just a sec...I need to talk to someone.
She heads over to Gale.
EXT. NEWSVAN - STREET
Sidney, puts her head down, hiding her face...avoiding other reporters as she makes
her way to...
Gale who sits in the open door, checking her face in a mirror. Makeup tries hard
to hide Sid's handwork-a swollen black and blue right cheek.
Gale spots Sidney immediately and leaps to her feet.
GALE
Stop right there.
Sidney throws her hands up in surrender.
SIDNEY
I'm not here to fight.
GALE
Just stay back.
SIDNEY
I want to talk to you.
GALE
(calling into the van)
Kenny. Cam
190
era. Now.
Kenny's head darts out from the van.
SIDNEY
Off the record. No cameras.
GALE
Forget it.
Sidney contains herself.
SIDNEY
Please. You owe me.
GALE
I owe you shit.
Gale moves inside the van. But Sidney is relentless.
SIDNEY
You owe my mother.
GALE
Your mother's murder was last year's
hottest court case. Somebody was gonna
write a book about
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it.
SIDNEY
And it had to be you with all your lies
and bullshit theories.
GALE
What is your problem? You got what you
wanted. Cotton Weary is in jail.
They're gonna gas him. A book is not
gonna change that.
SIDNEY
Do you still think he's innocent?
Gale's interest is peaked. She eyes Sidney suspiciously.
GALE
He was convicted in a court of law. Your
testimony put him away. It doesn't
matter what I think.
SIDNEY
During the trial, you did all those
stories about me. You called me a liar.
GALE
I think you falsely identified him. Yes.
SIDNEY
Have you talked to Cotton?
GALE
Many times.
SIDNEY
Has his story changed?
GALE
Not one word. He admits to having sex
with your mother but that's all.
SIDNEY
He's lying. She wouldn't have touched
him. He raped her, then butchered her.
Her blood was all over his coat.
GALE
He was drunk that night. He left his
coat at your house, after your mother
seduced him...
SIDNEY
I saw him leaving wearing it.
GALE
But couldn't it have been someone else
you saw wearing that coat? The same
person who planted it in Cotton's car,
framing him? The same person who
really killed your mother?
A long beat. Sidney considers this for the millionth time.
SIDNEY
No, Cotton murdered my mother.
But there's doubt in her voice. Gale's face lights up.
GALE
You're not so sure anymore, are you?
Sidney clams up.
SIDNEY
No, it was Cotton.
Tatum comes waltzing up.
TATUM
(to GALE)
Nice welt.
Gale ignores her, zeroing in on Sidney, half realizing.
GALE
The killer is still on the loose, isn't
he? These murders are related.
TATUM
Yo--let's rock.
Sidney starts to fidget.
SIDNEY
I'm sorry I mangled your face.
She take off with Tatum. Gale calls after her.
GALE
Wait, Sidney, don't go...
But Sidney and Tatum have already disappeared in the crowd of students moving
across campus.
Gale looks to Kenny.
GALE
Jesus Christ! An innocent man on death
row. A killer still on the loose.
Kenny, tell me I'm dreaming.
KENNY
You want to go live?
Gale's mind races with possibilities.
GALE
No, not so fast. We have nothing
concrete.
KENNY
When did that ever stop you? You can't
sit on this. This is huge.
GALE
If I'm gonna blow this up-I need hard
proof.
KENNY
But it's so much easier when we make it
up.
GALE
Not this time. I owe Cotton that much.
Hell, even I thought that man was guilty.
EXT. SCHOOL CAMPUS - SECONDS LATER
Tatum and Sidney make their way across campus.
TATUM
Just relax. You're at school now. No
one can get you here.
SIDNEY
But if it wasn't Billy it could be
anybody. He could be here at school
right now.
They move up the walk as a FIGURE falls in step behind them, sporting a WHITE GHOST
MASK.
TATUM
Serial killers are smart by definition.
They minimize their risk. They plan and
pre-calculate everything. Showing up
here would be the most lame-brain
move he could make.
SIDNEY
He promised me he'd be back.
As easy as the figure appeared, it disappears-falling out of site, unseen by either
of them.
TATUM
I wouldn't put too much stock in a
psycho's promise.
They move up the front steps toward the main doors of the school as the GHOST
MASKED FIGURE reappears...standing at the top of the steps...Sidney sees it first,
stopping dead in her tracks.
She steps back, spinning around to find...
A GHOST FACE behind her as well, both of them approaching, closing in on her.
Sidney starts to SCREAM when the two ghosts bust up LAUGHING, tearing off across
campus.
EXT. STREET
In front of the school we catch up a REPORTER doing a live remote. He holds a mask
in his hand.
REPORTER
This morning several students, in what
appears to be a prank, have been spotted
wearing masks. School officials have yet
to comment but this is t
190
he same type of
mask worn by the killer...
INT. HALLWAY - MINUTES LATER
Just before the bell. The hallway is congested with students heading to class.
Tatum is at her locker with Sidney.
SIDNEY
This is a mistake. I shouldn't be here.
TATUM
I want you to meet me here right after
class, okay?
Billy appears in the crowd, with Stu tagging behind. Tatum spots him first.
TATU
fa0
M
Shit, what is he doing here?
SIDNEY
I bet he's pissed.
TATUM
Just ignore him. You had good reason to
think what you did.
Billy and Stu approach. Billy's face is solemn.
BILLY
Hi, Sid. Can we talk a sec?
Sidney says nothing. She can barely look at him. Tatum intervenes.
TATUM
You know if I were accused of carving up
two people, I'd take the opportunity to
skip school.
STU
Hey, go easy, Tatum. He didn't do it.
BILLY
Talk to me, Sid.
Suddenly, a SCREAM erupts. All eyes go to a GHOST MASKED STUDENT running down the
hall, screaming wildly, running amuck.
SIDNEY
Why are they doing this?
STU
Are you kidding? This is like Christmas.
Billy punches Stu in the side.
STU
Owwww...
BILLY
You open your mouth and stupidity pours
out.
STU
Sorry.
Sidney, clearly upset, takes off down the hall. Billy races off after her.
TATUM
(yelling)
Stay away from her, Billy.
Tatum SLAMS her locker door shut as the bell RINGS.
INT. CORRIDOR - SECONDS LATER
With first period underway, the halls have cleared. One or two struggling students
can be seen rushing to class.
Sidney moves quickly down the hall, rounding a corner, running smack into...
BILLY
They collide hard catching Sidney off guard, scaring the life out of her. She
falls backwards, but Billy catches her fall.
SIDNEY
Jesus, SHIT!
BILLY
Hey, hey, it's just me.
Sidney pulls away from him quickly. Billy feels the slight.
BILLY
What? You don't still think it's me?
Sidney catches her breath.
SIDNEY
No...I don't...it's just...Oh God, Billy,
someone was there, someone tried to
kill me.
BILLY
The police say I scared him off. It
wasn't me, Sid.
SIDNEY
I know. He called again last night at
Tatum's house.
BILLY
See, it couldn't have been me. I was in
jail, remember?
SIDNEY
I'm so sorry...please understand.
BILLY
Understand what? That I got a girlfriend
who would rather accuse me of being a
psychopathic killer than touch me.
SIDNEY
You know that's not true.
BILLY
Then what is it? Is there somebody else?
SIDNEY
No...
BILLY
Is it the sex thing? Am I being too
pushy?
SIDNEY
No, it's me, Billy. I need time. I'm
still adjusting to my mom.
BILLY
It's been a year since she died.
SIDNEY
(correcting him)
Tomorrow. One year tomorrow.
BILLY
When are you gonna let that go, Sid?
When my mom left my dad--I just accepted
it. This is the way it is. She's not coming
back.
SIDNEY
(sharply)
Your parents split up. It's not the same
thing. Your mom left town, she's not in
a coffin somewhere.
BILLY
You have to move on, Sid.
Sidney starts to walk away but turns back, angry.
SIDNEY
I'm glad to know you're coping so well
with life, Billy. But some of us aren't so
perfect. Some of us are just trying to
hold on.
Sidney disappears through a door marked GIRL'S BATHROOM, leaving Billy alone in the
hallway. He SMACKS his forehead, pissed at himself.
INT. GIRL'S BATHROOM
Large and spacious. Closed bathroom stalls line one wall facing a row of sinks and
a huge mirror. Sidney enters as TWO GIRLS tinkle and talk--each from their
respective stalls.
GIRL #1
She was never attacked. I think she made
it all up.
GIRL #2
Why would she lie about it?
GIRL #1
For attention. The girl has some serious
issues.
Sidney listens intently.
A toilet FLUSHES. Sidney quickly jumps in a stall, hiding, just as GIRL #1 appears
from a stall. She looks like that voice--a snotty little twit.
GIRL #1
What if she did it? What if Sidney
killed Casey and Steve?
GIRL #2
And why would she do that?
GIRL #1
Maybe she was hot for Steve and killed
them both in a jealous rage.
Another toilet FLUSHES.
GIRL #2
Why would Sidney want to be with Steve?
She has her own bubble-butt boyfriend Billy.
GIRL #1
Maybe
190
she's a slut just like her mom.
INSIDE THE STALL Sidney listens. Her face weakening.
GIRL #2
You're evil.
GIRL #1
Please, it's common knowledge. Her
mother was a trollop.
GIRL #2 appears from her stall--another twit. They both stand in front of the
mirror adjusting two snotty faces.
GIRL #2
Cut some slack. She watched her mom get
butchered.
GIRL #1
And it fucked
fa0
her up royally. Think
about it. It makes perfect sense. Her
mom's death leaves her distraught and
hostile at a cruel and inhumane world,
she's disillusioned, where's God, etc.
Completely suicidal. And one day she
snaps. She wants to kill herself but
realizes teen suicide is out this year.
And homicide is a much healthier
therapeutic expression.
From the stall, Sidney listens, her heart pounding, jaw quivering.
GIRL #2
Where do you get this shit?
GIRL #1
Ricki Lake.
The two girls exit. Sidney moves out of the stall, catching her reflection in the
mirror.
SIDNEY
Pathetic.
Water DRIPS somewhere from a leaky pipe as wind WHISTLES in from the cracked
transom above the bathroom door. It sound almost like a whisper, "Siddneey..."
Sidney spins around. What the... She checks out the bathroom. The doors to the
stalls are all closed. She bends down and scans beneath them, looking for feet.
No one. Nothing.
Sidney turns back to the mirror. Suddenly...
MAN
(o.c. whisper)
Siddneey...
Unmistakable this time. The VOICE strikes Sidney like a nail through the eye. It
comes from one of the stalls. She stands thunderstruck, eyeing the stalls thru the
mirror.
SIDNEY
Is someone there?
A long, morose silence. And then:
MAN
(softly, simply)
It's me, Sidney.
Sidney spins around. Fuck no! HE'S HERE. Terror floods her face. She eyes the
exit door, then the row of stalls she must pass to get to it.
She checks under the stalls again. Nothing...where the fuck is he? She takes a
step forward when...
TWO FEET step down from a toilet onto the floor in the last stall. Sidney's face
draws tight as the stall door begins to CREAK open. She bolts forward, making a
break for it...but slips on the wet floor...her feet flying out from under...
Sidney reaches out...grabs hold of a sink...saves herself from falling...she
glimpses a GHOST MASK in the mirror coming for her. A hand grabs her shoulder as
she SLAMS her body through the exit door...narrowly escaping.
INT. CORRIDOR - CONTINUOUS
Sidney flies out of the bathroom door SCREAMING...burning up the hallway, not
looking back. A TEACHER, hearing her SCREAM, peer out from an open doorway...as
Sidney sprints by him, not stopping...running madly.
INT. PRINCIPAL'S OFFICE - CONTINUOUS
CLOSE on a red-faced Principal Himbry as he reads someone the riot act.
MR. HIMBRY
I'm sickened. Your whole havoc-inducing,
thieving, whoring generation disgusts me.
The CAMERA SWINGS AROUND to reveal two GHOST MASKED STUDENTS standing at attention.
Mr. Himbry rips the mask off of one of the student's heads.
MR. HIMBRY
Two students have been savagely murdered.
And this is how we express our compassion
and sensivity?
He rips the mask off the other student.
MR. HIMBRY
We throw on a mask and dance around
campus just hoping someone else gets
butchered before we get bored again.
You're both expelled.
The GHOSTS doth protest...
GHOST #1
Aw, come on, Mr. Himbry, it was just a
joke.
GHOST #2
Yeah, that's not fair.
A deep rooted hostility has taken over Mr. Himbry's face. Neither student budges,
scared to even breathe.
MR. HIMBRY
No, it's not fair. Fairness would be to
rip your insides out and hang you from
a tree so you can be exposed for the
desensitized, heartless little shits that
you are.
Suddenly the door BURSTS open and Sidney appears, hysterical.
SIDNEY
(crying)
He's here...I saw him...he's here...
Mr. Himbry rushes to her, arms outstretched.
MR. HIMBRY
Easy child.
Sidney collapses in his arms.
EXT. SCHOOL STREET - MINUTES LATER
Dewey's patrol jeep is parked in front of the school. He stands in the open
driver's door talking on the radio.
SHERIFF BURKE
(from radio)
She's okay. Looks like some boys were
teasing her. Himbry's shutting down the
school though. I want you to take look
around.
DEWEY
Yes, sir, sheriff.
Dewey shuts the
190
jeep door and heads for campus when Gale Weathers appears, her fake
face aglow.
GALE
Hi! Gale Weathers. Field Correspondent,
INSIDE STORY.
DEWEY
I know who you are, ma'am. How's the
eye?
GALE
Productive. So they're closing down the
school?
DEWEY
Well..uh...yes ma'am. For the time being.
Dewey heads for the school building. Gale scurries along side him flirtatious
fa0
ly.
GALE
And why is that? Has something happened?
DEWEY
You're not supposed to be here, ma'am.
GALE
I know, I should be in New York covering
the Sharon Stone stalker but who knew?
Please, call me Gale. You look awfully
young to be a police officer.
Dewey's eyes wander down to Gale's long legs, the way her hips move as she walks...
he's clearly distracted.
DEWEY
I'm twenty-five years old, ma'am.
GALE
Twenty-five, huh? In a demographic study
I proved to be most popular amongst
males, 11-24. I just missed you. Of course,
you don't look a day over twelve, except
in the upper torso area. Does the force
require that you work out?
Dewey looks away, blushing a bit.
DEWEY
No, ma'am. Because of my boyish good
looks, muscle mass has increased my
acceptance as a serious police officer.
They approach the school's front entrance. Suddenly, Mr. Himbry's VOICE in
amplified through intercoms across campus via the PA system. They stop to listen.
MR. HIMBRY
(via PA)
"Your attention please. Due to the
recent events that have occurred and
until it comes to a resolve--effective
immediately--all classes are suspended
til further notice. The Bayboro Police
Dept. has also asked me to announce a
city wide curfew beginning at 6 o'clock
PM. I repeat..."
Gale speaks over Mr. Himbry's voice.
GALE
Boy, you people sure do make fuss over
a serial killer.
DEWEY
Serial killer is not really accurate,
ma'am. The killer has yet to strike
twice.
GALE
Well, we can hope, can't we? We
certainly don't have any leads. A ghost
mask, a cellular phone--not much there.
DEWEY
We're tracking the cellular phone bill.
GALE
Really? You small town guys are good.
And have you located Sidney's father?
DEWEY
No, not yet.
GALE
He's not a suspect, is he?
DEWEY
We haven't ruled out that possibil...
Dewey, realizing he's said too much, clams up.
DEWEY
If you'll excuse me, ma'am.
GALE
Am I keeping you? I'm sorry.
DEWEY
That's quite alright. If I may say so,
ma'am, you're much prettier in person.
Dewey starts up the school's front steps as the bell RINGS.
GALE
So you do watch the show?
He turns to her earnestly as STUDENTS come pouring out the front doors.
DEWEY
I just turned 25. I was 24 for a whole
year.
GALE
You are precious. Please, call me Gale.
She smiles deliciously, gives him a wink, then struts off as Dewey, like a nervous
little school boy watches her go.
INT. SCHOOL CORRIDOR - SECONDS LATER
School is clearing out. The halls have begun to empty as Tatum escorts Sidney down
the hallway.
TATUM
It was just some sick fuck having a
laugh.
SIDNEY
It was him, Tatum. I know it.
Tatum wants to believe her but...
TATUM
You are not to be alone again. Is that
clear? If you pee--I pee.
Stu appears.
STU
Is this not cool or what? Hey, Sid,
what happened?
TATUM
For once, Stu, drop it.
STU
Okay, but whatever you did--the entire
student body thanks you.
Stu moves to Tatum and gives her a kiss.
STU
And to celebrate this impromptu fall
break, I propose we have a party.
Tonight, my house.
SIDNEY
Are you serious?
STU
My parents are out of town. It'll be
like my hurricane bash last year.
Nothing extreme. Just a few of us,
hangin'.
Tatum warms to the idea.
TATUM
This could be good. What do you think,
Sid?
SIDNEY
I don't know...
TATUM
Come on. Pathos has it's perks.
Sidney considers trying hard to be good spirited.
STU
Remember, there's safety in numbers.
SIDNEY
(giving in)
Yeah, okay...whatever.
STU
Cool. See you guys tonight. Bring food.
Stu speeds off, sliding down the empty hallway.
INT. PRINCIPAL'S OFFICE - LATER
Mr. Himbry sits at his desk staring at the ghosts masks before him. He picks one
of them up, snickering.
MR. HIMBRY
Damn...
He stand
190
s and moves to the closet next to his office door. He pulls it open to
reveal a mirror hooked inside the door. He tries the mask on, pulling it over his
face, looking in the mirror when...
A KNOCK AT THE DOOR stops him. He rips the mask off his head, turns to his office
door and opens it to reveal...
AN EMPTY DOORWAY. He pokes his head into the outer office area and looks around.
But no one'
fa0
s there.
MR. HIMBRY
Yes? Hello?
The place is empty. A little suspicious he closes the door, catching his
reflection in the closet mirror. He looks at the mask in his hands. Jesus, even
he's jumpy. Two seconds later...
ANOTHER KNOCK AT THE DOOR. Himbry grabs the door quickly, this time throwing it
open. Again no one's there. He steps out into the outer office determined to
catch a prankster.
INT. OUTER OFFICE - CONTINUOUS
Completely empty. Mr. Himbry moves through the outer office and into the school
corridor. The overhead lights have been turned off and the corridor is now dark
and deserted. He looks up and down the hall. Only a JANITOR is seen in the
distance pushing a broom.
MR. HIMBRY
Little shits.
Mr. Himbry returns to his office.
INT. OFFICE - CONTINUOUS
Himbry reenters his office, moving to his desk, when he spots the closet door NOW
CLOSED SHUT.
This gives him a pause-he had left it open. Hadn't he? Suddenly, he can't
remember. He shifts uneasy, reaching for the door knob, pulling the door open to
reveal...
AN EMPTY CLOSET. He stands still a moment, suddenly realizing someone could easily
now be standing behind the open closet door. Nervously, he pushes it shut to
reveal...
NOTHING. Himbry shakes away his jitters, realizing he's spooked himself. He
continues to his desk, pushing his office door shut when...
A GHOST MASKED FIGURE lunges from behind it...knife in hand. Quick and easy.
Three quick jabs to the stomach and Himbry goes down. The GHOST MASKED FIGURE
towering above him.
EXT. TATUM'S HOUSE - AFTERNOON - LATER
The late afternoon sun is quickly disappearing.
Tatum and Sidney rock on the front porch looking out into the small town
neighborhood. Dewey's patrol jeep is parked in the driveway.
Despite loud music, BLARING from an inside stereo, this is a quiet moment.
TATUM
Maybe Cotton Weary is telling the truth.
Maybe he was having an affair with your
mom.
SIDNEY
So you think my mom was a slut too?
TATUM
I didn't say that, Sid. But you know
there were rumors. Your dad was
always out of town on business.
Maybe your mom was a very unhappy
woman.
SIDNEY
If they were having an affair how come
that Cotton couldn't prove it in court?
TATUM
You can't prove a rumor. That's why it's
a rumor.
SIDNEY
Created by that little tabloid twit Gale
Weathers.
TATUM
(delicately)
It goes further back, Sid. There's been
talk about other men.
SIDNEY
And you believe it?
TATUM
Well...you can only hear that Richard
Gere-gerbil story so many times before
you have to start believing it.
A long silence as Sidney agonizes over all of this. She stands up and moves to the
edge of the porch and stares out onto the neighborhood.
SIDNEY
If I was wrong Cotton, then he's still
out there.
TATUM
Don't go there, Sid. You're starting to
sound like some Wes Carpenter flick.
Don't freak yourself out--we've got a
long night ahead of us.
SIDNEY
You're right. I'm cracking up. Ignore
me.
TATUM
Come on, let's rock.
Sid follows Tatum inside the house never seeing the GHOST MASKED FIGURE that stands
across the street, under a tree. His presence so subtle and unobtrusive you'd have
to see this movie a second time to know he was there all along.
EXT. MAIN STREET - LATER
Stu is moving along main street when Billy comes barreling up next to him.
BILLY
How'd you do?
STU
Piece of cake. She'll be there.
BILLY
Thanks, butt wart. You did good.
STU
So you gonna try and make up with Sid?
BILLY
Duh...that's quick.
STU
I was just asking. Why are you always at
me?
BILLY
Because I'm trying to build your self-
esteem. You're far too sensitive.
STU
Oh....
Billy thumbs Stu's forehead.
BILLY
You ready to party hard tonight?
STU
You know it.
They come to a building centrally located in the heart of Main Street. A huge,
blue
190
monstrosity that's bigger than the local bank and post office combined. The
sign in front reads BLOCKBUSTER.
INT. BLOCKBUSTER - CONTINUOUS
You typical Blockbuster--huge and crowded. Randy, in his Blockbuster get up, is
busy reshelving returns when Stu appears--knocking the videos out of his hand.
STU
Jesus, this place is packed.
RANDY
(picking up videos)
We had a run in the ma
fa0
ss murder section.
STU
You coming tonight?
RANDY
Yeah, I'm off early--curfew you know.
(looking off)
Now that's poor taste.
STU
What?
Randy refers to Billy who stands down the aisle talking to TWO GIRLS. (The twits
from the bathroom perhaps.)
RANDY
If you were the only suspect in a
senseless bloodbath would you be standing
in the horror section?
STU
It was all a misunderstanding. He didn't
do anything.
RANDY
You're such a little lap dog. He's got
killer printed all over his forehead.
STU
The why'd the police let him go?
RANDY
Because, obviously they don't watch
enough movies. This is standard horror
movie stuff. PROM NIGHT revisited.
Randy moves down the aisle, reshelving videos.
STU
Why would he want to kill his own
girlfriend?
RANDY
There's always some stupid bullshit
reason to kill your girlfriend. That's
the beauty of it all. Simplicity.
Besides, if it's too complicated you lose
your target audience.
STU
So what's his reason?
RANDY
Maybe Sidney wouldn't have sex with him.
STU
She's saving herself for you.
RANDY
Could be. Now that Billy's tried to
mutilate her, you think Sid would go out
with me?
STU
I think her father did it. How come they
can't find his ass?
RANDY
Because he's probably dead. His body
will come popping out in the last reel
somewhere...eyes gauged. See, the police
are always off track with this shit, if they'd
watch PROM NIGHT they'd save time.
There's formula to it. A very simple one.
Everyone's always a suspect--the father,
the principal, the town derelict...
STU
Which is you...
RANDY
So while they're off investigating a dead
end, Billy, who's been written off as a
suspect, is busy planning his next
hunting expedition.
BILLY
(o.c.)
How do we know you're not the killer?
Randy spins around to find Billy right behind him. Busted.
RANDY
Uh...hi, Billy.
BILLY
Maybe your movie-freaked mind lost it's
reality button?
Randy shrugs, laughing it off.
RANDY
You're absolutely right. I'm the first
to admit it. If this were a scary movie,
I'd be the prime suspect.
STU
And what would be your motive?
RANDY
It's 1995--motives are incidental.
EXT. MAIN STREET - LITTLE LATER
Dewey's patrol jeep makes it's way down mainstreet. It's almost dark. The street
is close to deserted.
INT. PATROL JEEP - CONTINUOUS
Dewey's behind the wheel having a heated conversation with Tatum while Sid stares
out the window.
DEWEY
A party? Mom's gonna kill you. Then me.
TATUM
Don't be so self-righteous. It's just a
little blow out--we'll be perfectly safe.
Sid stares out the window. CLOSED SIGNS fill the storefronts, a few people rush to
their car, in a hurry to beat curfew.
SIDNEY
God, look at this place, it's THE TOWN
THAT DREADED SUNDOWN.
DEWEY
Hey, I saw that movie. True story, 'bout
some killer in Texas.
TATUM
Hey, Sid. Just think if they make a
movie about you. Who's gonna play you?
SIDNEY
Oh, god...
Dewey comes to a stop, parking the car in front of the police station. He looks to
Sid with a brotherly smile.
DEWEY
I see you as a young Meg Ryan myself.
SIDNEY
Thanks, Dewey. But with my luck they'd
cast Tori Spelling.
EXT. PATROL JEEP - CONTINUOUS
They pile out of the jeep. Dewey heads for the station.
DEWEY
I'll just be a few minutes. Don't go
far.
The girls take off for the local supermarket that sits across the street.
SIDNEY
Is Billy going to be there tonight?
TATUM
He better not be. I told Stu to keep his
mouth shut. I think we can live without
EVERYBODY'S ALL AMERICAN for
one night.
They approach the grocery store. Small and simple. Sid and Tatum grab a shopping
cart from the bin and enter the store, pushing the cart through two sliding glass
doors.
A lone CHECKOUT L
190
ADY behind the counter, big and frumpy, looks up from counting
money.
CHECK OUT LADY
You girls gonna have to hurry it up.
We're under curfew.
TATUM
Two minutes tops.
They make a bee-line for the junk food section just as the automated doors slide
shut behind them and a...
GHOST MASKED FIGURE appears, out of nowhere, standing just outside, watching,
quietly through the glas
fa0
s store windows.
EXT. POLICE STATION - SHERIFF'S OFFICE
Sheriff Burke's face heats up as Deputy Riley marches in, hurriedly.
SHERIFF BURKE
Dewey! Where the hell you been, boy?
DEWEY
Keeping my eye on Sidney.
SHERIFF BURKE
Listen up, Dewey, because it's bad. Real
bad. Aircomp just faxed us. The calls
were listed to Neil Prescott--Sidney's
father. He made the calls with his cellular
phone. It's confirmed.
DEWEY
Couldn't his cellular number have been
cloned?
SHERIFF BURKE
There's more. Guess what tomorrow is?
The anniversary of his wife's death. It all
fits. He's our man.
DEWEY
Have you contacted the bureau?
SHERIFF BURKE
They believe he's out of state by now.
We'll keep roadblocks and curfew in
effect through the night. If he's not
picked up by morning--we'll do a house
to house.
DEWEY
You think he could still be in town?
SHERIFF BURKE
He'd have to be crazy. Where's Sidney?
DEWEY
She's with my sister. Should I bring her
in?
SHERIFF BURKE
Hold off for now. Just stay close to
her.
DEWEY
She'll be with her friends over at Stu
Maker's tonight.
SHERIFF BURKE
Watch her. Don't let on--just keep your
eyes out.
DEWEY
Yes, sir.
INT. SUPERMARKET - FEW MINUTES LATER
Sidney and Tatum push a basket through the junk food section. The store is
completely empty. The girls gab freely.
SIDNEY
Billy's right. Whenever he touches me, I
just can't relax.
TATUM
You have a few intimacy issues as a
result of your mother's untimely death.
It's no big deal. You'll thaw out.
SIDNEY
But he's been so patient with me, Tatum.
You know, with all the sex stuff. How
many guys would put up with a girlfriend
who's sexually anorexic?
TATUM
Billy and his penis don't deserve you.
Sidney grabs some chips and salsa from the shelf. Down the aisle, through the
storefront window the GHOST MASKED FIGURE still stands watching their every move.
EXT. SUPERMARKET
Sid pushes the cart out of the glass door with Tatum riding it. The GHOST MASKED
FIGURE is nowhere to be found.
SIDNEY
What do you think about when you're
having sex?
TATUM
With Stu, there's little time to stop and
reflect. But sometimes before, to relax
and get in the mood, I think about Grant
Goodeve.
Sid pushes the cart and Tatum across the street.
SIDNEY
Who?
TATUM
Grant Goodeve--the oldest brother on
EIGHT IS ENOUGH. Remember that show? He
was the one who lived off alone. He would come
around every now and then with his guitar and
sing "Eight is enough to fill our lives with love..."
He had all these brain dead sisters and that idiot
brother from CHARLES IN CHARGE. God, I
was in love with Grant, he was so hot. The show
came on every day after school right during my
puberty years. Grant Goodeve was very instrumental
in my maturing as a woman.
SIDNEY
How does that get you in the mood with
Stu?
TATUM
During foreplay, I sing the theme song to
myself. "Eight is enough to fill our lives
with love..." It's a real turn on.
SIDNEY
No way.
TATUM
Grant wrote the song himself. I'm
convinced the lyrics had a secret
meaning, "Eight is enough..."
Sid pushes the cart up to Dewey's jeep. Tatum hops off.
SIDNEY
What secret meaning? Like a Satanical
thing?
TATUM
Watch the show, Sid. His basket is
bigger than the one you're pushing.
SIDNEY
TATUM!
TATUM
Oh, Sidney. WHAT? A guy can talk tits
til he's dead but the minute you mention
an eight inch weenie. Watch out.
Sidney stops just short of a laugh. Tatum pulls the back jeep door, loading the
groceries in. Behind her, the GHOST MASKED FIGURE appears, just out of their sight,
behind the jeep's open back door.
TATUM
There's that sense of humor. I knew it
still
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existed. Ohh, Sid, let's have some
fun tonight.
SIDNEY
Deal.
Sidney moves to the back door and closes it shut, when from behind...
DEWEY stands. Sid jumps, startled.
DEWEY
You girls ready.
SIDNEY
Yeah.
DEWEY
Looks like I'm your personal bodyguard
tonight, Sid.
TATUM
No, Dewey. You'll ruin the whole night.
DEWEY
Sorry, police orders.
fa0
I'll stay out of the
way, I promise.
TATUM
Shit.
Tatum kicks the shopping cart out of the way, blindly. It rolls down the road by
itself, gaining speed on a decline running smack into the GHOST MASKED FIGURE who
stops the cart cold with one hand.
EXT. COUNTRY ROAD - NIGHT
Dewey's jeep makes it's way down a long, winding road. Headlights illuminate the
thick woods that line each side. Following behind them at a discreet distance is a
huge white newsvan.
Dewey comes to the end of the road. It dead ends at...
STU'S HOUSE which sits alone in a clearing, big and ominous with no neighbors in
sight. A huge old home just ripe for a night of fun and...terror.
From the looks of things the party has already started. Music is BLARING. A few
KIDS hang on the porch.
INT. LIVING ROOM - MINUTES LATER
A big room with KIDS sprinkled throughout-smoking, drinking, cutting up. A stereo
BLASTS music while the TV airs around the clock killer coverage.
Tatum and Sid enter with groceries. Various FRIENDS greet them.
TATUM
Caterer's here.
The girls carry bags through a hallway that opens up onto an enormous kitchen. Stu
and some GUYS are leaning over the sink drinking beer through a funnel.
TATUM
That's mature.
STU
Where you guys been? We had to start
without you.
EXT. STU'S HOUSE - ROAD
The newsvan pulls up and parks unobtrusively on the side of the road a few feet
down from the front yard.
INT. NEWSVAN
Kenny and Gale move around inside the van. Kenny hovers over a control panel
complete with video monitors.
KENNY
What's the plan?
GALE
Prep the compact, we'll hide it in a
window and tape all of tonight's
festivities.
Kenny picks up a compact video camera the size of his fist. He checks its battery
pack.
KENNY
The control board's glitched. You know
we can't carry a live picture.
GALE
What's the delay?
KENNY
About thirty seconds.
GALE
As long as it records I don't give a
shit. We're not doing a remote.
Gale slides open the side door and steps out into the darkness, not seeing the
FIGURE that stands behind her. A hand grabs her shoulder, Gale's heart stops as
she spins around to find...
Dewey, smiling, extremely pleased to see her.
DEWEY
Evening, ma'am.
GALE
Deputy...good evening.
DEWEY
What brings you out to these parts?
GALE
You never know when or where a story will
break.
DEWEY
Not much story here. Just a bunch of
kids cutting loose.
GALE
Then what are you doing here?
DEWEY
Keeping an eye on things. Checking the
place out.
GALE
Mind if I join you?
Dewey considers for a whole two seconds.
DEWEY
Not at all.
Gale leans in the van, grabs the camera from Kenny's hand, and throws it in her
bag. She gives Kenny a wink.
INT. KITCHEN
CLOSE ON a microwave. Popcorn POPS inside. CAMERA WIDENS TO REVEAL...
Sid, Stu, and Tatum moving about the kitchen, preparing a junk food feast. Other
TEENS pop in and out. Randy appears amongst them. He carries an armful of videos.
RANDY
I thought we'd make it a BLOCKBUSTER
night.
He lets the videos splatter across the kitchen counter. Stu and Tatum dive in.
STU
I thought everything was checked out.
RANDY
I had 'em hid in the foreign section.
Sidney peruses the videos.
SIDNEY
THE FOG, TERROR TRAIN, PROM NIGHT
--How come Jamie Lee Curtis is in all these
movies?
RANDY
She's the Scream Queen.
STU
With that set of lungs--she should be.
TATUM
(to Sid)
Tits--see.
INT. LIVING ROOM - FEW MINUTES LATER
The party is going strong. Ten maybe fifteen people stand, sit, lean. Some crowd
around the floor in front of the television. Randy is taking a vote.
RANDY
How many EVIL DEAD'S?
(hands go up)
How many HELLRAISER'S?
Hands go up. BICKERING AD-LIB, etc.
The doorbell RINGS. S
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tu goes for it.
STU
I got it. Tatum get me a beer. They're
in the fridge in the garage.
TATUM
What am I? The beer wench?
STU
(o.c.)
Hey, guess who's here? It's that chick
from INSIDE STORY?
They look up the hallway to see Dewey and Gale standing in the foyer.
TATUM
Shit, Dewey!
Everyone perks up, eyeing Gale.
TATUM
What is she doing here?
fa0
DEWEY
She's with me. I just wanted to check on
things.
The GUYS in the room are drooling over Gale. Including Stu.
TATUM
So you did--now leave...and take your
media muff with you.
Tatum takes off for the kitchen.
Gale has quickly become the focus of the party. All eyes are on her.
SOME TEEN
I watch your show regularly.
STU
This must be big news to be on INSIDE
STORY.
GALE
Huge.
ANOTHER TEEN
Wanna interview us?
RANDY
We could be like two grief stricken
students and we'll say really nice things
about our good friends who were
slaughtered senselessly.
STU
I can cry on cue.
Gale eyes the bookshelf above the television.
GALE
Maybe later?
Suddenly, Gale starts to COUGH.
GALE
Can I trouble you for some water?
STU
How 'bout a beer? Randy--get the lady a
beer.
RANDY
You get it.
Gale slips the camera from her bag--hits the ON switch and holds it behind her...
waiting for the right moment.
BACK IN FOYER
SIDNEY
Have they found my father?
DEWEY
Afraid not.
SIDNEY
Should I be worried?
DEWEY
Not yet.
INT. KITCHEN
Tatum is alone in the kitchen. She empties popcorn into a bowl, then pulls open
the refrigerator...looks quickly, then remembers...
She moves through the adjoining laundry room to the...
INT. GARAGE
The kitchen door opens and light floods the darkened garage. Tatum stands in the
doorway searching for a light switch.
She finds a button and hits it. BRRRRMMM! The electric garage door starts to rise.
Wrong switch. She hits it again and it closes.
She finds another switch. CLICK. A small lightbulb overhead comes on, barely
lighting the large two car garage, leaving pockets of shadows along the wall.
Tatum spots the refrigerator against a far wall and heads for it, not seeing the
kitchen door, quietly, slowly, closing behind her, sealing her off from the rest of
the house.
Tatum stumbles to the refrigerator and throws it open. Its light casts a glow
across her face.
CRASH-BOOM!
Tatum jumps, spinning around just in time to see a cat escape through a large pet
door that's built into the garage door. She smiles at her jumpiness.
Tatum loads up with as many beer as her hands will carry and heads back to the
kitchen.
At the kitchen door, she juggles the beer, reaching for the knob. It's locked.
TATUM
SHIT!
She KICKS it with her foot several times.
TATUM
Hey, Shitheads!
A moment. No answer.
TATUM
OH, SHIT PISS!
Tatum leans over and, with her elbow, hits the garage door button. BRRRMM! It
begins to rise.
She moves towards the rising door, beer in hand. Suddenly, CRR-BRRRM! The garage
door RESETS, reversing direction, moving down, closing.
TATUM
What the...
Tatum spins around to see..
A GHOST MASKED FIGURE
Silhouetted in the dark, next to the kitchen door, his hand on the switch. Tatum
at once GASPS, taken back, but then relaxes.
TATUM
Is that you, Randy? Cute.
The FIGURE stares at her, blankly.
TATUM
And what movie is this from? I SPIT ON
YOUR GARAGE.
Tatum takes a step towards the FIGURE.
TATUM
Lose the mask. If Sidney sees it, she'll
flip.
The FIGURE shakes his head slowly from side to side.
TATUM
Oh, you wanna play psycho killer?
The FIGURE slowly nods.
TATUM
Can I be the helpless victim?
The FIGURE slowly nods again.
TATUM
Okay, let's see. "No, please don't kill
me, Mr. Ghostface. I want to be in the
sequel."
Tatum takes a step to move around the FIGURE, but he steps too, blocking her.
TATUM
Cut, Casper. That's a wrap.
Tatum moves again, sidestepping the FIGURE, but he's faster and cuts her off.
Tatum juggles the beer against her chest with one hand and with the other pushes
the FIGURE hard, knocking him aside.
TATUM
Randy--will you stop?
But as the FIGURE intercepts, lu
190
nging forward, grabbing her wrist hard, Tatum
stumbles...beer cans hit the floor, spewing...
TATUM
You little shit.
Tatum yanks hard, releasing his hold when a flash of silver catches her eye. She
looks down, glimpsing a long sharp blade as it darts forward, cutting into her
forearm...
Tatum pulls back, horrified, as the moment turns deadly serious.
The FIGURE advances on her--knif
fa0
e out, ready. She staggers backwards, holding her
bloody arm, backing into the refrigerator, SCREAMING.
TATUM
Who are you?
The FIGURE lashes out with the knife. Tatum dodges it, leaping back against the
fridge. The FIGURE advances. Instinctively, she rips the top freezer door open,
BASHING the FIGURE in the face, sending him backwards, reeling.
Tatum bolts to the...CLOSED GARAGE DOOR. In a panic, she BEATS and PULLS
on it, trying to make it lift. She eyes the FIGURE...he's recovering...
She goes for the pet door, dropping to the floor, diving for it...she wedges her
upper body through, her head, shoulders, torso just as the...
FIGURE pounces, grabbing hold of her feet. Tatum goes crazy SCREAMING and KICKING
trying to get through.
EXT. GARAGE DOOR
Tatum is half in/half out of the pet door. She BEATS and JERKS wildly, unable to
see the FIGURE on the other side...
A true fighter, Tatum kicks hard, making direct contact with the FIGURE, knocking
him away.
She takes the moment to pull herself through further...but she stops...stuck. She
pulls and tugs but can't move. She listens but hears nothing. Where did he go?
An agonizing silence. And then...
CRR-BRRRM! The garage door is activated. It begins to rise upward, taking
Tatum with it. She SCREAMS MADLY.
TATUM
NOOOOOOOO.....
Tatum's arms and legs fly about violently as she tries to free herself from the
door, but it moves too fast, carrying her up...
She looks above to see where the door rolls back into garage rafters just as her
neck hits the first beam, SNAPPING instantly.
INT. FOYER - MINUTES LATER
It's getting late and SOME KIDS leave through the front door, muttering, "parents
and curfew", etc. The door hangs open wide. Sid moves to close it when....
BILLY appears in a classic fake scare.
SIDNEY
Billy? Jesus, you scared me.
Stu appears.
STU
(with a wink)
Dude. What are you doing here?
BILLY
I was hoping Sid and I could talk.
SIDNEY
If Tatum sees you--she'll draw blood.
STU
You guys can go up to my parents room?
To talk and...whatever.
BILLY
Subtlety, Stu. Look it up.
SIDNEY
It's okay. We need to talk.
Sid grabs his hand and leads him up the staircase. Randy appears from the kitchen
just in time to see Sid and Billy disappear upstairs.
RANDY
What's Leatherface doing here?
STU
He came to make up.
RANDY
There goes my chance with Sid.
STU
Like you had one.
INT. NEWSVAN
Kenny fidgets at the control board. He hits a coupla buttons, bangs the side of
the monitor and a picture emerges...the living room. The camera is positioned just
above the television...
ON SCREEN
The party is in full swing. Several TEENS sit right in front of the television.
Because of the camera's position they appear to be staring right into the lens.
Suddenly, the van's side door slides open and Gale pops in.
KENNY
Got a picture. Perfect placement. We
can see everything.
Gale is ecstatic.
GALE
Tell me, Kenny, has a cheesy tabloid
journalist ever won the Pulitzer?
INT. BEDROOM
A large, master bedroom with glass doors that lead out onto a balcony.
Sid and Billy stare at each other for a long moment. Awkward.
SIDNEY
So...
BILLY
So...I'm sorry. I've been a selfish shit
and I'm sorry.
SIDNEY
No, Billy. I'm the one who's been
selfish and self-absorbed with all of my
post traumatic stress.
BILLY
You lost your mom...
SIDNEY
But you're right--enough is enough. I
can't wallow in the grief process forever
and I can't keep lying to myself about
who my mom was.
Billy bows his head quietly, knowingly.
SIDNEY
I think in some weird analytical,
psychological bullshit way I'm scared
I'm gonna turn out just like her, you
know? Like the bad seed or something...
BILLY
Oh Sidney...
SIDNEY
Everytime I get close to you
190
I see my
mom. I know it doesn't make sense.
BILLY
Sure it does. It's like Jodie Foster in
SILENCE OF THE LAMBS when she
kept having flashbacks of her dead father.
SIDNEY
But this is life. This isn't a movie.
BILLY
Sure it is, Sid. It's all a movie. Life's
one great big movie. Only you can't
pick your genre.
Billy moves to her. They embrace, tenderly.
fa0
SIDNEY
I wanna let go. I do...
BILLY
Ssshh...everything's gonna be okay. I
promise.
Sidney takes the initiative, acting on impulse, kissing him long and hard. She
breaks away passionately, out of breath.
SIDNEY
Why can't I be a Meg Ryan movie?
Billy nibbles her neck.
BILLY
Sshh..it's okay.
SIDNEY
Or even a good porno.
BILLY
(shocked)
What?
She stares at him, her eyes sexually charged.
SIDNEY
You heard me.
BILLY
(incredulous)
Are you serious?
SIDNEY
(surprising herself)
Yeah...I think so.
They smile at each other.
INT. LIVING ROOM - MINUTES LATER
The camera sits on the book shelf lodged between two knickknacks, completely
inconspicuous. The CAMERA WIDENS to reveal several TEENS watching the TV--the
horror diehards.
TEEN #1
Look, here it comes. SPLAT!
TEEN #2
The blood's not the right color. Why do
they do that? It's too red.
RANDY
Here comes another...
TEEN #3
Predictable. Knew he was going to bite
it.
BORED TEEN
How can you watch this shit over and
over?
RANDY
Shhhhh.
STU
I wanna see Jamie Lee's breasts. When do
we see Jamie Lee's breasts?
RANDY
Not until TRADING PLACES in '83. Jamie
Lee was always the virgin in horror movies.
She didn't show her tits until she went legit.
BOY TEEN
No way.
RANDY
That's why she always lived. Only
virgins can outsmart the killer in the
big chase scene in the end. Don't you
know the rules?
Stu finishes his beer.
STU
What rules?
Randy hits the pause button on the remote and stands in front of the television,
explaining.
RANDY
There are certain rules that one must
abide by in order to successfully survive
a horror movie. For instance: 1. You
can never have sex. The minute you get a
little nookie--you're as good as gone.
Sex always equals death. 2. Never drink
or do drugs. The sin factor. It's an
extension of number one. And 3. Never,
ever, ever, under any circumstances, say
"I'll be right back."
STU
Wanna another beer?
RANDY
Yeah.
STU
I'll be right back.
Everybody "ooohhs".
RANDY
There he goes folks--a dead man. Wave
bye-bye.
INT. NEWSVAN - CONTINUOUS
Gale and Kenny watch the monitor. The party is clearing out some
A RAP at the van door. Gale pulls it open to see Deputy Riley standing, his face
all smiles.
DEWEY
Sheriff just radioed me. I'm gonna check
out a possible lead. Thought you might
like to join me.
GALE
What kind of lead?
DEWEY
A car was spotted in the bushes a little
ways up the road.
GALE
I'd love to. If you're sure it's
alright?
DEWEY
Ma'am, I am the Deputy of this town.
GALE
Can I bring Kenny?
DEWEY
(too quickly)
NO! I mean...I should probably take just
you.
Gale steps out of the van turning back to Kenny.
GALE
I'll be back.
She slides the van door closed.
EXT. ROAD - CONTINUOUS
Gale heads for Dewey's patrol jeep.
DEWEY
Actually, I thought we could walk. It's
not far.
Gale appears skeptical, but smiles anyway. She's genuinely smitten by this young
guy.
INT. LIVING ROOM - CONTINUOUS
SCARY MUSIC fills the room. The party is reduced to the diehards in front of the
television.
RANDY
(pointing to TV)
Look, here comes the obligatory tit shot.
OTHER GUYS
Beautiful! Finally!
INT. BEDROOM - CONTINUOUS
Billy and Sidney are going at it...passionately. He has his head buried in her
neck.
SIDNEY
(to herself)
"Eight is enough to fill our lives with
love..."
It's working. Sidney pushes Billy off her as she pulls her shirt over her head.
She fumbles with the clasp of her bra as the...
CAMERA RUSHES IN on her breasts. Just as Sid's bra straps slide of her shoulders...
Billy moves in front of the CAMERA, pulling his jeans off, Blocking Sidney from
view.
INT.
190
LIVING ROOM - SECONDS LATER
Back in the living room, the horror fest continues when the phone RINGS. Everyone
ignores it. It RINGS again.
Finally, Randy grabs the receiver from the side table.
RANDY
Hello? Yeah....HOLY SHIT.
Randy, freaked, drops the phone, finds the TV remote and pauses the movie, the
others protest
"Hey, Put is back..." etc.
RANDY
Listen up. They found Princip
fa0
al Himbry
dead. He was gutted and hung from the
goal post on the football field.
This stills the room. Complete silence as the news sinks in. ON different faces...
a moment of devastation..disbelief. And then:
TEEN #1
So what are we waiting for?
TEEN #2
Let's get over there before they pry him
down.
And in seconds the room is empty as everyone bolts for the door..HOOTIN' and
HOLLERIN' ...leaving Randy, near drunk, alone in the living room. He returns to
the movie.
RANDY
We were just getting to the good part.
INT. NEWSVAN - MINUTES LATER
Kenny is barely watching the monitor, he reached boredom some time ago. He finds a
bag of Cheetos and chows down when he hears SCREAMING from outside. He peers out
the window to see the last of the PARTY KIDS pile into two cars and race off down
the road.
He chews a Cheeto slowly, his interest piqued.
INT. BEDROOM - MINUTES LATER
The sex is over...and both Sid and Billy are dressing respectively. That post-sex
awkwardness.
Sid brushes out her hair as her eyes come to rest on the telephone on the
nightstand...it puzzles her as a stark reveleation crosses her face. She turns to
Billy who sits on the floor, putting on his shoes.
SIDNEY
Who did you call?
BILLY
What?
SIDNEY
When you're arrested-you're allowed one
phone call? Who did you call?
BILLY
I called my dad.
SIDNEY
No, Sheriff Burke called your dad. I saw
him.
BILLY
Yeah...and when I called no one answered.
SIDNEY
Uh-huh.
BILLY
You don't still think it was me?
SIDNEY
No, but if it were you, that would have
been a very clever way to throw me off
track. Using your one phone call to call
me so I wouldn't think it was you.
Billy stands up.
BILLY
What do I have to do to prove to you I'm
not a killer?
He makes a move toward her when..from behind, in a split instant, from the open
balcony doors comes...
THE GHOST FIGURE
Sidney sees the FIGURE immedietely, SCREAMING. Billy tries to calm her, oblivious
to the advancing GHOST.
SIDNEY
BILLYWATCHOUT!!!!
Billy barely turns as a long steely blade rises high in the air. It strikes down
with force...hitting his chest as blood sprays the air.
ON SIDNEY as red crimson splatters across her face...as the knife is thrust in and
out of Billy who tries hard to put up a fight..but it's useless...he never had a
chance. His body falls to the floor..lifeless.
ANGLE ON GHOST
as he watches Billy's body come to a still before quietly, calmly turning his
attention to...
SIDNEY who stands, numb...scared to death. And only when the GHOST takes a step
forward does Sidney break. She takes off like a rocket...leaping over the bed and
out the door.
INT. HALLWAY - CONTINUOUS
Sidney tears out the door and down the hall, coated in Billy's blood.
ANGLE ON THE GHOST
as he catches up with her, grabbing hold of her collar. She pulls away from him...
her shirt ripping down the back.
Her hands find a door knob and she goes for it, pulling the door open...moving
quickly inside...locking it behind her.
INT. DARK SPACE - CONTINUOUS
Total darkness. Sidney's hands scour the wall for a light switch. The doorknob
turns...the lock holds..as the door is nearly SHAKEN from it's hinges...and then...
NOTHING. All goes silent. Only Sidney's rapid BREATHING fills the space around
her.
Sidney, trembling, shaking, reaches above her, feeling, until she finds a string.
She pulls it...as a lightbulb SWITCHES on overhead.
She's in a small box of a room. The door is on one side, a small, narrow staircase
on the other. She eyes the doorknob, then the staircase...contemplating...but it's
an easy decision. There's no fucking way she's going up to the attic.
She unlocks the door and pushes on it. But it won't give...she pushes on it again.
It's locked from the other side. Shit. She turns to the staircase.
EXT. DARK ROAD - CONTINUOUS
A long, deserted country road. In the distance, a single
190
flashlight beams ahead,
the only light in the black night. Gale and Dewey can be heard.
GALE
So is Dewey your real name?
DEWEY
Dwight. Dewey was something I got stuck
with a long time ago.
GALE
I like it. It's... sexy.
DEWEY
Nah... it's just this town's way of not
taking me serious.
GALE
What about Gale Weathers? I sound like a
meteorologist...
CLOSE ON
fa0
Gale and Dewey, walking closely, side by side-flirtatiously. Gale is
surprisingly nervous.
GALE
People treat me like the Antichrist of
television journalism.
DEWEY
I don't think you're so bad.
Gale smiles.
GALE
Are all the local boys as sweet as you?
Dewey blushes. He starts to say something when headlights appear behind them.
They both spin as TWO CARS loaded with KIDS come racing right at them.
Dewey grabs Gale and pushes her off the road... just as the cars speed by,
oblivious to them.
IN THE DITCH
Gale lands face up with Dewey right on top of her. He steals a glance in her eyes
before rolling off her.
DEWEY
You okay?
Something takes Gale's attention.
GALE
What's that?
Dewey looks to where gale points. He finds the flashlight and aims it into the
bush. The tail end of a car is just visible.
DEWEY
Looks like a car.
Dewey helps her up and they move to it. He shines the flashlight on the plates but
it's already obvious to the CAMERA. This is the same car we last saw Sidney's
father driving away in.
DEWEY
Shit. It's Neil Prescott's car.
GALE
Sidney's father?
DEWEY
We gotta get back. Jesus. He's here.
What the fuck is he doing here?
Dewey is panicked. He grabs Gale and they race off down the road.
INT. LIVING ROOM - CONTINUOUS
Randy continues to watch TV. He is now sloppy drunk, completely involved in the
movie on the screen.
SCARY MUSIC SWELLS, filling the room.
RANDY
(to TV)
No, Jamie. Look behind you! Watch out!
Behind you!
And if he followed his own advice, he would see the GHOST MASKED FIGURE that stands
directly behind him...knife poised.
INT. NEWSVAN - CONTINUOUS
Kenny finishes off a soda and crushes the can in his hand. He tosses it to the
floor when a movement from the monitor catches his eye.
ON THE MONITOR is Randy, still on the couch, engrossed in the movie. Directly
behind him...the GHOST. Kenny does a double-take. No fucking way. He watches as
the GHOST stands still, unmoving, knife raised.
KENNY
JESUS...FUCK...
The GHOST takes a silent step forward.
KENNY
(screaming at the monitor)
BEHIND YOU! LOOK BEHIND YOU!
This kid needs help. Kenny bolts out of his seat and goes for the side door. He
slides it open and sticks his head out as...
A LONG, SHARP BLADE
comes at Kenny, fast and furious...slicing into his throat. Kenny falls forward...
out the door as the GHOST MASKED FIGURE is upon him.
THE CAMERA PANS TO THE MONITOR
just in time to see the GHOST MASKED FIGURE turn away from Randy, leaving him
unharmed, moving instead, out the front door, on a thirty second walk to the
newsvan.
INT. ATTIC - CONTINUOUS
The attic is long and narrow...cluttered with furniture, boxes, and the likes...
moonlight filters in through a small raised window on the front wall of the house.
Sidney moves through the attic...BUMPING into this, KNOCKING over that...she passes
a dusty mirror, jumping at her own reflection. She cringes at her image, drenched
in Billy's blood. She stares long and hard...something about the blood, the
redness of it. She moves on, determined.
She eyes the raised window above her...a way out...if she could only reach it...
EXT. FRONT YARD
Gale and Dewey come running up the drive, frantic.
DEWEY
I'll call for backup.
GALE
I'll get my camera.
They split up. The CAMERA FOLLOWS GALE as she rushes to the newsvan, throwing open
the door.
GALE
Kenny! Camera! Quick!
The van is empty.
GALE
Kenny?
A CAR HORN goes off. Gale spins around. It came from the patrol jeep in the
driveway.
GALE
(calling out)
Dewey?
She moves across the yard to the jeep, the door hangs open...Dewey is nowhere to be
found.
GALE
Dewey? Where are you?
A look of pure dread comes over Gale.
INT. ATTIC - CONTINUOUS
Sidney has stacked object after object building a ladder to the window. She climbs
to the top, holding onto the window frame.
She spots Gale almo
190
st immedietely. She SCREAMS OUT, looking for the window latch.
But there's not one. It doesn't open. Sidney starts beating on it...trying to
break it...
EXT. FRONT DOOR - CONTINUOUS
Gale, hanging tough, approaches the front door, unable to hear Sidney's SCREAMS
three floors up. Gale reaches for the door just as she hears LOUD, HORRIBLE
SHRIEKS from just inside. She backs away.
INT. LIVIN
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G ROOM - CONTINUOUS
AN EAR-CURDLING JAMIE LEE CURTIS SCREAM BLASTS through the empty living room as the
horror movie on TV comes to it's horrifying climax.
Randy is now gone.
EXT. FRONT YARD - CONTINUOUS
Gale races across the yard putting distance between her and the house. She moves
back to the van...
INT. ATTIC - CONTINUOUS
Sidney has found an old tennis racket. She swings a solid forehand at the window.
THE WINDOW SPRAYS GLASS
Sidney moves quickly, lifting herself up over broken glass and pulling herself
through the window frame.
EXT. SIDE OF THE HOUSE
Sidney wastes no time. She looks for Gale, SCREAMING, but Gale is gone.
Sid lowers herself down the ledge, sliding down a sloped portion of the roof onto...
THE MASTER'S BEDROOM BALCONY.
Then she eases herself over the railing and lowers herself, letting herself hang as
low as she can...then she lets go, free-falling the rest of the way...but in a
split instant...
THE GHOST APPEARS
grabbing her wrists in midair.
Her body hangs, dangling against the side of the house. The GHOST begins to lift
her, pulling her back onto the balcony.
Sidney jerks, pulls, twists...but the HANDS have her, hoisting her up...Sidney
SCREAMS MADLY...yanking one last time, freeing herself.
SHE DROPS TO THE GROUND, a good seven feet, landing on her back, hitting hard. She
grabs at a pained leg and brings herself upright.
INT. NEWSVAN - CONTINUOUS
Gale is frantic. She starts the engine up and hits the headlights when she
discovers she can't see out of the windshield.
Gale rubs at the glass. Sure enough, something is on the windshield outside,
blocking her sight. Gale hits the wipers as BLOOD SMEARS across the glass, it
drips down from above.
Gale SCREAMS as a HAND reaches in through the open window...she looks up to see...
RANDY, staring at her madly.
RANDY
What's going on?
A sheer moment of fear as Gale hits the gas plummeting the car forward, into a
ditch. She hits the BRAKES. Randy is thrown forward, away from the van.
Gale reverses, backs up, hits the brakes again...just as Kenny's face comes sliding
down the outside of the windshield...eyes wide, face distorted, blood everywhere.
Gale hits the gas, and yanks the wheel, sending Kenny's corpse flying off the top
of the van.
Gale spins the van around, onto the road, hits the gas madly, gaining speed just as.
..
SIDNEY APPEARS
in the middle of the road, drenched in blood, very much resembling a young Sissy
Spacek.
Gale swerves to miss her, but she turns too sharp and the van veers off the road at
top speed...flipping over on its side, sliding off into the thick foliage.
EXT. ROAD - CONTINUOUS
Sidney races to where the van lay on it's side. Sidney peers through the
windshield...Gale's body lay limp and bloody.
SIDNEY CRIES OUT, turning, limping to the driveway. She sees the patrol jeep with
it's open door...she goes for it.
INT. JEEP
Sidney hops in, reaches for the ignition...NO KEYS! Shit. Just then, Sidney's
eyes go to the front porch. She watches as the front door opens and a FIGURE
appears in the darkness, undetectable.
Sidney throws the headlights...illuminating the front side of the house, revealing..
.
DEWEY STANDING IN THE DOORWAY.
SIDNEY
DEWEY!
Sidney opens the jeep door, moving to him, noticing his body, slumped, knees
buckled...
And then his body falls forward, slowly, deliberately, hitting the porch hard.
Standing behind him is...
THE GHOST
SIDNEY SCREAMS FROM THE BOTTOM OF HER SOUL.
SIDNEY
NOOOOOOOO!!!!!
Sid jumps back inside the jeep, closing the door, locking it. She reaches over and
locks the passenger's door and then she...waits.
And watches as the GHOST leans over Dewey's still body, fumbling with something.
Then the FIGURE stands upright, in his hands he holds...
THE KEYS
They jingle in the wind, the GHOST toying with her, enjoying this...
Sidney, hysterical, locks eyes with the FIGURE as he moves to the door, Sidney
leaps on it, holding the lock b
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utton down, making it impossible to unlock. Her
face is pressed against the glass...inches from the MASKED FIGURE.
She uses every ounce of strength when suddenly, the GHOST DISAPPEARS, dropping down,
below the window, out of her view.
Sidney moves to the center of the jeep, trying hard to listen over her own RAPID
BREATHING, every sound AMPLIFIED.
Then she hears it, the soft JINGLING of keys n
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ear the passengers side door. She
pounces on the lock, holding it down.
A shadow cuts the beam of the headlights, unseen by Sidney. The lock turns on the
other side. Sidney leaps over and holds it down, securing it. This is beyond
nerve-racking. Sidney is certifiable.
Her eyes spot the police radio for the first time. She grabs the mouthpiece and
hits the switch.
SIDNEY
Help! Please! I'm at Stu Maker's house
on Turner Lane. Please, HE'S GONNA
KILL ME!
EXT. FRONT OF JEEP
ANGLE through front windshield. Sidney RANTING into the police band. She doesn't
see the...
GHOST FIGURE open the tailgate door of the jeep and slowly crawl in behind her.
The GHOST FIGURE reaches out and grabs hold of Sidney's neck.
Sidney, with surprising strength, spins around and attacks the GHOST.
She falls back against the dash, legs out, kicking wildly at him.
Her hand reaches for the door, finds the lock, the door lever, she pulls...
The door swings open...
Sidney falls out of the door, hitting the ground.
EXT. FRONT YARD - CONTINUOUS
Sidney, on her stomach, squirms away from the jeep. She brings herself up to her
hands and knees, looking behind her to see nothing...
THE GHOST HAS DISAPPEARED.
Sidney's eyes roam the yard but he's nowhere. Completely gone. Vanished. Sid
crawls to the front porch where...
DEWEY'S BODY LAY
Thinking quickly, precisely, she reaches to Dewey's holster and grabs his gun when
a VOICE ECHO'S behind her...
VOICE
(o.c.)
Sidney!
She turns to see Randy racing to her, limping. He appears stone cold sober.
RANDY
Jesus, Sid. We gotta get out of here.
Sidney throws the gun forward.
SIDNEY
Stop. Right there.
RANDY
Don't shoot. It's me.
SIDNEY
Don't come any closer.
RANDY
Listen to me, Sid. I found Tatum. She's
dead, she's been killed...I think Stu did
it.
He takes a step forward when another VOICE SPEAKS UP.
VOICE
(o.c.)
Don't believe him, Sid.
Sidney spins around to see Stu moving up the walk.
STU
He's lying. He killed Tatum. And Billy.
Stu moves closer to Sidney.
SIDNEY
Stay away.
She aims the gun in his direction.
STU
His movie nut mind has snapped, Sid.
He's gone psycho.
RANDY
Don't listen to him. It's him. He's the
one.
Sidney has lost it, she doesn't know who to trust. She aims the gun at Stu..then
Randy..then Stu...
STU
Come on, Sid. Give me the gun.
RANDY
No, Sid.
They both move toward her. There's no time. She must act now. Finally...
SIDNEY
Fuck you both.
And with that, Sidney steps back into the house and SLAMS the front door shut.
INT. LIVING ROOM / FOYER
Sid locks and bolts the door. From the other side she can hear Randy SCREAMING.
RANDY
NO, SID. OPEN UP. PLEASE...
HE'S GONE CRAZY.
His fists POUND against the door. Sidney, stumbling in the darkness, rushes to the
phone in the living room. Just as she reaches for it...it RINGS. It scares the
life out of her. She SCREAMS, yanking it up.
SIDNEY
Please! God! Help me!
VOICE
(from the phone)
Having fun Sidney?
Sidney falls apart, SCREAMING.
SIDNEY
NOOOOOOOOO!!!
She throws the phone down, disconnecting the call.
Sid moves back to the door. RANDY'S SCREAMS ARE MADDENING. She eyes the lock,
deliberating.
SIDNEY
(at the door)
GOAWAYLEAVEMEALONE!
CLUNK! A NOISE UPSTAIRS.
Sidney looks up the staircase, into the darkness, her face SHOCKED to see...
BILLY
emerging from the shadows, stumbling down the stairs. Very much alive.
SIDNEY
Oh God. Billy!
He's blood-soaked and dazed. Sidney meets him in the landing, grabbing him,
holding him...
SIDNEY
I thought you were...
BILLY
I'm alright. Gotta...get...help.
Billy goes for the door.
SIDNEY
He's out there.
Randy continues POUNDING ON THE DOOR, SCREAMING AT THE TOP OF HIS LUNGS.
RANDY
(through door)
Please, you gotta let me in. He's
gonna kill me.
Billy goes for the door. S
190
idney blocks him.
SIDNEY
NO! Don't believe him.
BILLY
It's okay. Give me the gun.
Sidney hands him the gun. Billy turns and unlocks the door, opening it. Randy
rushes in, grabbing Billy, pleading...
RANDY
Help me...
BILLY
(calming him)
Shhhh. It's okay.
RANDY
Stu's flipped out. He's gone mad.
Slowly, a small smile creeps across Billy's face.
BILLY
"
fa0
We all go a little mad sometimes."
Randy squints, confused, as Billy aims the gun at Randy and pulls the trigger. The
BLAST throws Randy's body against the wall before sliding to a heap on the floor...
still.
BILLY
Anthony Perkins--PSYCHO
BILLY TURNS TO SIDNEY...
Who stands only feet away, face aghast...
Fuck, no...this can't be happening. Billy's eyes are on her, unmoving.
He sticks his tongue out and slowly licks the blood dried to his face...tasting it.
BILLY
Corn syrup. Same stuff they used for
pig's blood in CARRIE.
Sidney is dumbfounded. Slowly, she takes a step back, moving into the dark refines
of the kitchen.
Billy, lurches forward in a fake-out, baiting her. She takes another step back--
petrified.
CLOSE ON BILLY'S FACE. It is no longer familiar to Sidney. There is something
inhuman now about his features. His expression is pure evil.
She takes another step back, shrinking into the dark kitchen.
THE CAMERA TAKES A MOMENT TO ADJUST TO THE DARKNESS as the outline of a FIGURE
appears...
STANDING RIGHT BEHIND SIDNEY.
She continues to back up, moving right into the arms of...
STU
Sidney spins around...her mouth open in speechless horror.
SIDNEY
Stu...please...help me...
Stu stares back at her, eyes wide, lips curled in a subtle smile as he holds a
small compact CELLULAR PHONE up to his face.
STU
(whispering into phone)
Surprise, Sidney.
His VOICE sounds affected now...the VOICE of the killer.
Sidney looks back to Billy, then to Stu, then to Billy again. It becomes all too
clear.
She stands between them, her mind racing, calculating...
SHE BOLTS INTO THE LIVING ROOM
If for no other reason than to put space between her and them...they stand in the
entryway, trapping her in.
BILLY
Where ya going? It's not over yet. We've
got one more surprise--Stu, I believe it's
your turn.
STU
Oh yeah
Stu disappears into the kitchen.
BILLY
(to Sidney)
What's wrong? You look like you've seen
a ghost.
Sidney stands, trying hard to hold a calm resolve.
A NOISE comes from the kitchen. A low dragging sound. Stu reappears from the
front hall...wrestling with something...someone...
CLOSE ON STU...he has a body in tow, he thrusts it forward and it rolls into the
living room. Sidney looks down to find...
HER FATHER
bound and gagged. His eyes wide in fear, very much alive.
SIDNEY
Daddy!
She starts for him.
BILLY
Close enough.
Stu places the cellular phone in Mr. Prescott's shirt pocket.
STU
Guess, I won't be needing this anymore.
SIDNEY
Why are you doing this?
STU
It's all part of the game.
BILLY
It's called GUESS HOW I'M GOING TO DIE!
SIDNEY
Fuck you.
BILLY
We already played that game. You lost,
remember?
STU
You have to play, Sid. Don't want to
disappoint your dad. He's been waiting
around all night.
BILLY
It's an easy game. We ask you a
question. If you get it wrong--you die.
STU
And if you get it right--you die.
SIDNEY
You're crazy--both of you.
STU
The official term is "psychotic".
SIDNEY
You'll never get away with this.
BILLY
Tell that to Cotton Weary. You wouldn't
believe how easy it was to frame him.
STU
Yeah, we just watched a few movies. Took
a few notes. It was fun.
Billy and Stu relish their madness, proud of themselves.
Sidney looks to her dad, sees the tears in his eyes. She looks back to Billy,
unflinching..a determined look on her face.
SIDNEY
Why did you kill my mother?
BILLY
Why? WHY? Did you hear that, Stu? I
think she wants a motive. Hmmm...I don't
really believe in motives, Sid. I mean, did
Norman Bates have a motive?
Stu plays along, shaking his head.
STU
Nope.
BILLY
And did they really ever explain why
Hannibal Lecter liked to eat people?
Don't think so. You see, it's scarier
when there's no motive, Sid.
SIDNEY
(fighting tears)
I don't understand...
190
BILLY
We did your mom a favor, Sid. The woman
was a slut bag whore who flashed her shit
all over town like she was Sharon Stone or
something.
STU
(laughing)
..so we put her out of her misery. I
mean, let's face it, your mom was no
Sharon Stone.
Stu cracks up over this while Billy turns very serious.
BILLY
Is that motive enough for you? Or how
about this? Did yo
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u know your slut
mother was sleeping with my dad and she's
the reason my mom moved out and deserted
me.
A sudden silence. Sidney is rigid with shock, his words resonant with truth.
SIDNEY
What?
Even Stu is surprised with his seriousness.
BILLY
Think about it. On the off chance I get
caught-a motive like that could divide a
jury for years, don't you think?. You took
my mother, so I took yours. Big sympathy
factor. Maternal abandonment causes
serious deviant behavior. It certainly
fucked you up. It made you have sex with
a psychopath.
STU
That's right and now that you're no
longer a virgin. You gotta die--those
are the rules.
Billy sits the gun down on the table near the foyer. And then moves to Sidney with
the butcher knife in hand.
BILLY
Pretend this is all just a scary movie,
Sid. How do you think it's going to end?
Sidney doesn't respond.
STU
(excited)
This is the best part, Sid. Billy's got
it all figured out. Why do you think we
kept your father alive so long? Why did
we save you for last?
BILLY
You know what time it is, Sid? It's
after midnight. It's your mother's
anniversary. We killed her exactly one
year ago today.
Billy turns to Stu with the knife. They eye each other.
BILLY
Ready?
STU
Yeah...
Billy pulls the knife back and brings it forward quickly, slicing into Stu. He
stumbles to ho his knees, WINCING in pain.
STU
Jesus...
Sidney SCREAMS...as blood gushes..real blood, a dark, deep red. Stu inspects the
wound to his side...then he smiles...
STU
Good one. My turn.
He takes the knife from Billy.
BILLY
Don't forget-stay to the side and don't
go too deep.
Stu stabs at Billy's belly, puncturing him...Billy doubles over...
BILLY
Jesus...fuck, that hurt.
SIDNEY
Stop it!
BILLY
(squelching the pain)
Got the ending figured out yet? Time's
running out.
STU
Come on, Sid. Think about it. Your
father is the chief suspect. We cloned
his cellular. The evidence is there.
Billy takes the knife and slashes at Stu's arm, two quick cuts...he doubles over...
BILLY
What if your father snapped? Your mom's
anniversary set him off and he went on a
murder spree, killing everyone...
STU
(in major pain)
Except for me and Billy...we were left
for dead...
BILLY
And then he killed you and then shoots
himself in the head. It's a perfect
ending.
STU
Everyone dies but us. We get to carry on
and plan the sequel. Let's face it, these
days--you gotta have a sequel.
Stu takes the knife and cuts at Billy.
SIDNEY
You sick fucks--you've seen one too many
movies.
Billy looks at her, bent over, crazed.
BILLY
Oh Sid, don't blame the movies...Movies
don't create psychos. Movies just make
psychos more creative.
Stu staggers a bit.
STU
That's it, Billy. I can't take any more.
I'm feeling woozy.
BILLY
Get the gun. I'll untie Pops.
Billy moves to Sidney's father.
STU
Where'd you put it?
Stu is searching the foyer for the gun.
BILLY
It's on the table.
STU
No, it's not.
Billy hobbles over. The gun is gone.
BILLY
Where the fuck is it?
VOICE
(off camera)
Right here, asshole.
Billy and Stu look up in unison to see...
GALE WEATHERS-CORRESPONDENT FROM INSIDE STORY
standing in the front door way, gun in hand. Her body tattered and bloody. Her
hair a mess.
BILLY
I thought she was dead.
STU
She looked dead. Still does.
Gale holds the gun firm, in total control.
GALE
I've got an ending for you. The reporter
left for dead in the newsvan comes to,
stumbles upon you two dipshits, finds the
gun, fumbles your plan, and saves the day.
Sidney steps forward.
SIDNEY
I like that ending.
Billy lunges at Gale, but she holds steady. Billy and Stu eye each other.
BILLY
She can't get both of us.
STU
Odds are--she'll miss anyway.
In
190
a mad rush, they storm Gale, heading straight at her. She pulls the trigger,
but nothing happens...the safety is on.
Billy charges forward, grabbing hold of the front door, SLAMMING IT SHUT. It
catches Gale in the face, knocking her backwards out the door. She goes down...out.
STU
Cool move.
Billy steps out the front door and retrieves the gun from where Gale lays. Then he
turns back
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inside the house to find...
SIDNEY GONE.
BILLY
Where'd she go?
Stu looks around, staggering now, bleeding heavily...Sidney has completely
disappeared. Only her father, bound and gagged remains in the living.
STU
I don't know Billy but I'm hurtin'.
BILLY
Where the fuck did she go?
Suddenly, the phone RINGS. Billy and Stu look at each other. Completely surprised.
Billy scrambles over to the phone.
BILLY
(picking up phone)
Hello?
SIDNEY
(from phone)
Are you alone in the house?
Billy looks to Mr. Prescott. The cellular phone is gone.
BILLY
You bitch--where the fuck are you?
SIDNEY
Not so fast. We're gonna play a little
game. It's called GUESS WHO JUST
CALLED THE POLICE AND REPORTED
YOUR SORRY MOTHERFUCKING ASS?
Billy looks around the living room.
BILLY
Find her.
Billy is fuming now...slightly staggering...and starting to lose it. He SCREAMS at
Stu who has fallen to his knees.
BILLY
FIND HER YOU DIPSHIT!
STU
I can't...I'm bad off, Billy. You cut
to deep.
Billy throws the phone at Stu. He mouths to him, so Sid can't hear. "Talk to her..
." Then Billy takes off for the kitchen. Stu takes the phone.
SIDNEY
(aware)
So Stu, what's your motive? Billy's got
one. The police are on their way. What
are you going to tell them?
STU
Peer pressure...I'm way to sensitive.
Billy flies back in the room, grabbing the phone from Stu. He's completely nuts
now, staggering, bleeding, totally insane.
BILLY
(SCREAMING in phone)
I'm gonna rip you up bitch. Just like
your slut whore mother.
SIDNEY
Gotta find me first, you pansy-assed
Mama's boy.
Billy starts ripping the room up, overturning furniture in a mad fit of rage...when
he notices the hall closet. Touche! He smiles deliriously, heading for it,
ripping it open as...
A GHOST MASKED FIGURE strikes from within, with an umbrella, the sharp end hitting
him in the chest as it fans out. Billy stumbles back, stunned, as the GHOST comes
at him again...the umbrella lodges in his chest, and he goes down.
Sidney rips the GHOST MASK off her head. She looks at Billy, disgusted, throwing
the mask on Billy's now still body. A movement behind her sends her reeling around
to find...
RANDY slowly sitting up. His body drenched in blood. He's alive...barely. He
looks to Sidney...through pain...
RANDY
You know what I hate most about horror
movies? The final scene...it just goes on
and on...and it gets so stupid...
Randy manages to stand when a FIGURE COMES LEAPING at him, completely unexpected...
it's Stu...barreling into him...they fall back into the living room. Sidney grabs
the gun next to Billy and turns to the living room to find...
Randy and Stu rolling across the floor in a dead lock, fighting, both seriously
injured...Sid tries to find aim when a...
HAND GRABS HOLD of Sidney's ankle, toppling her to the floor...once again she finds
Billy on top of her...
IN THE LIVING ROOM
Randy and Stu pound at each other, beating and clawing...
ON SIDNEY as she fights viciously, attacking with everything she's got...
Randy is desperately trying to pry away from Stu...he grabs hold of the television
set and tries to pull himself off the floor out of Stu's clutch...
His hands find the top of the TV...the VCR...he yanks on it, gripping it with his
hands, bringing it around with force-CRASHING the VCR into Stu's head. Stu drops.
ON SIDNEY as she digs her hand into Billy's open chest wound. He CRIES OUT BLOODY
MURDER. Her other hand brings the gun up to his face...but he head bunts it out
the front door...suddenly a flash of silver appears above Sidney.
Billy has grasped the butcher knife...he rises it high above Sidney ready to strike.
..when a bullet RIPS THROUGH THE FOYER striking Billy knocking him back into the
living room.
Sidney looks up to see...
GALE WEATHERS, holding the gun in a death grip as smoke rises above the gun's
chamber.
Sidney si
190
ts up as Gale moves to her, helping her. Their eyes meet. A life truce.
INT. LIVING ROOM - CONTINUOUS
Billy and Stu lay face up, head to head. Sid and Gale move over them, staring down.
Randy joins them.
RANDY
Sid, you found me out...I'm a virgin.
And pretty happy about it right now.
Sidney nudges their bodies. They both stir.
RANDY
Careful. This is the moment when you
t
722
hink the killer's dead, but then he
springs back to life for one last scare.
Sidney grabs the gun from Gale.
SIDNEY
Not this time.
She positions her foot on Stu's chest and aims.
SIDNEY
This is for my Mom, asshole.
She SHOOTS him in the forehead, a clean and perfect shot. The she aims the barrel
at Billy who's eyes suddenly open, blinking up at her, blood bubbling from his lips.
He's not yet dead. Their eyes lock.
SIDNEY
And this Billy stud-bucket is for having
an incredibly small weenie.
She FIRES another perfect shot. They're both goners.
Sidney drops the smoking gun, standing silent over the bodies. A quiet moment when
suddenly...
A FIGURE LUNGES AT THEM
Both Sid and Gale and Randy SCREAM in epic, final scare proportions as Mr. Prescott
leaps forward, still bound and gagged.
Sid catches her breath, relaxing.
SIDNEY
Oh Daddy...
She rushes to him, untying him...while Gale moves to the bookcase and retrieves the
hidden camera.
GALE
I wanna close-up.
Randy appears by Sidney's side, helping her untie her father.
RANDY
This is probably an inappropriate
moment, but you think you'd want
to maybe go out with me sometime...
like on a date?
Sidney looks at him, dumbfounded.
RANDY
Maybe catch a movie?
A long moment as Sidney's face goes from disbelief to resignation to the slight
trace of a smile.
SIDNEY
Only if it's a nice Meg Ryan movie.
RANDY
You got it.
He smiles at her...watching as Sidney grabs hold of her father, holding him tight
as Gale Weathers, with camera in hand, gets one hell of an ending to this SCARY
MOVIE.
THE END
Found on INFlow Screenplay Repository
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